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Spanning over 1100+ pages, this two-volume work offers the most comprehensive and up-to-date history of ancient Greek literature from Homer to Late Antiquity. Its clear structure and detailed presentation of Greek authors and their works as well as literary genres and phenomena makes it an indispensable reference work for all those interested in Greek Antiquity.

This volume collects the most recent essays of Richard Hunter, one of the world's leading experts in the field of Greek and Latin literature. The essays range across all periods of ancient literature from Homer to late antiquity, with a particular focus not just on the texts in their original contexts, but also on how they were interpreted and exploited for both literary and more broadly cultural purposes later in antiquity. Taken together, the essays sketch a picture of a continuous tradition of critical and historical engagement with the literature of the past from the period of Aristophanes and then Plato and Aristotle in classical Athens to the rich prose literature of the Second Sophistic. Richard Hunter's earlier essays are collected in On Coming After (Berlin 2008).

Experience, Narrative, and Criticism in Ancient Greece pursues a new approach to ancient Greek narrative beyond the taxonomies of structuralist narratologies. Focusing on the phenomenal and experiential dimension of our response to narrative, it triangulates ancient narrative with ancient criticism and cognitive approaches, opening up new vistas within the study of classical literature while ably deploying the ancient material to demonstrate the value of a historical perspective for cognitive studies. Concepts such as immersion and embodiment help to establish a more comprehensive understanding of ancient narrative and ancient reading habits, as manifested in Greek criticism and rhetorical theory. The thirteen chapters presented here tackle a broad range of narrative genres, broadly understood: besides epic, historiography, and the novel, tragedy and early Christian texts are also considered alongside non-literary media, such as dance and sculpture. Authored by international specialists in the language, literature, and culture of ancient Greece, each chapter utilizes a rich set of theoretical and methodological tools drawn from cognitive studies, phenomenology, and linguistics that place them at the vanguard of a strong new current in classical scholarship and literary criticism more generally.

Nel volume si ricostruisce la nascita dell'uso dei titoli nella letteratura greca antica. Nello specifico, si indagano le cause del fenomeno, le sue implicazioni e i vari effetti prodotti nella tradizione manoscritta di molti classici greci. La I Parte del lavoro è di natura teorica. Essa mira a definire concetto, forme e funzioni dei titoli in campo letterario. Questa Parte intende, inoltre, proporre un metodo di analisi delle citazioni di opere antiche. La II e III Parte ripercorrono invece storicamente l'emergere della prassi dei titoli. La II Parte è dedicata a opere poetiche prodotte tra età arcaica e classica, la III a quelle in prosa. La III Parte mostra inoltre com'è cambiata nel IV secolo a. C. l'arte di scrivere un proemio con l'uso dei titoli. Il volume si chiude con due appendici. La prima è dedicata al problema dei titoli delle Elleniche di Senofonte e al rapporto di quest'opera con quella di Tucidide. La seconda è di carattere bibliografico.

The poetry of the archaic poets of Lesbos, Sappho and Alcaeus, has been imperfectly and poorly transmitted either in book fragments or in later ragged papyri, so that new attempts of interpretation will always be required, especially when new research tools and methods have appeared in classical scholarship.The book consists of 14 articles by the author, which present and deal with diverse problems of the two poets of Lesbos. Various questions on already transmitted poems, different readings, reconstructions, and interpretations of the new finds are proposed, but, most importantly, new approaches in general topics, such as the division of Sappho's work in Books, the logic leading to this division, the order of these Books, the contents of each of them, the interpretation of the surviving fragments, often quite different than before. A feature that characterizes the old-age poetry of Sappho is her anxiety about the posthumous fate of her poetry and her hope that Kleïs, her only daughter, will ensure its dissemination. Finally, the author investigates the communal festival of Hera in Lesbos, a festival performed in common with Zeus and Dionysus, the so-called “Lesbian Triad”. The festival is specified as a welcome to the season of spring at the time of the vernal equinox. Also, the location of the temenos of Hera is investigated, close to Pyrrha of Lesbos, which was the site of Alcaeus'second exile.

In Greek Writers and Philosophers in Philo and Josephus Erkki Koskenniemi investigates how two Jewish writers, Philo and Josephus, quoted, mentioned and referred to Greek writers and philosophers. He asks what this tells us about their Greek education, their contacts with Classical culture in general, and about the societies in which Philo and Josephus lived. Although Philo in Alexandria and Josephus in Jerusalem both had the possibility to acquire a thorough knowledge of Greek language and culture, they show very different attitudes. Philo, who was probably admitted to the gymnasium, often and enthusiastically refers to Greek poets and philosophers. Josephus on the other hand rarely quotes from their works, giving evidence of a more traditionalistic tendencies among Jewish nobility in Jerusalem.

