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Li Shi Min, Emperor Taizong of the Tang Dynasty (AD 618–907), is regarded as the greatest emperor in Chinese history. He conquered the powerful Eastern Turkic Khanate and other khanates in the north and northwest, making China the greatest empire in Asia. Under his reign China entered into a period of peace and prosperity.Li Shi Min was a man of great political and military accomplishments, narrated here with the battle stratagems and clever counsel that carried him forward. This book tells how he helped his father Li Yuan to establish the Tang Dynasty and the contributions he made to unifying China. Author Hung Hing Ming draws on China's historical records and chronicles to recount the battles to conquer the warlords and local strongmen in different parts of China, the wise policies he adopted, and the means by which he inspired officials to put forward good suggestions.His deeds, policies and constructive interactions with his ministers and generals were compiled into guides and teaching materials for successors to the Chinese throne. Much of this leadership training advice is still useful today. This book will be an asset to readers as there are few works in English that introduce these cultural motifs that color the thinking of nation so important to ours.

Dans Chronologie de l'Histoire de Chine, embarquez pour un voyage captivant à travers les événements marquants et les figures historiques qui ont façonné la Chine depuis ses origines. Ce livre, riche en détails, retrace l'évolution de cette nation depuis la préhistoire jusqu'à l'émergence et l'évolution des dynasties majeures telles que les Zhou, Qin, Han, Tang, Song, Yuan, Ming et Qing. Découvrez au fil des pages les conflits de pouvoir qui ont jalonné les périodes clés comme l'unification sous les Qin, l'apogée des Tang, l'ère mongole des Yuan, et les interactions complexes entre les Liao, Song, et Jin. En soulignant les bouleversements politiques, les conquêtes et les innovations administratives, ce livre éclaire également la restauration du pouvoir Han sous les Ming, la montée et la chute des Qing, la Révolution Xinhai qui a mené à la République et les efforts continus de modernisation. Enfin, Chronologie de l'Histoire de Chine ne se contente pas de narrer des faits ; il met en avant les échanges culturels, les avancées technologiques, et les réalisations littéraires qui ont enrichi la civilisation chinoise. Avec sa clarté, sa rigueur et son approfondissement, ce livre est une ressource précieuse pour ceux qui désirent explorer la richesse historique de la Chine. Idéal pour les étudiants, enseignants et chercheurs en histoire, ainsi que pour les passionnés de culture chinoise, il offre une immersion profonde dans les dynamiques qui ont forgé l'histoire de la Chine.

Staging Tianxia explores the ancient Chinese vision of world order known as tianxia (all under heaven) by focusing on the historical, performative, and rhetorical processes of expressive arts and cultural heritages that inform a vision of China as a historically multiethnic and cosmopolitan nation.Author Lanlan Kuang unites multimedia ethnographic research and theoretical insights from ethnomusicology, philosophy, religious studies, performance studies, and cognitive science, with a focus on Dunhuang bihua yuewu, a modern interpretation inserted into the Chinese classical dance and theatrical arts tradition. Staging Tianxia thus aims to redefine Silk Road studies and Dunhuangology, a transdisciplinary field dedicated to studying the texts and art of Dunhuang, a UNESCO World Heritage Site that connected China via the Silk Road with Central Asia, South Asia, Europe, and the Middle East.Staging Tianxia is a careful ethnographic study that looks at the importance of performance tradition and poetics in the arts and aesthetic theory of China.

A provocative defense of a forgotten Chinese approach to identity and differenceHistorically, the Western encounter with difference has been catastrophic: the extermination and displacement of aboriginal populations, the transatlantic slave trade, and colonialism. China, however, took a different historical path. In Chinese Cosmopolitanism, Shuchen Xiang argues that the Chinese cultural tradition was, from its formative beginnings and throughout its imperial history, a cosmopolitan melting pot that synthesized the different cultures that came into its orbit. Unlike the West, which cast its collisions with different cultures in Manichean terms of the ontologically irreconcilable difference between civilization and barbarism, China was a dynamic identity created out of difference. The reasons for this, Xiang argues, are philosophical: Chinese philosophy has the conceptual resources for providing alternative ways to understand pluralism.Xiang explains that “Chinese” identity is not what the West understands as a racial identity; it is not a group of people related by common descent or heredity but rather a hybrid of coalescing cultures. To use the Western discourse of race to frame the Chinese view of non-Chinese, she argues, is a category error. Xiang shows that China was both internally cosmopolitan, embracing distinct peoples into a common identity, and externally cosmopolitan, having knowledge of faraway lands without an ideological need to subjugate them. Contrasting the Chinese understanding of efficacy—described as “harmony”—with the Western understanding of order, she argues that the Chinese sought to gain influence over others by having them spontaneously accept the virtue of one's position. These ideas from Chinese philosophy, she contends, offer a new way to understand today's multipolar world and can make a valuable contribution to contemporary discussions in the critical philosophy of race.

This book introduces fifteen representative philosophers in ancient China, including Confucius, Laozi, Mencius, Zhuangzi, influential Neo-Taoist scholars, and prominent Neo-Confucian thinkers. It reveals the fundamental problems of each philosopher, clarifies the connotation of the concept as well as the specific reference of the problem, and presents the inherent context and structure of each philosopher's thoughts. Further, the author analyzes a selection of these ancient philosophers'main propositions and demonstrates the argumentation and proof processes behind the basic philosophical insights. As such, this book is a valuable academic resource for scholars and the interested readers wanting to gain an in-depth understanding of ancient Chinese philosophy today.

This book uses the monographic study of litigation subjects, prosecution, trial, and enforcement to reveal the formation, operation, and development of criminal proceeding conventions in the Tang Dynasty. It also outlines the combination, coordination, and interaction of rules, conventions, and ideas in the traditional Chinese legal system, and presents an overview of the evolution and development of traditional litigation in China. This book is intended mainly for scholars and graduate and undergraduate students in the fields of law and Chinese history.

