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It's the end of summer, 2001. Erin O'Connor has everything she's ever dreamed of: good friends, a high-powered career at a boutique Manhattan firm, and a husband she adores. They have plans for their life together: careers, children, and maybe even a house in the country. But life has other plans. Daniel works on the 101st floor of the World Trade Center.Erin is drinking margaritas on a beach in Mallorca, helping her best friend get over a breakup, when she hears a plane has crashed into Daniel's building. On a television at the smoky hotel bar, she watches his building collapse. She makes her way home with the help of a stranger named Alec, and once there, she haunts Ground Zero, nearby hospitals, and trauma centers, plastering walls and fences with missing-person flyers. But there's no trace of Daniel.After accepting Daniel's death, Erin struggles to get her life back on track but makes a series of bad decisions and begins to live her life in a self-destructive fog of booze and pills. It's not until she hits rock bottom that she realizes it's up to her to decide: Was her destiny sealed with Daniel's? Or is there life after happily ever after?

When a catastrophic wildfire suddenly rips through a woman's hometown, she thinks she is lucky to have survived... until she finds a dead woman in her driveway, clutching a piece of paper with her name on it....The blaze came out of nowhere one summer afternoon, a wall of fire fed by blustering wind. Yet, somehow, Alison is alive. She rode out the fire on the damp tiles of her bathroom, her entire body swaddled in a wet woolen blanket. As flames crackled around her, the bitter char of eucalyptus settled in the back of her throat, each breath more desperate than the last. The wildfire that devastated the Victoria countryside Alison calls home sets in motion a chain of events that threatens to obliterate her carefully constructed life. When Alison emerges from her sheltering place, she spots a soot-covered cherry red car in her driveway, and in it, a dead woman. Alison has never met Simone Arnold in her life... or so she thinks. So what is Simone doing here? As Alison searches for answers across Australia's scorched bushlands, she soon learns that the fire isn't the only threat she's facing....

“Astonishingly beautiful... It's a revelation.”—Jenny Offill, New York Times bestselling author of WeatherOne of Electric Literature's “75 Books by Women of Color to Read in 2024”From the National Book Award-winning translator, an atmospheric and wise debut novel of a young Brazilian woman's first year in America, a continent away from her lonely mother, and the relationship they build over Skype calls across bordersIn a small dorm room at a liberal arts college in Vermont, a young woman settles into the warm blue light of her desk lamp before calling the mother she left behind in northeastern Brazil. Four thousand miles apart and bound by the angular confines of a Skype window, they ask each other a simple question: what's the news? Offscreen, little about their lives seems newsworthy. The daughter writes her papers in the library at midnight, eats in the dining hall with the other international students, and raises her hand in class to speak in a language the mother cannot understand. The mother meanwhile preoccupies herself with natural disasters, her increasingly poor health, and the heartbreaking possibility that her daughter might not return to the apartment where they have always lived together. Yet in the blue glow of their computers, the two women develop new rituals of intimacy and caretaking, from drinking whiskey together in the middle of the night to keeping watch as one slides into sleep. As the warm colors of New England autumn fade into an endless winter snow, each realizes that the promise of spring might mean difficult endings rather than hopeful beginnings. Expanded from a story originally published in The New Yorker, and in elegant prose that recalls the work of Sigrid Nunez, Katie Kitamura, and Rachel Khong, Bruna Dantas Lobato paints a powerful portrait of a mother and a daughter coming of age together and apart and explores the profound sacrifices and freedoms that come with leaving a home to make a new one somewhere else.

A Contemporary Classics hardcover edition of the groundbreaking classic novel of the Black experience in America that is still remarkably relevant more than a century later.First published anonymously in 1912, this resolutely unsentimental novel gave many white readers their first glimpse of the double standards—and double consciousness—experienced by Black people in modern America. Republished in 1927, at the height of the Harlem Renaissance, with an introduction by Carl Van Vechten, The Autobiography of an Ex-Colored Man became a pioneering document of African-American culture and an eloquent model for later novelists ranging from Zora Neale Hurston to Richard Wright and Ralph Ellison. Narrated by a man whose light skin enables him to'pass'for white, the novel describes a journey through the strata of Black society at the turn of the century—from a cigar factory in Jacksonville to an elite gambling club in New York, from genteel aristocrats to the musicians who hammered out the rhythms of ragtime. The Autobiography of an Ex-Colored Man is a complex and moving examination of the question of race and an unsparing look at what it meant to forge an identity as a man in a culture that recognized nothing but color. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

SHORTLISTED FOR THE ERBD LITERATURE PRIZE 2024 A BEST NEW BOOK OF 2023 (THE NEW ARAB) A NOTABLE AFRICAN BOOK OF 2023 (BRITTLE PAPER) An unforgettable and eviscerating novel of human frailty, brutality, and resistance as told through the first-person prison narratives of a man and a womanHistory of Ash is a fictional prison account narrated by Mouline and Leila, who have been imprisoned for their political activities during the so-called Lead Years of the 1970s and 1980s in Morocco, a period that was characterized by heavy state repression. Moving between past and present, between experiences lived inside the prison cell and outside it, in the torture chamber and the judicial system, and the challenges they faced upon their release, Mouline and Leila describe their strategies for survival and resistance in lucid, often searing detail, and reassess their political engagements and the movements in which they are involved. Written with compassion and insight, History of Ash speaks to human brutality, resilience, and the power of the human spirit. It succeeds in both documenting the prison experience and humanizing it, while ultimately holding out the promise of redemption through a new generation.

An American woman and her son unearth the buried secrets and past lives of an English manor house in this masterful and riveting novel from New York Times bestselling author Lauren Belfer.“Infused with the brooding, gothic atmosphere of Jane Eyre or Rebecca... a novel that must be savored, one page at a time.”—Melanie Benjamin, author of The Children's Blizzard ONE OF THE BEST BOOKS OF THE YEAR: The New York Times“How many lives can you imagine yourself living?”So Hannah Larson wonders. When a close relative falls ill, Hannah and her young son, Nicky, decide to join him for the summer at Ashton Hall, a historic manor house outside Cambridge, England. Hannah gave up her academic career to raise her beloved child, who is neurodivergent and experiences the world differently from others, and she's grateful to escape her life in New York City, where her marriage has been upended by a devastating betrayal.Soon after their arrival, ever-curious Nicky discovers the skeletal remains of a woman in a forgotten, walled-off wing of the manor, and Hannah is pulled into an all-consuming quest for answers. Working from clues in centuries-old ledgers and the personal papers of the long-departed family, Hannah begins to re-create the Ashton Hall of the Elizabethan era in all its color and conflict. As the secrets of her own life begin to unravel, and the rewards and complications of being Nicky's mother come into focus, Hannah realizes that Ashton Hall's women before her had lives not so different from her own. She confronts what women throughout history have had to do to control their own destinies and protect their children.Rich with passion, strength, and ferocity across the ages, Ashton Hall is a novel that reveals how the most profound hauntings are within ourselves.

