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Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites of knowledge construction: drawing, office, construction site; the afterlife of drawings and models: archiving, collecting, displaying, and exhibiting; tools of making: architectural representations and their apparatus over time; and the ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy. The research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.

Any building can be perceived as the summation of specific actions surrounding the gathering and construction of a precise volume and variety of materials. By working backwards and quantifying its individual aspects, a structure can be estimated in terms of labour costs spent in construction. This methodology, traditionally called architectural energetics, is becoming more common in historical and archaeological analyses and can provide new avenues through which to interpret past societies via structures. Three-dimensional (3D) technologies are continually being applied to historical research in new and exciting ways. One such application comes in 3D reconstructions of past buildings. In this project, a residential structure at Kasmenai, Archaic period southeast Sicily, was reconstructed based on archaeological evidence and historical comparanda. From the volume calculations provided by Blender, volumetric analyses can be completed to aid in estimating labour costs for constructing the building. This project compares the traditional, mathematical format of architectural energetics to that aided by 3D design. The advantages of the latter demonstrate clearly the benefit of incorporating digital technologies into historical research.

In light of current developments in modelling, and with the aim of reinvigorating debates around the potentiality of the architectural model – its philosophies, technologies and futures – this issue of AD examines how the model has developed to become an immersive worldbuilding machine. Worldbuilding is the creation of imaginary worlds through forms of cultural production. Although this discourse began with an analysis of imaginary places constructed in works of literature, it has evolved to encompass worlds from fields such as cinema, games, design, landscape, urbanism and architecture. Worldbuilding differs from the notion of worldmaking, which deals with how speculative thinking can influence the construction of the phenomenal world. As architects postulate ever-increasingly complex world models from which to draw inspiration and inform their practice, questions of scale, representation and collaboration emerge. Discussed through a range of articles from acclaimed international contributors in the fields of both architecture and media studies, this issue explores how the architectural model is situated between concepts of worldbuilding and worldmaking – in the creative space of worldmodelling. Contributors: Kathy Battista, Thea Brejzek and Lawrence Wallen, Pascal Bronner and Thomas Hillier, Mark Cousins, James A Craig and Matt Ozga-Lawn, Kate Davies, Ryan Dillon, Christian Hubert, Chad Randl, Theodore Spyropoulos, and Mark JP Wolf. Featured architects: Phil Ayres, FleaFolly Architects, Minimaforms, and Stasus.

The Routledge Companion to Games in Architecture and Urban Planning aims to identify and showcase the rich diversity of games, including: simulation games, game-like approaches, game scenarios, and gamification processes for teaching/learning, design and research in architecture and urban planning.This collection creates an opportunity for exchange and reflection on games in architecture and urban planning. Theoretical discussions, descriptive accounts, and case studies presenting empirical evidence are featured; combined with reflections, constructive critical analysis, discussions of connections, and various influences on this field.Twenty-eight international contributors have come together from eleven countries and five continents to present their studies on games in architecture and urban planning, pose new questions, and advocate for innovative perspectives.

The Architecture of Full-Scale Mock-Ups looks at the theory and contemporary practice of creating full-scale architectural mock-ups. This book serves as an introduction to the various forms of full-scale mock-ups which occur today. To broaden the definition of mock-ups, Nick Gelpi dives deep into the use of mock-ups in seven high-profile and global contemporary case studies. Instead of the presentation drawings and final building photos, the documentation of case studies relies on process photos, interviews, and moments of tension in the execution of each building. With never-before-published content, case studies include buildings from all over the world, including the Quincho Tia Coral and Teleton Building, Copper House II, the Pérez Art Museum Miami, the Cité de l'Océan et du Surf Museum, and more. Investigating unique case studies to answer how and when full-scale mock-ups occur today, this book is ideal for professionals and students of architecture studying materials and representation, design-build, and professional practice.

This scientific work focuses on computer-aided computational models in architecture. The author initially investigates established computational models and then expands these with newer approaches to modeling. In his research the author integrates approaches to analytical philosophy, probability theory, formal logic, quantum physics, abstract algebra, computer-aided design, computer graphics, glossematics, machine learning, architecture, and others. For researchers in the fields of information technology and architecture.

Une étape obligée dans la maîtrise de Revit Dans Autodesk Revit, il est indispensable de savoir créer ses propres familles d'objets pour maîtriser pleinement ce puissant outil de création de maquette numérique. Cet ouvrage remarquable vous expliquera comment procéder dans un contexte général ou dans le cas d'objets structurels et de fluides. Enrichie de deux chapitres sur les familles de cartouches et l'IFC, cette deuxième édition comporte 18 exercices pratiques, dont les solutions sont disponibles à l'adresse www.editions-eyrolles.com/go/famillesRevit2. À qui s'adresse cet ouvrage? À tous les professionnels du bâtiment utilisant Revit : architectes, ingénieurs, bureaux d'études... Aux créateurs de familles débutants ou confirmés

Model making is a beautiful and skilful craft, and architectural model making is a vital part of the building process. The architectural model is often the first time that a building is visualized in 3D. It can capture the excitement of the architect's vision but can also reveal unforeseen difficulties. Model Making for Architects explains the role of the model within the architectural and planning process. It advises on the many ways of representing a building and the many techniques of making a model. With practical instruction throughout, it is an invaluable tool both for the model maker and for the architect seeking to commission a model of their building. With contributions from leading practictioners, case studies on multi-million pound projects and step-by-step exercises, this new book provides a unique insight into the process of architectural model making, and looks at the new technology and opportunities available to the model maker. What and who is an architectural model for? What type of model should be used, and when? What scale is most appropriate? These questions are answered in this new book which provides a unique insight into the process of architectural model making. Illustrated with examples of top models of multi-million pound projects. Will be invaluable for architectural model makers, architects, surveyors and interior designers. Superbly illustrated with 227 colour photographs. Matt Driscoll is the founding director of Base Models, reknowned for creating beautiful, yet practical architectural models.

The physical scale model is an important tool of communication for architecture students and practitioners alike. Although the proliferation of CAD programmes has enabled the creation of increasingly complex computer models and virtual environments, there is also a growing need to address the three-dimensional qualities of architecture that may be lost when using such media. This book focuses on the inspiring possibilities for modelling the built environment with all the different media and techniques that are now available. Through description of the use of different models in different contexts, the book provides a practical and effective guide to how and why models are used, in addition to what they are used for, and, furthermore, how they relate to architecture education. The book is generously illustrated with photographs of models, accompanying commentaries, and step-by-step practical instructions on the various techniques associated with modelmaking. Architectural Modelmaking provides a concise yet broad ‘toolbox'for all students of architecture.

This book offers an explanation of why scale models are important to the design process. Albert Smith takes the reader through the history and significance of models in architecture from the magic of the Egyptian scale model to the present day. Through this description of the relationship between architecture and the scale model, Smith demonstrates the most effective process between concept and'machine', between the idea and the final building. The great value of this book is to reveal the nature of the scale model and to unlock the tremendous potential of this design tool as a thinking and communicative advice. His chronological analysis goes on from Egypt through Rome to the relationship between the Greek paradigm scale model and then on to Medieval and Renaissance models. It concludes with the models of the Spanish architect Antonio Gaudi, the Russian Constructivists, the American architect Louis Khan and finally looks at the role of scale models in the present day through the work of the Polish/American architect Daniel Libeskind and the American Frank Gehry.