This book is the first monograph on the systematic study of'appellation'in Qin and Han Dynasties. Taking'appellation'as the breakthrough point, it analyzes the different social identity and social relations. This book uses the'double evidence method', which combines archaeological data with historical documents, to discuss the generation, use and social significance of various'appellations'related to hierarchical order, professional identity, family structure, administrative control and social fashion in the Qin and Han Dynasties, so as to reveal the social, historical and cultural features at that time from a special perspective.The author of this book is the president of the Qin and Han History Research Association, a famous scholar and also a prolific author in this field. The book has great innovative significance in topic selection, structure, analysis and academic views. It fills the academic gap in this field and has high academic value. After its publication in China, the Chinese version has made great social impact.This book has the following characteristics: first, the topic has important academic value. Appellation is the symbol of people's social role. Through appellation, we can understand the status of social class, grade and class. Therefore, the study of appellation is an effective way to deeply understand the social status in history. This book is just from this point of view to carry out research, for the understanding of Qin and Han society has important significance. Second, on the basis of the author's years of research on unearthed bamboo slips and silk books, combined with the interpretation of Qin and Han documents, this book comprehensively shows the appellation of people in the Qin and Han Dynasties. From this aspect, it shows the social situation of the Qin and Han Dynasties, which has important innovative significance and is an important achievement in the history circle. Thirdly, the book is rich in materials and accurate in textual research, which provides the academic community with innovative achievements and is a model of knowledge innovation.

The Rising Sons: China's Imperial Succession & The Art of War recollects 2,000 years of China's history by examining how some of its most representative imperial rulers seized power by applying tactics and strategies from Sun Tzu's The Art of War. This volume brings together tales of the nine princes of the Qin to Qing dynasties who rose to power through their cunning wit and prowess at psychological warfare. Brimming in equal measure with narrative interest and analytical insight, this book is as much a page turner about human greed, ambition and its capacity for cruelty as it is a treatise on power dynamics and court politics.

The emergence of the city marks the beginning of a civilisation. The city, especially the leading cities of a country, is also where the major features of a country are contained and where historical events play out. This book introduces readers to the progress of China's civilisation over more than 5000 years of history, through the rise and development of its cities.From the prehistoric Yangshuo and Longshan periods all the way to the People's Republic, this book outlines major events and developments to highlight the evolution of the Chinese civilisation. Using historical dynasties and urban dynamics as vertical dimensions, it examines major historical events, economic developments, territorial changes, and other developments over China's long history. It also discusses the uniqueness of China's history and compares its civilisations to Western experiences.

This is a study of the earliest and finest collated inscription in the history of Chinese calligraphy, the Ji Wang shengjiao xu 集王聖教序 (Preface to the Sacred Teaching Scriptures Translated by Xuanzang in Wang Xizhi's Collated Characters), which was erected on January 1, 673. The stele records the two texts written by the Tang emperors Taizong (599–649) and Gaozong (628–683) in honor of the monk Xuanzang (d. 664) and the Buddhist scripture Xin jing (Heart Sutra), collated in the semi-cursive characters of the great master of Chinese calligraphy, Wang Xizhi (303–361). It is thus a Buddhist inscription that combines Buddhist authority, political power, and artistic charm in one single monument. The present book reconstructs the multifaceted context in which the stele was devised, aiming at highlighting the specific role calligraphy played in the propagation and protection of Buddhism in medieval China.

Ye is a historical Chinese city built in 659 BC and burned down to the ground in AD 580. The book investigates the characteristics of the city's layout and its deep influence on the urban construction in East Asia since the 6th century AD.By studying archaeological findings and historical documents, the author illustrates the historical significance of Ye city, both as capital for six dynasties over 370 years of ancient Chinese history and as a paragon of East Asian capital planning. Ye serves as an exemplary model for famous capitals in later dynasties of imperial China, such as Beijing and Xi'an. Its influence also extends to other East Asian capitals, including Seoul in Korea, Kyoto in Japan, and Hanoi in Vietnam. Comparing the archetypical structure of Ye city and the features of its East Asian descendants, the author encapsulates the lineage of capital city development across medieval East Asia and uncovers a philosophy of construction that rests upon traditional Chinese thinking.The book will be an essential read for scholars and general readers interested in East Asian heritage, urbanology, and architecture, as well as a useful reference for urban planners willing to learn from historical experience.

A suicide scandal in Shanghai reveals the social fault lines of democratic visions in China's troubled Republic in the early 1920s.On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked. Although her death occurred outside of Chinese jurisdiction, her US-educated employer, Tang Jiezhi, was kidnapped by Chinese authorities and put on trial. In the unfolding scandal, novelists, filmmakers, suffragists, reformers, and even a founding member of the Chinese Communist Party seized upon the case as emblematic of deep social problems. Xi's family claimed that Tang had pressured her to be his concubine; his conviction instead for financial fraud only stirred further controversy.The creation of a republic ten years earlier had inspired a vision of popular sovereignty and citizenship premised upon gender equality and legal reform. After the quick suppression of the first Chinese parliament, commercial circles took up the banner of democracy in their pursuit of wealth. But, Bryna Goodman shows, the suicide of an educated “new woman” exposed the emptiness of republican democracy after a flash of speculative finance gripped the city. In the shadow of economic crisis, Tang's trial also exposed the frailty of legal mechanisms in a political landscape fragmented by warlords and enclaves of foreign colonial rule.The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China's early passage through democratic populism, in an ill-fated moment of possibility between empire and party dictatorship. Xi Shangzhen became a symbol of the failures of the Chinese Republic as well as the broken promises of citizen's rights, gender equality, and financial prosperity betokened by liberal democracy and capitalism.