When his girlfriend, Rosemary, asks about his life, Jim Moore, a successful salesman whose territory covers the entire continental United States and parts of Canada, doesn't think there is anything to say and so he tells her “nothing happened,” or maybe he doesn't know how to put it all into words or maybe he doesn't want to. Stuck in an airport because of blizzard conditions, and packed into a crowded terminal with other travelers, Moore has come to believe that his life is not worth reporting about because it has largely been a life lived without incident. However, chance encounters with a yoga instructor, a man traveling to bury his mother, and an enigmatic woodsman reawaken long dormant emotions about his father's suicide and cause Jim to newly reflect on his own life and on a memorandum that he later discovered in his deceased father's papers, which lists all the names of the clouds, and which Jim now, from time to time, recants as if it were his own private kaddish to memorialize his lost father. Like the pilgrims in Chaucer's The Canterbury Tales who pass the time telling stories while stranded in the Tabard Inn, Memorandum from the Iowa Cloud Appreciation Society tells the tale of a traveling salesman and what really happened over the course of his forty- six years.

'An eerily familiar reflection of our current moment... It continues to haunt me'NATASHA BROWN, I PAPER BOOKS OF THE YEAR'I will go wherever she takes me. A phenomenal book'DAISY JOHNSON'A brilliant, scalding novel... sharp, intricately layered, impossible to forget'MEGAN HUNTER'Stunning... beautifully written and deeply unsettling'BOOKSELLER, EDITOR'S CHOICECHOSEN AS A 2021 BOOK TO LOOK OUT FOR BY OBSERVER, INDEPENDENT, FINANCIAL TIMES, EVENING STANDARD, GRAZIA, STYLIST, ELLE THE NATIONAL, FIVE BOOKS AND BUROA couple drive from London to coastal Provence. Anya is preoccupied with what she feels is a relationship on the verge; unequal, precarious. Luke, reserved, stoic, gives away nothing. As the sun sets one evening, he proposes, and they return to London engaged. But planning a wedding does little to settle Anya's unease. As a child, she escaped from Sarajevo, and the idea of security is as alien now as it was then. When social convention forces Anya to return, she begins to change. The past she sought to contain for as long as she can remember resurfaces, and the hot summer builds to a startling climax.Lean, sly and unsettling, Asylum Road is about the many borders governing our lives: between men and women, assimilation and otherness, nations, families, order and chaos. What happens, and who do we become, when they break down?

'Perhaps the luminous novel is this thing that I started writing today; just now. Maybe these sheets of paper are a warm-up exercise. […] But it's quite possible that if I go on writing – as I usually do – with no plan; although this time I know very well what I want to say; things will start to take shape; to come together. I can feel the familiar taste of a literary adventure in my throat. I'll take that as confirmation; then; and start describing what I think was the beginning of my spiritual awakening – though nobody should expect religious sermons at this point; they'll come later. It all began with some ruminations prompted by a dog.'A writer attempts to complete the novel for which he has been awarded a big fat Guggenheim grant; though for a long time he succeeds mainly in procrastinating – getting an electrician to rewire his living room so he can reposition his computer; buying an armchair; or rather; two:'In one; you can't possibly read: it's uncomfortable and your back ends up crooked and sore. In the other; you can't possibly relax: the hard backrest means you have to sit up straight and pay attention; which makes it ideal if you want to read.'Insomniacs; romantics and anyone who's ever written (or failed to write) will fall in love with this compelling masterpiece told by a true original; with all his infuriating faults; charming wit and intriguing musings.

Hi ha moments en què tot trontolla, en què una petita escletxa pot provocar una esquerda. O, fins i tot, pot fer que caigui un mur. Aquesta és la sensació viscuda per l'Anna, una jove periodista que havia publicat uns reportatges sobre l'aniversari de la caiguda del Mur de Berlín i ara s'assabenta que una de les fonts entrevistades era un impostor. Per això, el seu diari ha rebut una demanda. En un moment emocionalment complicat, l'Anna haurà de revisar la seva pròpia feina i investigar les persones que va entrevistar, moltes d'elles marcades encara per haver viscut sota el règim opressiu de l'RDA. Anirà descobrint múltiples falsedats (per què la van enganyar?, quin paper hi fa un espia de la Stasi?), en una història teixida amb enganys i desenganys que fins i tot sacsejarà les seves relacions personals.

Part of the Gibbs Smith Women's Voices series: A collection of literary voices written by, and for, extraordinary women—to encourage, challenge, and inspire.Charlotte Perkins Gilman (1860–1935) championed women's rights in her prolific fiction, nonfiction, and poetry.Discover three influential works by one of America's first feminists in their unabridged form: the short story The Yellow Wallpaper, a haunting interpretation of postpartum depression; the feminist utopian novel Herland; and Women and Economics, which when published in 1898 established Gilman as a sociologist, philosopher, ethicist, and social critic, and is considered by many to be her greatest work.Continue your journey in the Women's Voices series with Jane Eyre, by Charlotte Bronte (ISBN: 978-1-4236-5099-7), The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Hope Is the Thing with Feathers, the complete poems of Emily Dickinson (ISBN: 978-1-4236-5098-0), and Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3).

Ruth lives comfortably with her son, Em, in a house by the sea. She has a well-paying job at the Agency, a firm that creates elaborate fictions to shape public opinion. Their lives weren't always like this. Ruth had to get Em out of Antwerp's hopeless postal code Twenty-Seventy, the neglected neighborhood where Em's father, Mio, was murdered when she was still pregnant. A new assignment forces her to return to the place she once called home, and she'll need to convince old friends and family—the only people in her life who connect her to her past—to remain silent as the government demolishes it all. Amid this upheaval, Ruth discovers a golden CD with a voice on it claiming to be Mio. He is in a place called the Nothingness Section, which may be an island or just another piece of fiction. In Anyuru's story of stories, are there any tales where Mio can end up with Ruth, raising his son by the sea?

It seems like a sign of liberation—of adulthood's indefinite postponement—when partisans bomb the university and every student's personal records, from transcripts to debts, are consumed in erasing fire. If nothing else, it lends Margaux the freedom to continue her preferred art form of list-making unfettered by the authority of academia--until she encounters the breakdowns and disappearances and deaths of the people she admires and cherishes most. A monochromatic painter. A BDSM documentary photographer. A transgendered Aphrodite. A mathematician with an invisible cat. Yet as the concrete details of her world dissolve into the abstraction of loss, they also become more rarefied, more essential. Something small enough to be contained. Small enough to be protected. Set in a semi-fictional, post-industrial American warzone, this novel explores multiple facets related to the recent nonfictional decades of constant civil unrest, with a particular focus on the complicated nature of holding a personal creative life amidst a time of constant violence and change. Despite its heavy themes, the narrative is threaded throughout with veins of absurdist humor that invite and welcome us into the familial warmth of the narrator's memories of friendship.