The two volumes offer the first critical edition of the entire letter-collection of Michael Psellos; a total of 563 texts, including spuria, rewritings, and excerpts. Psellos (11th c., Constantinople) is a well-known figure among students of Byzantine culture and arguably the most prolific and influential middle Byzantine learned author. His letter-collection, preserved in 53 Byzantine and post-Byzantine manuscripts, grants us glimpses into the lives of well-known but also everyday Byzantines, sheding light upon Constantinopolitan networks of friendship and power and, more importantly, upon habits of rhetorical craftsmanship, literary imagination, and typologies of self.

This is the endorsed publication from OCR and Bloomsbury for the Greek AS and A-Level set text prescriptions for 2019-21 giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are:AS and A Level Groups 1&3Herodotus, Book 7: 5–10Plato, Phaedo: 62c9 to 67e6Homer, Iliad 18: 1–38, 50–238Euripides, Medea: 271–355, 663–758, 869–905A Level Groups 2&4Herodotus, Book 7: 34–35, 38–39, 45–52, 101–105Plato, Phaedo: 69e6 to 75c5Xenophon, Anabasis, Book 4: 7–8Homer, Iliad 9: 182–431Euripides, Medea: 214–270, 364–409, 1019–1055, 1136–1230Aristophanes, Peace: 1–10, 13–61, 180–336Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021

Sleep was viewed as a boon by the ancient Greeks: sweet, soft, honeyed, balmy, care-loosening, as the Iliad has it. But neither was sleep straightforward, nor safe. It could be interrupted, often by a dream. It could be the site of dramatic intervention by a god or goddess. It might mark the transition in a narrative relationship, as when Penelope for the first time in weeks slumbers happily through Odysseus'vengeful slaughter of her suitors. Silvia Montiglio's imaginative and comprehensive study of the topic illuminates the various ways in which writers in antiquity used sleep to deal with major aspects of plot and character development. The author shows that sleeplessness, too, carries great weight in classical literature. Doom hangs by a thread as Agamemnon - in Iphigenia in Aulis - paces, restless and sleepless, while around him everyone else dozes on. Exploring recurring tropes of somnolence and wakefulness in the Iliad, the Odyssey, Athenian drama, the Argonautica and ancient novels by Xenophon, Chariton, Heliodorus and Achilles Tatius, this is a unique contribution to better understandings of ancient Greek writing.

This is the first edition of ten Funeral Orations of Michael Psellos based on all the manuscripts preserving those works and accompanied by a full apparatus fontium and the necessary critical apparatus. Some of those texts had been published by the Greek scholar Konstantinos Sathas at the end of the XIX c. Those editions hardly correspond to the contemporary standards. The same applies to several more recent editions, prepared by P. Gautier, which also leave much to be desired. The most important texts of our collection are the funeral orations for the patriarchs Michael Keroullarios, Konstantinos Leichoudes and John Xiphilinos, a personal friend of Michael Psellos. All the texts offer valuable details concerning Psellos's early life; at the same time they constitute an important testimony to the survival of the Late Antique Rhetoric in XI c. Byzantium. They constitute a necessary supplement to Psellos's more famous work, his Chronography, verifying and shedding a new light on the events narrated there.

The series was founded in 1896. It is dedicated to important Greek and Latin texts together with translations and commentaries, as well as detailed introductions, thus rendering them more accessible to a broader readership. Since 2000 the series has concentrated on'Homer's Iliad. A full commentary', presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German.

The series was founded in 1896. It is dedicated to important Greek and Latin texts together with translations and commentaries, as well as detailed introductions, thus rendering them more accessible to a broader readership. Since 2000 the series has concentrated on'Homer's Iliad. A full commentary', presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German.

The series was founded in 1896. It is dedicated to important Greek and Latin texts together with translations and commentaries, as well as detailed introductions, thus rendering them more accessible to a broader readership. Since 2000 the series has concentrated on'Homer's Iliad. A full commentary', presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German.

The series was founded in 1896. It is dedicated to important Greek and Latin texts together with translations and commentaries, as well as detailed introductions, thus rendering them more accessible to a broader readership. Since 2000 the series has concentrated on'Homer's Iliad. A full commentary', presenting the text of the Iliad (by M. L. West), a translation (by J. Latacz) and a commentary in German.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa)Marcus Deufert (Universität Leipzig)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks.If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Tessa.Jahn@degruyter.com All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa)Marcus Deufert (Universität Leipzig)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks.If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Kerstin.Haensch@degruyter.com All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

'Summaries and concise commentaries about the major works of classic Greek writers...'

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa)Marcus Deufert (Universität Leipzig)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks.If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Tessa.Jahn@degruyter.com All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa)Marcus Deufert (Universität Leipzig)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks.If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Kerstin.Haensch@degruyter.com All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.