This book traces the trajectory of traditional Chinese ethics from West Zhou Dynasty (1046－771 BC) through Qing Dynasty (1616—1912) and covers a myriad of Chinese philosophers who have expressed their ideas about the relationships between Heavenly Dao vs. Earthly Dao, Good vs. Evil, Morality vs. Legality, Knowledge vs. Behavior, Motive vs. Result, Righteousness vs. Profitability, Rationality vs. Animality. In this book, the readers can find Confucius's discussion on Rite and Benevolence, Lao Zi's meditation on Inaction of Great Dao, Zhuang Zi's elaboration on “Transcendental Freedom”, Mohist utilitarian “Universal Love”, and Mencian theory of “Primordial Good Humanity”, to name just a few phenomenal figures. A compact yet elaborate, panoramic yet profound guidebook to traditional Chinese ethical thought, this book is an excellent window to showcase traditional Chinese mental and spiritual legacy. Composed, translated, and proofread by brilliant scholars,it produces a fluent and coherent English discourse of Chinese morality and ethics, nimbly spinning together the threads of Confucianism, Taoism, Buddhism, and other ideological schools with brief references to the historical situation. Consequently, it provides English readers, especially those curious about Chinese psychology and rationality, with thought-provoking and horizon-expanding perspectives, and provides Chinese readers, especially those of philosophy and translation, with a great number of typical and characteristic quotes of archaic Chinese that have never been translated before. Ultimately, it is a fundamental threshold to learning about Chinese people, Chinese culture, Chinese morality, Chinese mentality, Chinese policy, and Chinese diplomacy.

In The City of Ye in the Chinese Literary Landscape, Joanne Tsao demonstrates how the city of Ye changed from an iconic space that represented Cao Cao's heroic enterprise to a symbol of the fruitlessness of human endeavour, and then finally to a literary landmark, a synecdoche for the vicissitudes of human life caught in the predictable cycles of dynastic rise and decline. Through a close reading of literary works on Ye, she illustrates how the city transformed from a lived to imaginative space to become a symbol in the poetic lexicon. Making use of literary and historical texts on Ye and its material remains through the Song and beyond she shows the potency of place as a generative force in literary production and in historical discourse.

At the close of the nineteenth century, near the end of the Qing empire, Confucian revivalists from central China gained control of the Muslim-majority region of Xinjiang, or East Turkestan. There they undertook a program to transform Turkic-speaking Muslims into Chinese-speaking Confucians, seeking to bind this population and their homeland to the Chinese cultural and political realm. Instead of assimilation, divisions between communities only deepened, resulting in a profound estrangement that continues to this day.In Land of Strangers, Eric Schluessel explores this encounter between Chinese power and a Muslim society through the struggles of ordinary people in the oasis of Turpan. He follows the stories of families divided by war, women desperate to survive, children unsure where they belong, and many others to reveal the human consequences of a bloody conflict and the more insidious violence of reconstruction. Schluessel traces the emergence of new struggles around essential questions of identity, showing how religious and linguistic differences converged into ethnic labels. Reading across local archives and manuscript accounts in the Chinese and Chaghatay languages, he recasts the attempted transformation of Xinjiang as a distinctly Chinese form of colonialism. At a time when understanding the roots of the modern relationship between Uyghurs and China has taken on new urgency, Land of Strangers illuminates a crucial moment of social and cultural change in this dark period of Xinjiang's past.

Based on the past 30-years'research on the technical and cultural values of China's Grand Canal, this book, based on interdisciplinary research, studies the natural and social background of the evolution and development of different sections of the Grand Canal in different historical periods, as well as the interrelations between the Grand Canal and the Chinese politics, economics, and culture. It also assesses the effects of the Grand Canal on the progress of the Chinese civilization, engineering technology achievement, the natural environment, and the society, providing the readers with an understanding of China's Grand Canal from the perspectives of hydraulic engineering and history.

A cultural history of the concept of pharmacy, both the material nature of drugs and the trade in medicine, in early modern China Know Your Remedies presents a panoramic inquiry into China's early modern cultural transformation through the lens of pharmacy. In the history of science and civilization in China, pharmacy—as a commercial enterprise and as a branch of classical medicine—resists easy characterization. While China's long tradition of documenting the natural world through state-commissioned pharmacopeias, known as bencao, dwindled after the sixteenth century, the ubiquitous presence of Chinese pharmacy shops around the world today testifies to the vitality of Traditional Chinese Medicine. Rejecting narratives of intellectual stagnation or an unchanging folk culture, He Bian argues that pharmacy's history in early modern China can best be understood as a dynamic interplay between elite and popular culture.Beginning with decentralizing trends in book culture and fiscal policy in the sixteenth century, Bian reveals pharmacy's central role in late Ming public discourse. Fueled by factional politics in the early 1600s, amateur investigation into pharmacology reached peak popularity among the literati on the eve of the Qing conquest in the mid-seventeenth century. The eighteenth century witnessed a systematic reclassification of knowledge, as the Qing court turned away from pharmacopeia in favor of a demedicalized natural history. Throughout this time, growth in long-distance trade enabled the rise of urban pharmacy shops, generating new knowledge about the natural world.Bringing together a wealth of primary sources, Know Your Remedies makes an essential contribution to the study of Chinese history and the history of medicine.