From #1 bestselling author Sophie Kinsella, an unforgettable story—by turns heartbreaking and life-affirming—of a renowned novelist facing a devastating diagnosis and learning to live and love anew. “The bravest book you'll read all year.”—Jodi Picoult“Only Sophie Kinsella can make you laugh like this while she's got you crying.”—Taylor Jenkins Reid “What Does It Feel Like? is fiction, but it is my most autobiographical work to date. Eve's story is my story.”—Sophie Kinsella Eve is a successful novelist who wakes up one day in a hospital bed with no memory of how she got there. Her husband, never far from her side, explains that she has had an operation to remove the large, malignant tumor growing in her brain.As Eve learns to walk, talk, and write again—and as she wrestles with her diagnosis, and how and when to explain it to her beloved children—she begins to recall what's most important to her: long walks with her husband's hand clasped firmly around her own, family game nights, and always buying that dress when she sees it.Recounted in brief anecdotes, each one is an attempt to answer the type of impossible questions recognizable to anyone navigating the labyrinth of grief. This short, extraordinary novel is a celebration of life, shot through with warmth and humor—it will both break your heart and put it back together again.“Why did I write such a personal book? I have always processed my life through writing. Hiding behind my fictional characters, I have always turned my own life into a narrative. It is my version of therapy, maybe. Writing is my happy place, and writing this book, although tough going at times, was immensely satisfying and therapeutic for me.”—Sophie Kinsella

Published in 1900, eleven years prior to her masterpiece Ethan Frome, Edith Wharton's novella The Touchstone explores the emotional complexities of love and betrayal. Penniless and unable to marry the woman he loves, the financially struggling lawyer Stephen Glennard discovers a way out of his predicaments by selling love letters written to him by deceased author Margaret Aubyn. Glennard's psychological anguish as he grapples with his guilt and the repercussions of his actions presents a poignant narrative of human conscience and morality.

“The people in The Third Realm are as vivid and convincing as Knausgaard's autobiographical persona... Enthralling... you can't stop reading.” —Lev Grossman, The Atlantic“One of the most genuinely suspenseful, alluring books I've ever read. Novel by novel, Knausgaard is replenishing some feral charge to the world.” —Brandon Taylor, The Washington PostFrom bestselling author Karl Ove Knausgaard, a kaleidoscopic novel about human nature in the face of enormous change—and the warring impulses between light and dark that live in all of usFor several days, a strange and bright new star in the sky above Norway has sown an unyielding sense of foreboding, of agitation, and of fear. Tove, a painter on holiday with her family, has spiraled into a psychosis that stirs her into a flurry of unbridled creativity. Geir, a policeman who has been investigating a grisly triple murder, comes to a sinister revelation he must keep to himself. Nineteen-year-old Line falls in love with the lead singer of a metal band and is lured into a secret and frightening world.But most bewildering, and disquieting, is the discovery made by Syvert, an undertaker: since the star has appeared, no one has died.In The Third Realm, Karl Ove Knausgaard returns to the spellbinding world of The Morning Star and The Wolves of Eternity, as a cast of new and familiar characters continue to reckon with the meaning of this star. What is haunting them, and why?As supernatural forces collide with the mundanities of everyday, and the threshold between life and death becomes diffuse, people are forced to live their lives as before while the world around them slowly changes in inexplicable ways. Piercing through human existence into the bestial and phantasmagorical, Knausgaard flings opens the gates to our most distressing neuroses and forces us to ask: What happens if the dark forces in the world are set free?

A beautiful, tender yet searing debut novel about intergenerational fractures and coming of age, following a young woman who immigrates to the United States from the Philippines and finds herself adrift between familial expectations and her own burning desires Love Can't Feed You is a stunning, heartbreaking, and compressed look at coming of age, shifting notions of home, and the disintegration of the American dream. It asks us: What does it mean to be of multiple cultures without a road map for how to belong? After a harrowing flight, Queenie, her younger brother, and their elderly Chinese father arrive in the United States from the Philippines. They're here to finally reunite with Queenie's Filipina mother, who has been working as a nurse in Brooklyn for the past few years—building a life that everyone hopes will set them up for better prospects. But her mother is not the same woman she was in the Philippines: Something in her face is different, almost hardened, and she seems so American already. Queenie, on the cusp of adulthood, has big dreams of attending college, of spending her days immersed in the pages of books. But there is not enough money for her and her brother to both be in school, so first she must work. Queenie rotates through jobs and settles, tentatively, into her new life, but her brother begins to withdraw and act out, and her father's anger swells. As the pressures of assimilation compound, and the fissures within her family deepen into fractures, Queenie is left suspended between two countries, two identities, and two parents.

Roxy and Coco, sisters and glamorous harpies (mythical bird women), work to save the world by stopping child abuse, while also trying to evade capture. For readers of Neil Gaiman and Karen Russell. “[A] wry and rambunctious fable….The book offers brief and staggered visions of family, in all its complex permutations. Here, flocks settle into wonderfully unlikely formations. It's possible that the most dangerous thing for anyone, harpy or human, is the decision to fly alone.” — Hilary Leichter, New York Times Book Review Sisters Roxy and Coco are two glamorous harpies—mythical bird women—attempting to outrun extinction and fix the planet by preventing child abuse, one child at a time. When Roxy is suddenly attracted to her human supervisor at a social work agency a hundred years too early, Coco is very suspicious. Luring Roxy with his scent, Tim is also on the payroll of a fake conservationist intent on her less-than-legal collection. Coco swoops in to vet Tim, but Interpol is hot on her trail for a series of curious homicides. (Surveillance has a very hard time convincing his boss of what he's monitoring.) When the sisters find themselves trapped, Chris, a bipolar skateboarding truant, tries his best to rescue them but it's Stewie, Coco's colleague, who turns the story inside out. Roxy and Coco climaxes at a gala of egg fanciers who scramble to escape the harpies'talons. Action figure–worthy, for readers of Neil Gaiman and Karen Russell, this modern take on these fabled women touches on mental illness, racism, animal rights, and the rights of children.

From the international and instant New York Times bestselling author John Connolly, this heart-wrenching installment of the beloved and brilliant Charlie Parker series “will leave readers breathless and shaken” (Booklist).In Maine, Colleen Clark stands accused of the worst crime a mother can commit: the abduction and possible murder of her child. Everyone—ambitious politicians in an election season, hardened police, ordinary folk—has an opinion on the case, and most believe she is guilty. Defending Colleen is the lawyer Moxie Castin, and working alongside him is the private investigator Charlie Parker, who senses the tale has another twist, one involving a husband too eager to accept his wife's guilt, a group of fascists arming for war, a disgraced psychic seeking redemption, and an old, twisted house deep in the Maine woods, a house that should never have been built. A house, and what dwells beneath.