'Ancestors, Kings, and the Dao outlines the evolution of musical performance in early China, first within and then ultimately away from the socio-religious context of ancestor worship. Examining newly discovered bamboo texts from the Warring States period, Constance A. Cook compares the rhetoric of Western Zhou (1046–771 BCE) and Spring and Autumn (770–481 BCE) bronze inscriptions with later occurrences of similar terms in which ritual music began to be used as a form of self-cultivation and education. Cook's analysis links the creation of such classics as the Book of Odes with the ascendance of the individual practitioner, further connecting the social actors in three types of ritual: boys coming of age, heirs promoted into ancestral government positions, and the philosophical stages of transcendence experienced in self-cultivation. The focus of this study is on excavated texts; it is the first to use both bronze and bamboo narratives to show the evolution of a single ritual practice. By viewing the ancient inscribed materials and the transmitted classics from this new perspective, Cook uncovers new linkages in terms of how the materials were shaped and reshaped over time and illuminates the development of eulogy and song in changing ritual contexts.'

This book explores the intellectual history of contract law in ancient China by employing archaeological and empirical methodologies. Divided into five chapters, it begins by reviewing the origin of the contract in ancient China, and analyzing its name, primary form, historical premise and functions. The second chapter discusses free will and lawfulness in the establishment of a contract, offering insights into the impact of contracts on social justice. In turn, the third chapter addresses the inner core of the contract: validity and liability. This allows readers at all levels to identify the similarities and differences between contracts from different eras and different parts of the world, which will also benefit those pursuing comparative research in related fields. Chapters four and five offer a philosophical exploration of contract history in ancient China, and analyze key aspects including human nature and ethical justice.

This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan's occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo's last living writers.

Chinese people have been instrumental in indigenizing Christianity. Sinizing Christianity examines Christianity's transplantation to and transformation in China by focusing on three key elements: Chinese agents of introduction; Chinese redefinition of Christianity for the local context; and Chinese institutions and practices that emerged and enabled indigenisation. As a matter of fact, Christianity is not an exception, but just one of many foreign ideas and religions, which China has absorbed since the formation of the Middle Kingdom, Buddhism and Islam are great examples. Few scholars of China have analysed and synthesised the process to determine whether there is a pattern to the ways in which Chinese people have redefined foreign imports for local use and what insight Christianity has to offer.Contributors are: Robert Entenmann, Christopher Sneller, Yuqin Huang, Wai Luen Kwok, Thomas Harvey, Monica Romano, Thomas Coomans, Chris White, Dennis Ng, Ruiwen Chen and Richard Madsen.

Understanding China Politics: The Key Words Approach examines the concepts and features behind the 21 outstanding words in the contemporary Chinese political lexicon. Topics include democracy within the Communist Party of China, local government cooperation, civil society and social welfare. This work has chosen a selection of representative political concepts in China since the 1978 Reform to illustrate practical Chinese political life. It also tries to adopt the methodology of modern political science and deepen theoretical analysis of Chinese politics to reveal the internal laws and the fundamental value of the political development of China. The author concentrates on presenting and analyzing China's practical politics. Through this book, readers can not only see the great transition in Chinese political discourse and the latest outcome of Chinese political studies, more significantly, they are able to understand the practical political transformation of China since reform and open-up and the latest progress in Chinese democratic politics.

From its first designation as temporary capital in 1138, the city of Hangzhou (then called Lin'an) was deemed representative of the diminished empire of the Song (960–1279), in all its contradictory aspects. The exquisite beauty of the city confirmed its destiny to become an imperial residence, but it also portended its fatal corruption. The wealth and ease of Hangzhou epitomized the vigor of the southern empire as well as its oblivious decadence. The city was paramount and feeble, aweinspiring and threatened, the most admired city in the civilized world and a disgrace to the dynastic founders. Rather than perpetuating the debate about the merit of these polemical judgments, the contributors of Senses of the City treat them as expressions of their historical moment, revealing of ideological conviction or aesthetic preference, rather than of historical truth. By reading the sources as expressions of individual experience and political conviction, the contributors defy the impassioned rhetoric of past generations in order to recover the solid ground of historical evidence. Leading scholars of the field, including Beverly Bossler, Stephen West, and Martin Powers have produced essays that relate changes in literary convention to shifts in territorial boundaries, and analyze writing, painting, dance, and music as means by which individual literati placed themselves in time and space. The contributors reestablish the historical connections between writing and meaningful action, between text and world, between the sources and their own words, and between the page and the senses. Their efforts to retrieve the sounds, sights, and smells of Hangzhou from Southern Song texts replicate, in reverse direction, the attempts of twelfth and thirteenthcentury authors to devise effective tropes and suitable genres that would preserve their living impressions of the city in writing.

This is the first book to comprehensively cover the historical process leading to Taiwan's integration with Mainland China in the seventeenth century. As such, it addresses the Taiwan question in the seventeenth century, presenting for the first time the process leading to the island's integration with the mainland through the story of the Zheng family and Admiral Shi Lang. The author has confirmed Zheng Chenggong (Koxinga)'s Ming loyalism and his politicization of the conflicts on the China coast. Thus, the author concludes that Zheng was a “revolutionary traditionalist” who transformed sheer violence into a political movement in an unprecedented way. He politicized the entire region and paved the way for the inevitable conflict with Mainland China. After repeated political talks had failed, the rising Qing China decided to take Taiwan by force. Though seaborne warfare was a formidable task at the time, the man who overcame these difficulties and completed theseemingly impossible mission was none other than Admiral Shi Lang. The book provides a new and more justifiable assessment of the Admiral's contribution to the conquest of Taiwan and pacification of coastal unrest. The book will be of interest to general readers as well as specialists researching security and warfare on the China coast.

Building New China, Colonizing Kokonor: Resettlement to Amdo and Qinghai in the 1950s examines rural resettlement to the Sino-Tibetan cultural borderlands in the 1950s. More than 100,000 eastern Han and Hui Chinese were sent to Qinghai province—known in Mongolian as Kokonor and Amdo to Tibetans—to plow up new fields in areas that were being incorporated into the Chinese state for the first time. The settlers were to bring their skilled labor, literacy, and modern thinking to “backward” Qinghai to fully exploit its natural resources of oil, natural gas, gold, and empty lands for the benefit of the industrializing nation. The book is a social and political history of resettlement, focusing on the people who were moved and the overall impact the program had on the province. It is a frontier history, but it also narrates a story of state building in modern China that spans the twentieth century and the opening years of the twenty-first.

A beggar, an itinerant monk, leapt to greatness during a tumultuous epoch and went on to found the Ming Dynasty of China (1368–-1644).As a destitute peasant with nothing to lose, he started a local rebellion; success built on success. Defeating local warlords, Zhu Yuan Zhang conquered all the southern part of China, then sent his army north and took the rest.By unifying many Chinese lands, he brought peace and prosperity after a long period of tumult. He is honored with the temple name of Ming Taizu,'Grand Ancestor of Ming.'

This thesis is a direct contribution in the field history of thoughts in Late Imperial China, and it adds insight about the reception of tradition in the first half of the 20th century, in particular Confucianism. It explores the criticism of one school (the orthodox daoxue-Confucianism) against another (hanxue-Confucianism) by studying one object of criticism in particular. The author of the criticism, Fang Dongshu (1772-1851), attacks Dai Zhen (1723-1777). Hitherto, research in the 20th century had celebrated Dai Zhen and the scholars of his school of thought/method as precursors to scientific thinking in pre-modern China. Similarly the orthodox schools were set aside as opponents to modernization of society and philosophy. Through the thorough study of arguments made on both sides, this thesis suggests a different understanding, because scholars that lived in a Confucian society had different requirements about Confucian teachings and their impact.Considering the points Fang Dongshu points out about his adversaries contributes to a historically more accurate understanding of the history of Chinese philosophy before the Opium Wars and the end of the Imperial Age.

The crucial period of Chinese history, 168-979, falls naturally into contrasting phases. The first phase, also known as that of'early medieval China,'is an age of political decentralization. Following the breakup of the Han empire, China was plunged into civil war and fragmentation and stayed divided for nearly four centuries. The second phase started in 589, during the Sui dynasty, when China was once again brought under a single government. Under the Sui, the bureaucracy was revitalized, the military strengthened, and the taxation system reformed. The fall of the Sui in 618 gave way to the even stronger Tang dynasty, which represents an apogee of traditional Chinese civilization. Inheriting all the great institutions developed under the Sui, the Tang made great achievements in poetry, painting, music, and architecture. The An Lushan rebellion, which also took place during Tang rule, brought about far-reaching changes in the socioeconomic, political, and military arenas. What transpired in the second half of the Tang and the ensuing Five Dynasties provided the foundation for the next age of late imperial China.This second edition of Historical Dictionary of Medieval China contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on historical figure. It expands on existing thematic entries, and adds a number of new ones with substantial content, including those on nobility, art, architecture, archaeology, economy, agriculture, money, population, cities, literature, historiography, military, religion, Persia, India, Japan, Korea, Arabs, and Byzantium, among others. This book is an excellent access point for students, researchers, and anyone wanting to know more about medieval China.

This book provides a timely analysis of the politics, philosophy, and history of Chinese power, focusing on social, strategic, and diplomatic trends that have shaped China for over three thousand years. Chinese elites have used the past to inform the present, but have also mobilized new ideas to address the country's rapid transition to global power. China's intellectual world can draw on a surprisingly pluralist legacy. When Chinese thinkers assess “power,” they bring to bear their classical legacy, the military classics, Chinese socialism, and Western political thought. There are also a number of intriguing formulations that give shape to the exercise of Chinese power. Among these are comprehensive national strength, stability preservation, soft power, asymmetric conflict, and counter-intervention strategies. This book looks at key periods in Chinese history when attitudes to power evolved and at their current expressions. These include China's expanded use of think tanks to chart the future, efforts at creating an eco-civilization to balance growth, and an extended set of security and information capabilities. From observing the centrality of power in today's international affairs, the book moves to the foundational concepts of Chinese governance: its belief in a strategic configuration of power—as understood in military contexts—as well as its growing diplomatic and maritime engagement abroad. This analysis culminates in new ideas of functional multipolarity. Power is also deployed internally: China's use of nationalism as a major tool for state-building and cohesion, the ongoing role of socialism, and the People's Liberation Army are all examined in this light. China's current strategic culture has shaped President Xi Jinping's search for a new model of power for China in the twenty-first century, an endeavor that will have serious implications for the future global order. This book provides an alternative perspective on China's trajectory towards a revised international system.

Heroines of the Qing introduces an array of Chinese women from the eighteenth and nineteenth centuries who were powerful, active subjects of their own lives and who wrote themselves as the heroines of their exemplary stories. Traditionally, “exemplary women” (lienu)—heroic martyrs, chaste widows, and faithful maidens, for example—were written into official dynastic histories for their unrelenting adherence to female virtue by Confucian family standards. However, despite the rich writing traditions about these women, their lives were often distorted by moral and cultural agendas. Binbin Yang, drawing on interdisciplinary sources, shows how they were able to cross boundaries that were typically closed to women—boundaries not only of gender, but also of knowledge, economic power, political engagement, and ritual and cultural authority. Yang closely examines the rhetorical strategies these “exemplary women” exploited for self-representation in various writing genres and highlights their skillful negotiation with, and appropriation of, the values of female exemplarity for self-empowerment.