The long-awaited follow-up to the New York Times bestselling Shades of Grey—in an EXCLUSIVE EDITION for North American readers, complete with a never-before-published short story“Fforde's books are more than an ingenious idea. They are written with buoyant zest and are tautly plotted... and are embellished with the rich details of a Dickens or Pratchett.” —The IndependentWelcome to Chromatacia, where life is strictly regulated by one's limited color perception. Civilization has been rebuilt after an unspoken “Something that Happened” five hundred years before. Society is now color vision–segregated, everything dictated by an individual's visual ability, and governed by the shadowy National Color in far-off Emerald City. Twenty-year-old Eddie Russett, a Red, is about to go on trial for a murder he didn't commit, and he's pretty certain to be sent on a one-way trip to the Green Room for execution by soporific color exposure. Meanwhile, he's engaged in an illegal relationship with his co-defendant, a Green, the charismatic and unpredictable Jane Grey. Negotiating the narrow boundaries of the Rules within their society, they search for a loophole—some truth of their world that has been hidden from its hyper-policed citizens. New York Times bestselling author Jasper Fforde returns to his fan-favorite Shades of Grey series with this wildly anticipated, laugh-out-loud funny and darkly satirical adventure about two star-crossed lovers on a quest to survive—even if it means upending their entire society in the process.

The New York Times Bestseller“An odyssey of action and awe.” —The New York Times“A wry and tender love-letter to the best of being human.” —Benedict CumberbatchThe remarkable next novel from Matt Haig, the author of #1 New York Times bestseller The Midnight Library, with more than nine million copies sold worldwide“What looks like magic is simply a part of life we don't understand yet…”When retired math teacher Grace Winters is left a run-down house on a Mediterranean island by a long-lost friend, curiosity gets the better of her. She arrives in Ibiza with a one-way ticket, no guidebook and no plan.Among the rugged hills and golden beaches of the island, Grace searches for answers about her friend's life, and how it ended. What she uncovers is stranger than she could have dreamed. But to dive into this impossible truth, Grace must first come to terms with her past.Filled with wonder and wild adventure, this is a story of hope and the life-changing power of a new beginning.

NAMED ONE OF THE OBSERVER'S 10 BEST NEW NOVELISTS FOR 2024'The stakes could barely be higher in Leo Vardiashvili's propulsive page-turner…It's a spellbinding achievement.'—The Financial Times “Has a commercial-fiction spring in its step.… Vardiashvili also has captured the winking, world-weary humor and magic-realist touches that mark a lot of literature from Europe's war-torn corners.” —Los Angeles Times'This novel annihilated me.... Left my heart bruised and battered and aching for more.'—Khaled Hosseini, #1 New York Times bestselling author of The Kite Runner “Tender and raw and funny.” —Colum McCann, National Book Award winning author of Let the Great World Spin'Propulsive, funny, and profound.'—Elif Batuman, Pulitzer Prize finalist and bestselling author of The Idiot “A book like no other, from an imagination like no other.” —Andrew Sean Greer, Pulitzer Prize winning author of Less Is LostAmid rubble and rebuilding in a former Soviet land, one family must rescue one another and put the past to rest: a stirring novel about what happens after the fighting is overSaba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind. When Irakli decides to return to Georgia, pulled back by memories of a lost wife and a decaying but still beautiful homeland, Saba and Sandro wait eagerly for news. But within weeks of his arrival, Irakli disappears, and the final message they receive from him causes a mystery to unfold before them: “I left a trail I can't erase. Do not follow it.” In a journey that will lead him to the very heart of a conflict that has marred generations and fractured his own family, Saba must retrace his father's footsteps to discover what remains of their homeland and its people. By turns savage and tender, compassionate and harrowing, Hard by a Great Forest is a powerful and ultimately hopeful novel about the individual and collective trauma of war, and the indomitable spirit of a people determined not only to survive, but to remember those who did not.

Set in the dark world of international espionage, from London to Mallorca, Croatia, Paris, and Cap Ferret: the gripping and suspenseful story of a young woman who unwittingly becomes a perfect asset in the long overdue finale of a covert special opThe young English narrator of Lea Carpenter's dazzling new novel has grown up unhappily in London, dreaming of escape, pretending to be someone else and obsessed with a locked private garden. On the eve of her twenty-first birthday, at a party near that garden, she meets its charismatic and mysterious new owner, Marcus, thirty-three years older, who sweeps her off her feet. Before long they are married at his finca in Mallorca, and at last she has escaped into a new role – but at what price? On their honeymoon in Croatia, Marcus reveals there is something she can do for him—a plan is in place and she can help with “a favor.”This turns out to be posing as an art advisor to a family on Cap Ferret, where Marcus asks her to simply “listen.” A helicopter deposits her at a remote, highly guarded and lavishly appointed compound on a spit of land in the Atlantic. It's presided over by an enigmatic, charming patriarch Edouard, along with his wife Dasha, children Nikki and Felix, and populated by a revolving cast of other guests—some suspicious, some intriguing, perhaps none, like her, what they seem.Brilliantly compelling, this is a spellbinding and unexpectedly poignant story of a long- planned, high-stakes CIA-Mossad operation that only needed the right asset to complete.

'An intoxicating [thriller], well worth the sleep you will lose as you read'just one more chapter'.'— Clémence Michallon, internationally bestselling author of The Quiet TenantPerfect for fans of Abigail Dean's Girl A and Adrian McKinty's The Chain, What Mother Won't Tell Me is a taut, Nordic thriller with a folk tale twist about a young girl raised in strict isolation, protected from the cruel people in the outside world, who soon realizes the most dangerous strangers are the ones in the bedroom across the hall... Once upon a time, a young woman named Juno lived in a cabin, deep in the woods on a remote island. She had only Mother; Father; her little brother Boy; and a book of fairytales for company. They lived in constant fear, because danger lurked on the other side of the lake, seeking them out –'strangers', as they called them, who wanted to destroy the family.They lived safely, under seven strict commandments. Until Juno was spotted by a stranger. In one moment, Juno's world comes crumbling down around her. It's clear the island she calls home is not the safe haven she believed it to be and that more than a few secrets have been kept from her. Juno doesn't know her parents. She doesn't know herself. But whoever Mother and Father are, they'll do anything to keep Juno to themselves.

LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZENo one will love you more or hurt you more than a sister. “I love this book. It moves like a souped-up pickup truck.'— Patti Smith, author of Just Kids and M Train From Betsy Lerner, celebrated author of The Bridge Ladies, comes a wry and riveting debut novel about family, mental illness, and a hard-won path between two sisters It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what's happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy's carefully constructed life. As Amy comes of age and seeks to find her place—first in academics, then New York publishing, and through a series of troubled relationships—every step brings collisions with Ollie, who slips in and out of the Shred family without warning. Yet for all that threatens their sibling bond, Amy and Ollie cannot escape or deny the inextricable sister knot that binds them. Spanning two decades, Shred Sisters is an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss and love. If anything is true it's what Amy learns on her road to self-acceptance: No one will love you more or hurt you more than a sister.

A contemporary classic from award-winning author Carmen Boullosa, in the tradition of Juan Rulfo, Jorge Luis Borges and César Aira, now available in a special Tenth Anniversary Edition. Loosely based on the little-known 1859 Mexican invasion of the United States, Texas: The Great Theft is a richly imagined evocation of the volatile Tex-Mex borderland. Boullosa views border history through a new lens decentering US narratives, and her sympathetic portrayal of each of her wildly diverse characters—Mexican ranchers and Texas Rangers, Comanches and cowboys, German socialists and runaway slaves, Southern belles and dancehall girls—makes her storytelling tremendously powerful and absorbing. Featuring a new introduction by Merve Emre, the Tenth Anniversary Edition of Texas sheds important historical light on current battles over the Mexican–American frontier while telling a gripping story with Boullosa's singular prose and formal innovation.