China has become accessible to the west in the last twenty years in a way that was not possible in the previous thirty. The number of westerners travelling to China to study, for business or for tourism has increased dramatically and there has been a corresponding increase in interest in Chinese culture, society and economy and increasing coverage of contemporary China in the media.Our understanding of China's history has also been evolving. The study of history in the People's Republic of China during the Mao Zedong period was strictly regulated and primary sources were rarely available to westerners or even to most Chinese historians. Now that the Chinese archives are open to researchers, there is a growing body of academic expertise on history in China that is open to western analysis and historical methods. This has in many ways changed the way that Chinese history, particularly the modern period, is viewed.The Encyclopedia of Chinese History covers the entire span of Chinese history from the period known primarily through archaeology to the present day. Treating Chinese history in the broadest sense, the Encyclopedia includes coverage of the frontier regions of Manchuria, Mongolia, Xinjiang and Tibet that have played such an important role in the history of China Proper and will also include material on Taiwan, and on the Chinese diaspora.In A-Z format with entries written by experts in the field of Chinese Studies, the Encyclopedia will be an invaluable resource for students of Chinese history, politics and culture.

From precious jade articles to monumental stone arches, Huizhou salt merchants in Jiangnan lived surrounded by objects in eighteenth-century China. How and why did these businessmen devote themselves to these items? What can we learn about eighteenth-century China by examining the relationship between merchants and objects? Luxurious Networks examines Huizhou salt merchants in the material world of High Qing China to reveal a dynamic interaction between people and objects. The Qianlong emperor purposely used objects to expand his influence in economic and cultural fields. Thanks to their broad networks, outstanding managerial skills, and abundant financial resources, these salt merchants were ideal agents for selecting and producing objects for imperial use. In contrast to the typical caricature of merchants as mimics of the literati, these wealthy businessmen became respected individuals who played a crucial role in the political, economic, social, and cultural world of eighteenth-century China. Their life experiences illustrate the dynamic relationship between the Manchu and Han, central and local, and humans and objects in Chinese history.

During the Ming-Qing transition (roughly from the 1570s to the 1680s), literati-officials in China employed public forms of writing, art, and social spectacle to present positive moral images of themselves and negative images of their rivals. The rise of print culture, the dynastic change, and the proliferating approaches to Confucian moral cultivation together gave shape to this new political culture. Confucian Image Politics considers the moral images of officials—as fathers, sons, husbands, and friends—circulated in a variety of media inside and outside the court. It shows how power negotiations took place through participants'invocations of Confucian ethical ideals in political attacks, self-expression, self-defense, discussion of politically sensitive issues, and literati community rebuilding after the dynastic change. This first book-length study of early modern Chinese politics from the perspective of critical men's history shows how images—the Donglin official, the Fushe scholar, the turncoat figure—were created, circulated, and contested to serve political purposes.The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

In 1894–1895, after suffering defeat against Japan in a war primarily fought over the control of Korea, the Qing government initiated fundamental military reforms and established “New Armies“ modeled after the German and Japanese military. Besides reorganizing the structure of the army and improving military training, the goal was to overcome the alleged physical weakness and lack of martial spirit attributed to Chinese soldiers in particular and to Chinese men in general. Intellectuals, government officials, and military circles criticized the pacifist and civil orientation of Chinese culture, which had resulted in a negative attitude towards its armed forces and martial values throughout society and a lack of interest in martial deeds, glory on the battlefield, and military achievements among men. The book examines the cultivation of new soldiers, officers, and civilians through new techniques intended to discipline their bodies and reconfigure their identities as military men and citizens. The book shows how the establishment of German-style “New Armies” in China between 1895 and 1916 led to the re‐creation of a militarized version of masculinity that stressed physical strength, discipline, professionalism, martial spirit, and “Western” military appearance and conduct. Although the military reforms did not prevent the downfall of the Qing Dynasty or provide stable military clout to subsequent regimes, they left a lasting legacy by reconfiguring Chinese military culture and re‐creating military masculinity and the image of men in China.

As the world's only English-language historical dictionary of the Chinese Cultural Revolution (1966-1976), this book offers a comprehensive coverage of major historical figures, events, political terms, and other matters relevant to this unique period of modern Chinese history that had profound influence on social and cultural movements of the world in the 1960s and 1970s. This second edition of Historical Dictionary of the Chinese Cultural Revolution covers its history through a chronology, an introductory essay, glossary, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about this important period in Chinese history.

This volume comprises twelve papers written by Chinese scholars on various aspects of the history of ancient Chinese economic thought. The contributions are preceded by an introduction which gives an overview of the development of the subject of history of economic thought in China, and which also provides an historical context to the individuals who constitute the major'schools'of ancient Chinese economic thought. The authors of the papers are leading scholars who have dominated this research area since the founding of New China in 1949, while the broad range of topics covered by the contributions includes questions of methodology, detailed and sometimes controversial interpretations of texts and'schools', and the international influence and modern relevance of ancient Chinese thought. A recurrent theme is that ancient Chinese thought has at least as much to offer to the historian as ancient Western thought. As the first such volume of papers to be translated into English, this collection provides a unique opportunity for non-Chinese readers to sample the way in which Chinese historians of economics have attempted to understand their own intellectual heritage. This book will be relevant to scholars interested in the history of economic thought, economic history and Chinese studies.

Chinese moral education reform in the last three decades represents the most significant decentralization of decision-making power since the foundation of People's Republic of China in 1949. On one hand, it shows how de-politicized China's moral education curriculum has become following the introduction of China's “Open-door” policy and economic reforms and the resultant social transformations. On the other hand, it reveals persistent problems in moral education caused by political stresses and tight state control. To explain these tensions, Power and Moral Education in China analyzes the characteristics of power relationships in school moral education curriculum goal-setting, content and pedagogy selection, and implementation. The ultimate purpose is to identify not only what factors impact Chinese moral education curriculum decision-making at the school level, but also how and why. Through a multiple case study conducted during 2008 in three schools in Shenzhen City, and based on four major data collection instruments (observation, interview, questionnaire, and document review), Wangbei Ye analyzes how power relationships have evolved in school moral education, and how and why school power affects school moral education. Contrary to the common belief that Chinese schools are passively impacted by external forces in moral education curriculum development, this book suggests that school power is a “semi-emancipatory relationship” that acts as a major force shaping moral education. This means that although both the Chinese Communist Party and the state are positioned to control schools and moral education, schools nonetheless have the power to either negotiate for more influence, or partly emancipate themselves by collaborating with other external forces, responding to grass-root needs, empowering school teachers and adjusting internal school management style. This helps to explain the influence of Chinese schools in moral education and suggests a broader theory of power relationships in curriculum.