A speculative masterpiece of technology and mythmaking that contemplates humanity. The stories in Plasmas dive into a post-human, more-than-human world where life as we know it has been replaced by life as it goes on. Acrobats glide through the air attached to biotech devices, an archivist presents scenes from Earth after interstellar colonization to her students, and scientists in Siberia play god with a manmade beast. Written as a series of vignettes into futures near and far, Plasmas dives into questions of legacy, memory, the body, and technology through striking prose from one of France's leading sci-fi writers. Equally comfortable in the worlds of Donna Haraway and Vladimir Nabokov, Plasmas is stunning in both philosophical and literary depth.

It's 1970, and on the Windy Creek Reservation in South Dakota, amidst the rise of AIM in neighboring Pine Ridge, a baby boy appears nestled in a box of Styrofoam peanuts on the doorstep of St. Rose Catholic Church. His appearance disrupts the predictable, lonely life of longtime reservation priest Father Joe Kreitzer. The child, whom they name Bear, finds refuge under the care of Father Joe's closest friend and ally, Alice Nighthawk. Thirteen years pass without event, when Alice's older son, Albert, is mysteriously murdered outside a bar in Rapid City, and Bear is accused of attempting to kill the only person who knows what happened that night. At the same time, Father Joe receives a letter from a person from his past, the only woman who made him question the path of priesthood. She has reached out to Father Joe as one of the few who might help her. To keep Bear's case from federal prosecution, Father Joe and Alice begin a search for Bear's long-lost mother. But their journey unearths more than they bargained for, plunging Father Joe into a labyrinth of secrets and revelations. He is forced not only to confront the choices he's made and the secrets he keeps, but also to see the truth of the lives of the people around him. High Hawk is a rich tapestry of love and history, delving into the delicate intricacies of the past and the redemptive power of second chances. Through evocative prose, the lives of those on the fringes of American culture come alive, navigating adversity and forging connections against all odds.

“Jamie Quatro is a writer of sinuous, muscular power and grace. Two-Step Devil is a starkly gorgeous story of God and loss and art and love, and her best book yet.” —Lauren Groff From a New York Times Notable “writer of great originality” comes a bold new novel about love, faith and two societal outsiders whose lives converge in the contemporary American South The “fearless” (New Yorker) author of I Want to Show You More and Fire Sermon—whose recently published stories in The New Yorker and The Paris Review have brought her new attention—is known for her sharp, seductive prose and masterful exploration of the divine and the carnal in daily life. In Two-Step Devil, Quatro delivers a striking and formally inventive story of the unlikely relationship between two strangers on the margins of society and the shadowy forces that threaten their futures. In 2014, in Lookout Mountain, Alabama, the Prophet—a seventy-year-old man who paints his visions—lives off the grid in a cabin near the Georgia border. While scrounging for materials at the local scrapyard, the Prophet sees a car pull up to an abandoned gas station. In the back seat is a teenage girl with zip ties on her wrists, a girl he realizes he must rescue from her current life. Her name is Michael, and the Prophet feels certain that she is a messenger sent by God to take his end-time warnings to the White House. Michael finds herself in the Prophet's remote, art-filled cabin, and as their uncertain dynamic evolves into tender friendship, she is offered a surprising opportunity to escape her past—and perhaps change her future. Moving through the worlds of the Prophet, the girl, and a beguiling devil figure who dances in the corner of their lives, Two-Step Devil is a propulsive, philosophical examination of fate and faith that dares to ask what salvation, if any, can be found in our modern world.

Set in Dublin's Liberties, Estelle Birdy's explosively original debut Ravelling channels the energies and agonies of young men let loose in the city, their city, navigating the tumultuous trajectory of youth and young manhood, where they balance their hopes with the harsh realities of their present. Hurtling between friendships, feuds, drug-deals, family and brushes with the law, this is modern Dublin as never before portrayed. Ravelling follows Deano, a weed-smoking hurling star, living with his aunt in an about-to-be-demolished flat; Hamza, a Pakistani Muslim atheist and precocious academic, who sells his ADHD drugs to the kids in a private school; Oisín, empathetic and iron-willed, who has begun to see his dead brother at the end of his bed; Congolese nature lover, Benit, who just wants to relax and hurl with the lads; Karl, a maybe-gay fashionista, dreaming of something better while immersing himself in his art. Bound by friendship, place and the memories of those who've died too soon, these young men grapple with race, class, sex, parties, poverty, violence and Garda harassment, all while wondering what it means to be a man in twenty-first century Ireland. Ravelling's diverse, captivating cast of characters, rendered in pin-sharp dialogue reminiscent of Roddy Doyle, leaves the reader with an immersive sense of multi-cultural Ireland. Fast-paced, funny and eye-popping, it descends from Trainspotting, White Teeth and Milkman in its portrayal of urban life in the twenty-first century. Ravelling has been optioned by Sleeper Films for a major TV series.

From the author of Indie Next Pick and New York Times Editors'Choice Goodnight, Beautiful Women comes a transportive and chilling debut novel of two sisters growing up on an isolated Northern European island in the shadow of their late mother and the DevilIt's 1825, four generations after Berggrund Island's women stood accused of witchcraft under the eye of their priest, now long dead. In his place is Pastor Silas, a widower with two wild young daughters, Beata and Ulrika. The sisters are outcasts: imaginative, oppositional, increasingly obsessed with the lore and legend of the island's dark past and their absent mother, whom their father refuses to speak of.As the girls come of age, and the strictures of the community shift but never wane, their rebellions twist and sharpen. Ever capable Ulrika shoulders the burden of keeping house, while Bea, alone with unsettling visions and impulses, hungers for companionship and attention. When an enigmatic outsider arrives at their door, his presence threatens their family bond and unearths – piece by piece – a buried history to shocking ends. All the while Berggrund's neighboring island The Blue Maiden beckons, storied home of the Witches'Sabbath and Satan's realm, its misted shore veiling truths the sisters have spent their lives searching for.A Nordic Gothic laced with the horrors of life in a patriarchy both hostile to and reliant on its women, The Blue Maiden is a starkly beautiful depiction of lost lineage and resilience.

Welcome to the Marigold Mind Laundry, where we wash away the stains from your heart.In this enchanting tale—a blockbuster bestseller in Korea—the enigmatic owner of a magical laundromat that erases people's painful memories must learn to find her own peace before she can truly help others.Born with mysterious powers she does not know how to control, young Jieun accidentally causes her family to vanish. She vows to live a million lives in search of them. Finally, one night, she brings the Marigold Mind Laundry into existence. Its service: to remove the deepest pain from our hearts. Jieun listens while customers share their unhappy memories. As they speak, she transfers their sadness onto T-shirts as stains. After a spin in the washing machine, the stains become flower petals that soar into the air, and Jieun's customers find solace.Five wounded souls come to Jieun for help: a frustrated young filmmaker, a spiraling social media influencer, a mother betrayed by her husband, a woman jilted by her lover, and a talented photographer who hides in the safety of a mundane job. As Jieun listens to each of their stories, she learns that the will to heal is not a rare gift, but a power we all possess—if only we are open to it.Joyous and inspiring, The Marigold Mind Laundry offers wonderment and comfort as it teaches us to tap into the magic that lives within us all.

In the Talnikov household, violence is in the air. Natasha grows up in a chaotic and abusive family, surrounded by screaming relatives and scurrying cockroaches. Her father whips his children but dotes on his pets. Her aunts and governess take a grim satisfaction in doling out discipline—in between primping and preening for suitors. Amid this bleakness, Natasha and her siblings conspire to steal stray moments of childhood joy.Avdotya Panaeva's The Talnikov Family portrays a tumultuous upbringing in 1820s St. Petersburg with equal parts wit and rage. Modeled on the author's own life before her marriage to a nobleman writer, this sensational novel joined nineteenth-century Russia's intense debates about gender, sexuality, and revolution. It was swiftly suppressed after its original appearance in 1848, the censor calling it “cynical” and “undermining of parental power.” Panaeva published a number of iconic Russian writers; her own novel anticipates Dostoevsky's frenetic quarrels and heightened tone as well as Chernyshevsky's sweeping radicalism. Unlike many of her contemporaries, however, Panaeva considers the experiences of servants and workers, and she offers a critique of the family as ruthless as any other in literature. In Fiona Bell's vivid translation, The Talnikov Family offers readers a new perspective on nineteenth-century Russian literature and the society that shaped it.

During Tunisia's Arab Spring and its tilt toward Islamism, we meet three friends: Saleem, who is about to turn fifty and whose once-blissful marriage teeters on the edge as his mental health deteriorates; Aziz, a homely retired postal clerk who finds solace in literature and international cinema; and Omran, a well-traveled writer and public intellectual navigating a complex relationship with a young Franco-Tunisian woman who lives in Paris. As these men forge an unlikely friendship over drinks at a coastal bar in Bizerte and during walks on the beach, they grapple with the political extremism that dominates Tunisia's social and political life at the time. Repelled by Islamist rhetoric and the brand of masculinity it represents, the three friends recall their lives and question their relationship to their nation.We Never Swim in the Same River Twice offers an alternative narrative of the Arab Spring, one that challenges Western media's depiction of a'blessed revolution,'and gives readers an intimate and elegiac portrait of a recent period in Tunisian history.

The Holliman sisters have voices like angels. In 1972, when their father, Garland, hears the girls'beautiful harmonies, he decides to start a family gospel group with his wife Big Jean and four teenage children: the twins, Jeannie and Junior, and their younger sisters, Debbie and Patty. The Gospelettes become a popular act, traveling throughout Kentucky and the surrounding states spreading the gospel in song. But as society outgrows their way of life, changes are encroaching even on their small town and the sheltered Holliman children.The Evolution of the Gospelettes follows the family and their transformation from old-time gospel singers in the 1970s to performers on a televangelist program in the 1980s to founding members of a megachurch in the 1990s. As the new millennium approaches, Jeannie, whose beliefs have evolved and irreversibly departed from her family's, fears what will happen the more entrenched they become in fundamentalist thinking and finds herself in a fight to save the people she loves from self-destruction. This debut novel is a compelling exploration of family ties and rifts, faith and doubt, and holiness and hypocrisy in a changing world.

The bestselling modern classic by the author of I Never Promised You a Rose Garden about a deaf couple, their hearing child, and the bond they create through sign language, featuring a new introduction by Sara Nović, author of the New York Times bestseller True Biz, and a new afterword by the author“Astute and wholly authentic... This novel isn't only one of deaf hardship, but also one of bravery and great joy.... Over the course of it, I was often as gripped... as I am while reading a thriller.” —Sara Nović, from the IntroductionA Penguin ClassicAbel and Janice meet at a school for the deaf. Sign language brings them together, enabling them to survive and, indeed, to forge a love too powerful to be broken by the world into which they were born. Spanning forty years, from the late 1920s to the early 1960s, In This Sign follows the lives of Abel, Janice, and their hearing daughter, Margaret, as they contend uneasily with the “Outside”—a world designed, often purposely, to be inhospitable to those like them.First published in 1970, only a decade after ASL's formal recognition as a language and well before the passage of the Americans with Disabilities Act, In This Sign stands out as a rare, compassionate portrait of the deaf community.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

An enthralling novel about three generations of strong-willed women, unknowingly shaped by the secrets buried in their family's past.“What a delight! Like Mother, Like Mother is sharp, fun, and witty.”—Ann Napolitano, bestselling author of Hello Beautiful“A sprawling family saga, briskly told with the lightest of touches and an often-surprising sense of humor.”—Rumaan Alam, bestselling author of Leave the World BehindDetroit, 1960. Lila Pereira is two years old when her angry, abusive father has her mother committed to an asylum. Lila never sees her mother again. Three decades later, having mustered everything she has—brains, charm, talent, blond hair—Lila rises to the pinnacle of American media as the powerful, brilliant executive editor of The Washington Globe. Lila unapologetically prioritizes her career, leaving the rearing of her daughters to her generous husband, Joe. He doesn't mind—until he does.But Grace, their youngest daughter, feels abandoned. She wishes her mother would attend PTA meetings, not White House correspondents'dinners. As she grows up, she cannot shake her resentment. She wants out from under Lila's shadow, yet the more she resists, the more Lila seems to shape her life. Grace becomes a successful reporter, even publishing a bestselling book about her mother. In the process of writing it, she realizes how little she knows about her own family. Did Lila's mother, Grace's grandmother, die in that asylum? Is refusal to look back the only way to create a future? How can you ever be yourself, Grace wonders, if you don't know where you came from?Spanning generations, and populated by complex, unforgettable characters, Like Mother, Like Mother is an exhilarating, portrait of family, marriage, ambition, power, the stories we inherit, and the lies we tell to become the people we believe we're meant to be.

“This richly imagined journey into a dystopian future is at once cautionary and provocative, inviting us to heed the lessons of the Ancients.”—Dr. Robin Wall Kimmerer, New York Times bestselling author of Braiding SweetgrassA richly imagined, sweeping novel of hope, love, and adventure set in the unforgiving world of our own descendants, by the acclaimed author of WHISKEY WHEN WE'RE DRYA young boy and his older sisters find themselves suddenly and utterly alone, orphaned in an abandoned fishing village. Their food supplies dwindling, they set out across a breathtaking yet treacherous wilderness in search of the last of their people.Down the coast, raiders deliver the children's mother, along with the rest of their human cargo, to the last port city of a waning empire. Determined to reunite with her family, she plots her escape—while her fellow captives plan open revolt. At the center of power in this crumbling city, a young scholar inherits his father's business and position of privilege, along with the burden of his debts. As the empire's elite prepare to flee to new utopia across the sea, he must decide where his allegiance lies.With a rapidly changing climate shifting the sands beneath their feet, these three paths converge in a struggle for the future of humanity—who will inherit what remains and who gets to tell its story. At once a sweeping survival story; an epic of the distant future; and a post-apocalyptic vision of hope and optimism, THE ANCIENTS weaves a multilayered narrative about human resilience, hope, and stewardship of our world for future generations.