Over their long and colorful history, the Chinese people have produced a variety of fascinating and useful cultural artifacts and performance inventions--from the compass and paper money to tea ceremonies and wedding parties--that have won the admiration of people around the world. They have improved living conditions for many who remain unaware of the Chinese origins of these innovations. This book's forty concise chapters serve as windows into a wide range of Chinese cultural traditions and practices. Some aspects of culture featured here include Chinese gardens, homes, and temples; calligraphy, chess, and clothing; paper cutting, seals, and musical instruments; martial arts and Peking Opera; and feng shui (auspicious design). Amply illustrated, with idiomatic phrases parsed throughout, the authors offer a road map to guide both the novice and'old hand'alike through the essential elements of Chinese culture.

Continuing the argument developed in the author's previous book, this exhaustively researched study describes the humiliation of the Chinese gentry at the hands of the statist Oboi regents in the 1660s and the Kangxi emperor's self-declared Confucian sagehood in the 1670s, which effectively trumped the gentry's claim to sovereignty.

Winner of the Aldo and Jeanne Scaglione Prize for a Translation of a Scholarly Study of LiteratureExemplary Figures (sometimes translated as Model Sayings) is an unabridged, annotated translation of Fayan, one of three major works by the Chinese court poet-philosopher Yang Xiong (53 BCE-18 CE). Yang sought to'renew the old'by patterning these works on earlier classics, drawing inspiration from the Confucian Analects for Exemplary Figures. In this philosophical masterwork, constructed as a dialogue, Yang poses and then answers questions on philosophical, political, ethical, and literary matters. Michael Nylan's rendering of this text, which is laden with word play and is extraordinarily difficult to translate, is a joy to read-at turns wise, cautionary, and playful.Exemplary Figures is a core text that will be relied upon by scholars of Chinese history and philosophy and will be of interest to comparativists as well.

What can the history of technology contribute to our understanding of late imperial China? Most stories about technology in pre-modern China follow a well-worn plot: in about 1400 after an early ferment of creativity that made it the most technologically sophisticated civilisation in the world, China entered an era of technical lethargy and decline. But how are we to reconcile this tale, which portrays China in the Ming and Qing dynasties as a dying giant that had outgrown its own strength, with the wealth of counterevidence affirming that the country remained rich, vigorous and powerful at least until the end of the eighteenth century? Does this seeming contradiction mean that the stagnation story is simply wrong, or perhaps that technology was irrelevant to how imperial society worked? Or does it imply that historians of technology should ask better questions about what technology was, what it did and what it meant in pre-modern societies like late imperial China?In this book, Francesca Bray explores subjects such as technology and ethics, technology and gendered subjectivities (both female and male), and technology and statecraft to illuminate how material settings and practices shaped topographies of everyday experience and ideologies of government, techniques of the self and technologies of the subject. Examining technologies ranging from ploughing and weaving to drawing pictures, building a house, prescribing medicine or composing a text, this book offers a rich insight into the interplay between the micro- and macro-politics of everyday life and the workings of governmentality in late imperial China, showing that gender principles were woven into the very fabric of empire, from cosmology and ideologies of rule to the material foundations of the state and the everyday practices of the domestic sphere.This authoritative text will be welcomed by students and scholars of Chinese history, as well as those working on global history and the histories of gender, technology and agriculture. Furthermore, it will be of great use to those interested in social and cultural anthropology and material culture.

Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a'literary revolution'that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their'new'literature. Baudelaire's reception in China provides a representative study of this'meeting of East and west.'His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of'worlds'received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics'comments, eventually weave into a rich picture of Baudelaire's reception in China.

This is the first published volume on a variety of sources for Chinese women's history. It is an attempt to explore overt and covert information on Chinese women in a vast quantity of textual and nontextual, conventional and unconventional, source materials. Some chapters reread wellknown texts or previously marginalized texts, and brainstorm new ways to use and interpret these sources; others explore new sources or previously overlooked or underused materials. This book is a valuable product witnessing the concerted effort of twenty some scholars located in different parts of the world.

In July 1999, a mere seven years after the founding of the religious movement known as the Falun Gong, the Chinese government banned it. Falun Gong is still active in other countries, and its suppression has become a primary concern of human rights activists and is regularly discussed in dealings between the Chinese government and its Western counterparts. But while much has been written on Falun Gong's relation to political issues, no one has analyzed in depth what its practitioners actually believe and do. The Religion of Falun Gong remedies that omission, providing the first serious examination of Falun Gong teachings. Benjamin Penny argues that in order to understand Falun Gong, one must grasp the beliefs, practices, and texts of the movement and its founder, Li Hongzhi. Contextualizing Li's ideas in terms of the centuries-long Chinese tradition of self-cultivation and the cultural world of 1980s and'90s China—particularly the upwelling of biospiritual activity and the influx of translated works from the Western New Age movement—Penny shows how both have influenced Li's writings and his broader view of the cosmos. An illuminating look at this controversial movement, The Religion of Falun Gong opens a revealing window into the nature and future of contemporary China.