'Worst Vacation Ever—Five Stars, Would Recommend.'— Grady Hendrix, New York Times bestselling author of How to Sell a Haunted HouseWhite Lotus meets Kevin Wilson in this whip-smart social satire about a man who finds himself trapped on an island resort after the sun explodes, and suddenly must choose whether to save himself from the chaos, or help the fellow guests make it off the island alive…Vacation Checklist: Pack swim trunks. Apply sunscreen. Survive the apocalypse?Professional underachiever Dan Foster is finally taking a vacation. Sure, his life has been average at best, and yeah, he's never quite lived up to his potential. But after a few Miller Lites in paradise with his girlfriend, Mara, things are starting to look up.Then the sun explodes.With the island resort suddenly plunged into darkness (he really should've sprung for the travel insurance), Dan's holiday goes from bad to worse when elite guests stage a coup and commandeer supplies. As temperatures drop and class tensions rise, revolution begins to brew on the island, and Dan accidentally becomes a beacon of hope for the surviving vacationers. But when one six-person plane is discovered that could get them back to the mainland, Dan realizes he has a choice to make.Does he escape the island with Mara? Or does he stay and fight to become the most unlikely hero of the end of the world?

From the acclaimed author of The Banned Bookshop of Maggie Banks and Must Love Books comes a heartfelt bookclub read following one woman's journey to reconnect with her estranged Black family in the south, just as it's on the brink of falling apart, perfect for fans of The Chicken Sisters and The Last Summer at the Golden Hotel.One estranged family. One lost recipe. One last barbecue on the line. Mae is about to learn what happens when things go south…Mae Townsend has always dreamed of connecting with her estranged Black family in the South. She grew up picturing relatives who looked like her, crowded dinner tables, bustling kitchens. And, of course, the Townsend family barbecue, the tradition that kept her late father flying to North Carolina year after year, despite the mysterious rift that always required her to stay behind. But as Mae's wedding draws closer, promising a future of always standing out among her white in-laws, suddenly not knowing the Townsends hits her like a blow. So when news arrives that her paternal grandmother has passed, she decides it's time to head South. What she finds is a family in turmoil, a long-standing grudge intact, a lost mac & cheese recipe causing grief, and a family barbecue on the brink of disaster. Not willing to let her dreams of family slip away, Mae steps up to throw a barbecue everyone will remember.For better or for worse.

An “utterly unforgettable” (Kevin Wilson, New York Times bestselling author of Nothing to See Here) debut novel about a Cuban American family sent into a tailspin when the ailing matriarch confesses the first of several shocking secrets to her daughter.Mónica Campo is pregnant with her first child when, moments before being wheeled into emergency heart surgery, her mother confesses a long-held secret: Mónica's father is not the man who raised her. But when her mother wakes up and begins having delusional episodes, Mónica doesn't know what to believe—whether the confession was real or just a channeling of the telenovela her mother watches nightly. In her despair, Mónica wants to speak with only one person: her ex-boyfriend of five years, Manny. She can't help but worry, though, what this says about her relationship with her fiancé and father of her unborn child. Mónica's search for the truth leads her to a new understanding of the past—the early'80s, when her parents arrived from Cuba on the famous Mariel boatlift, and the tumultuous'70s, a decade after Castro's takeover, when some people were still secretly fighting his regime—people like her mother and the man she claims is Mónica's real father. Tell It to Me Singing is “so fantastic and funny, so full of life, and so full of genuine heart that, like your favorite binge-worthy show, you'll have trouble pulling yourself away” (Cristina Henríquez, author of The Great Divide). This “rich portrait” (Kirkus Reviews) of a family takes readers from Miami to Cuba to the jungles of Costa Rica and, along the way, explores the question of how and to whom we belong, how a life is built, and how we know we're home.

NATIONAL BESTSELLER • From the celebrated author of Disappearing Earth comes a tale of family, obsession, and a mysterious creature in the woods—“a mesmerizing story about hope, sisterhood, and survival with a truly shocking twist at the end” (People, Book of the Week).NEW YORK TIMES BOOK REVIEW EDITORS'CHOICE • A GOOD MORNING AMERICA BUZZ PICK!“Thrilling and propulsive, glorious and terrifying. Julia Phillips is a brilliant writer.”—Ann Patchett“Beautiful and haunting... this is brilliant.”—Publishers Weekly (starred review)They were sisters and they would last past the end of time.Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can't earn enough to get by, stirring their frustration about the limits that shape their existence.Then one night on the boat, Sam spots a bear swimming the dark waters of the channel. Where is it going? What does it want? When the bear turns up by their home, Sam, terrified, is more convinced than ever that it's time to leave the island. But Elena responds differently to the massive beast. Enchanted by its presence, she throws into doubt the desire to escape and puts their long-held dream in danger.A story about the bonds of sisterhood and the mysteries of the animals that live among us—and within us—Bear is a propulsive, mythical, richly imagined novel from one of the most acclaimed young writers in America.

“Flynn Berry is a must-read for me. Trust Her delivers her trademark blend of riveting suspense and beautiful emotional depth. You will love this novel.” —Laura Dave, #1 New York Times–bestselling author of The Last Thing He Told Me“Gripping... Ms. Berry is a lyrical writer who can set scenes both explosive and domestic.” —Wall Street JournalTwo sisters find they can't outrun their past in the riveting new thriller from the New York Times–bestselling author of Northern Spy, a Reese's Book Club pickThree years after they narrowly escaped the IRA's worst punishment for informing, Northern Irish sisters Tessa and Marian Daly have built a new life in Dublin with their young children. Though Tessa is haunted by the abrupt and violent end to her old life, she does her best to immerse herself in the joys of Finn's childhood and the rhythms of her new job at The Irish Observer.It's a small island, though, and just as quickly as they disappeared, figures from the sisters'past surface to drag them back into the conflict. Tessa is told she must track down her old handler from MI5, Eamonn, and attempt to turn him into an IRA informant, or lose everything.Tessa's reunion with Eamonn revives a host of feelings she has long attempted to bury. As their relationship intensifies and the pressure mounts, long-held secrets rise to the surface, and Tessa must navigate a treacherous landscape of shifting loyalties, all while trying to protect her beloved son.With her signature hair-raising suspense, razor-sharp prose, and rich emotional depth, Edgar Award winner Berry has crafted both an unforgettable portrait of two fierce women in the Daly sisters and her most spellbinding thriller to date.

An'engrossing, affecting, and singular'(Publishers Weekly) debut novel about love, family, queerness, and losing your mind in the modern world.While god is sending her signs through Instagram and Spotify demanding she break up with her girlfriend, Norma meets with a new therapist for one reason: she really needs to write again. With only one chapter missing in her manuscript, Norma is desperate to know if she needs to leave her girlfriend in order to write The Last Story. The new therapist diagnoses Norma with Depersonalization/Derealization Disorder, but Norma isn't having it. It's just Oblivion. Haunted by SSRI side effects and life becoming less hazily fictional by the day, Norma has never felt crazier. Does anyone else see the world's poorly crafted plotline? Like, who even wrote this story? Norma begins sharing her manuscript with her therapist, hoping to connect the dissociative dots once and for all—or at least enough so that Google ads stop giving her panic attacks. But soon Norma is questioning everything she's ever believed about life, writing, and love. And then there's Norma's girlfriend, the one with a crack of light in her eyes. Could she be Oblivion's antagonist, the manuscript's savior? Or is she just a human? Told alternately through Norma's barely fictional fiction and her crackling stream of consciousness, Please Stop Trying To Leave Me is an honest, comedic, horrifying, and heart-wrenching story about existing in today's world, challenging all we've been taught about the distance between fiction and reality, sanity and insanity, mental illness and healing.

From the beloved author of The Old Place comes a tender, funny, and fresh novel about a gay writer in New York City whose life is irrevocably altered, and then again thirty years later.In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie's opposite in almost every way, pushes Artie to want, and to ask for, more for himself.Thirty years later, Artie is stunned when Halle and Vanessa, Abe's daughter and ex-wife, announce they are moving across the country. Artie has built a lovely, if small, life, but their departure makes Artie realize that he might be lonelier than he previously thought. When a surprising injury pushes Artie into the hands of GALS, the local center for queer seniors, a rambunctious group of elders insist on taking him under their wing.Alternating between both timelines, Four Squares is an intimate look at what it means to find community at any age. With humor and compassion, it honors the enduring power of queer friendship, its history, and how essential it is to keep those stories alive.

A postapocalyptic noir that asks if love and political ideals can survive civilizational collapse A meditative, postapocalyptic noir, Mevlido's Dreams is an urgent communiqué from a far-future reality of irreversible environmental damage and civilizational collapse. Mevlido is a double agent working for the police and living in the last habitable city on the planet, a sprawling abyssal ruin marked by war and ruled by criminals. Suspended in the bardo between his loyalty to the surveillance state and to the anarchists, communists, and other rebels he monitors, Mevlido clings to life and hope—barely—in the city's vast slums, haunted by the memory of the wife he failed to save during the last war and dreaming of a mysterious mission he is told he must accomplish. At the same time, an enigmatic organization existing elsewhere—the Organs—observes Mevlido's actions and debates its responsibility to him and to humanity as a whole. Asking what it means to love and care for others at the end of the world, this dense, brilliantly detailed postcollapse reality imagined by Antoine Volodine is one that grows ever more relevant amidst intensifying climate and political catastrophes. A key work in Volodine's post-exotic fictional universe, Mevlido's Dreams envisions a world changed beyond recognition and ruled under irrational authoritarianism in which dreams nest within dreams and the boundaries between life and death are fluid and uncertain.

Three generations of women live together under the same roof. Though they are united by blood, each of the Cascadei women has a very different personality and way of expressing herself. Teenage daughter Lori scribbles impulsively in her diary, so eager to speed off on her moped that she rarely bothers with punctuation. Mother Maria, a professional translator, writes detailed and observant letters yet doesn't see what is happening right in front of her. And grandmother Gesuina, a former stage actress, speaks into an audio recorder, giving a provocative and brutally candid performance for an imagined audience that might never listen. Life, Brazen and Garish offers a fresh take on the epistolary novel, telling the story of a family through the fragmented and disparate perspectives of daughter, mother, and grandmother. Yet even as each woman endures her private struggles with love and betrayal, youth and maturity, knowledge and ignorance, reality and illusion, the Cascadeis forge a solidarity that transcends generations. In turns heartbreaking and laugh-out-loud funny, this novel is a triumph of narrative voice and literary style from one of Italy's most renowned writers. Questo libro è stato tradotto grazie a un contributo del Ministero degli Affari Esteri e della Cooperazione Internazionale italiano. This book has been translated thanks to a contribution from the Italian Ministry of Foreign Affairs and International Cooperation.

Set in contemporary Iran, Mirage delves into the complicated relationship between Roya and her identical twin sister, Tala. Their inseparable bond becomes hard to maintain as they grow older, but when they both get pregnant at the same time, their relationship is rekindled. After an accident causes Roya to miscarry and Tala to go into labor, grief, jealousy, suspicion, and guilt fracture that recently renewed relationship. Delving deep into the human psyche, Nahid Rachlin intricately explores themes of sisterly identity, betrayal, envy, depression, loss, and the impact of memories. Like Ottessa Moshfegh's Death in Her Hands (Penguin Press, 2020), Mirage artfully juxtaposes the sociopolitical dynamics of contemporary Iran with a story of the nature of grief and redemption that will take firm hold of your heart.

Libby Lost and Found is a book for people who don't know who they are without the books they love. It's about the stories we tell ourselves and the chapters of our lives we regret. Most importantly, it's about the endings we write for ourselves.Meet Libby Weeks, author of the mega-best-selling fantasy series, The Falling Children—written as'F.T. Goldhero'to maintain her privacy. When the last manuscript is already months overdue to her publisher and rabid fans around the world are growing impatient, Libby is diagnosed with early-onset Alzheimer's. Already suffering from crippling anxiety, Libby's symptoms quickly accelerate. After she forgets her dog at the park one day—then almost discloses her identity to the journalist who finds him—Libby has to admit it: she needs help finishing the last book.Desperately, she turns to eleven-year-old superfan Peanut Bixton, who knows the books even better than she does but harbors her own dark secrets. Tensions mount as Libby's dementia deepens—until both Peanut and Libby swirl into an inevitable but bone-shocking conclusion.

'A gripping tale that reads like a Sherlock Holmes novel set in a broken future...Turton is an exciting writer with a knack for strange tales that push the envelope, and this strange story of murder, survival, and the importance of memory might be his best work yet.'—Gabino Iglesias for NPRFrom the bestselling author of The 7 1/2 Deaths of Evelyn Hardcastle and The Devil and the Dark Water comes an inventive, high-concept murder mystery: an ingenious puzzle, an extraordinary backdrop, and an audacious solution.Solve the murder to save what's left of the world.Outside the island there is nothing: the world was destroyed by a fog that swept the planet, killing anyone it touched.On the island: it is idyllic. One hundred and twenty-two villagers and three scientists, living in peaceful harmony. The villagers are content to fish, farm and feast, to obey their nightly curfew, to do what they're told by the scientists.Until, to the horror of the islanders, one of their beloved scientists is found brutally stabbed to death. And then they learn that the murder has triggered a lowering of the security system around the island, the only thing that was keeping the fog at bay. If the murder isn't solved within 107 hours, the fog will smother the island—and everyone on it.But the security system has also wiped everyone's memories of exactly what happened the night before, which means that someone on the island is a murderer—and they don't even know it.And the clock is ticking.