This book provides first-hand, insiders'perspectives on urban issues in China, aiming to provide a theoretically informed and empirically rich discussion of the new social landscape of urban China in the 21st century. The research reported encompasses both quantitative and qualitative methodologies, with the latter based on extensive and in-depth fieldwork. The authors, most of them being native Chinese, had distinctive advantages in gaining access to study subjects, and had intimate knowledge of the locations and people they studied. The book's primary geographical focus is on southern China, especially Guangdong province. This region is in the forefront of China's transition to a market economy, and therefore constitutes an ideal social laboratory to study the key urban issues that have emerged in the last two decades. Combining ethnographic research along with survey-based quantitative analysis, this volume will appeal to students of urban issues in contemporary China, and it will generate important and fresh empirical and theoretical insights for the broader scholarly communities of area studies, urban studies, and urban sociology. It will also serve as a useful text for graduate courses and advanced undergraduate courses on China and urban sociology.

Since the mid-1990s, the Internet has revolutionized popular expression in China, enabling users to organize, protest, and influence public opinion in unprecedented ways. Guobin Yang's pioneering study maps an innovative range of contentious forms and practices linked to Chinese cyberspace, delineating a nuanced and dynamic image of the Chinese Internet as an arena for creativity, community, conflict, and control. Like many other contemporary protest forms in China and the world, Yang argues, Chinese online activism derives its methods and vitality from multiple and intersecting forces, and state efforts to constrain it have only led to more creative acts of subversion. Transnationalism and the tradition of protest in China's incipient civil society provide cultural and social resources to online activism. Even Internet businesses have encouraged contentious activities, generating an unusual synergy between commerce and activism. Yang's book weaves these strands together to create a vivid story of immense social change, indicating a new era of informational politics.

This groundbreaking book examines the treatment of veterans of the People's Liberation Army and military families as an illuminating window into Chinese patriotism, citizenship, and legitimacy. Using a wealth of recently declassified archival documents and employing a wide comparative perspective, Neil J. Diamant presents the first large-scale study of these groups in comparison to similar populations in other parts of Asia and in the West. He offers an unprecedented look at the'everyday interactions'among veterans, military families, state officials, and ordinary citizens as they attempted to secure urban residence, jobs, spouses, medical care, and respect. Often celebrated by the government for their glorious and patriotic service, veterans and military families were the beneficiaries of many policies, such as affirmative action in hiring and access to political power. But, the author asks, if veteran and military families were heroic, why did many of them compare their situation to'donkeys slaughtered after grinding the wheat'and'tossed-away dirty socks?'And what explains the thousands of suicides among veterans, rampant discrimination, and ongoing protests against the government? By comparing veterans in China to their counterparts in the United States, the Soviet Union, Israel, and elsewhere, this book provides important answers to the larger question of what circumstances lead to better or worse treatment of veterans, and what this treatment tells us about patriotism, legitimacy, and respect for military service.

With the beautiful, powerful, and sexy Madame Chiang Kai-shek at the center of one of the great dramas of the twentieth century, this is the story of the founding of modern China, starting with a revolution that swept away more than 2,000 years of monarchy, followed by World War II, and ending in the eventual loss to the Communists and exile in Taiwan. An epic historical tapestry, this wonderfully wrought narrative brings to life what Americans should know about China -- the superpower we are inextricably linked with -- the way its people think and their code of behavior, both vastly different from our own. The story revolves around this fascinating woman and her family: her father, a peasant who raised himself into Shanghai society and sent his daughters to college in America in a day when Chinese women were kept purposefully uneducated; her mother, an unlikely Methodist from the Mandarin class; her husband, a military leader and dogmatic warlord; her sisters, one married to Sun Yat-sen, the George Washington of China, the other to a seventy-fifth lineal descendant of Confucius; and her older brother, a financial genius. This was the Soong family, which, along with their partners in marriage, was largely responsible for dragging China into the twentieth century. Brilliantly narrated, this fierce and bloody drama also includes U.S. Army General Joseph Stilwell; Claire Chennault, head of the Flying Tigers; Communist leaders Mao Tse-tung and Chou En-lai; murderous warlords; journalists Henry Luce, Theodore White, and Edgar Snow; and the unfortunate State Department officials who would be purged for predicting (correctly) the Communist victory in the Chinese Civil War. As the representative of an Eastern ally in the West, Madame Chiang was befriended -- before being rejected -- by the Roosevelts, stayed in the White House for long periods during World War II, and charmed the U.S. Congress into giving China billions of dollars. Although she was dubbed the Dragon Lady in some quarters, she was an icon to her people and is certainly one of the most remarkable women of the twentieth century.

Provides insight into Chinese history and culture today in nearly a thousand articles that include everything from Adoption and Banking to Wound Literature and the Zhou Dynasty. Designed for students, teachers, businesspeople, government officials, and tourists seeking a greater understanding of China today.

The crucial period of Chinese history, 220-960, falls naturally into contrasting phases. The first phase, also known as that of'early medieval China,'is an age of political decentralization. Following the breakup of the Han empire, China was plunged into civil war and fragmentation and stayed divided for nearly four centuries. The second phase started in 589, during the Sui dynasty, when China was once again brought under a single government. Under the Sui, the bureaucracy was revitalized, the military strengthened, and the taxation system reformed. The fall of the Sui in 618 gave way to the even stronger Tang dynasty, which represents an apogee of traditional Chinese civilization. Inheriting all the great institutions developed under the Sui, the Tang made great achievements in poetry, painting, music, and architecture. The An Lushan rebellion, which also took place during Tang rule, brought about far-reaching changes in the socioeconomic, political, and military arenas. What transpired in the second half of the Tang and the ensuing Five Dynasties provided the foundation for the next age of late imperial China. The Historical Dictionary of Medieval China fills an urgent need for a standard reference tailored to the interest of Western academics and readers. The history of medieval China is related through the book's introductory essay, maps, a table of Dynastic Periods, a bibliography, and hundreds of cross-referenced dictionary entries on key people, historical geography, arts, institutions, events, and other important terms.