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Focuses on the role played by the feminine principle in specific religious texts, epic poems, theater pieces, and tales narrating sacred events in which deities and supernatural or extraordinary beings move through their difficult celestial and earthly trajectories.Women, Myth, and the Feminine Principle focuses on the role played by women in specific religious texts, epic poems, theater pieces, and tales narrating sacred events in which Deities and supernatural or extraordinary beings move through their difficult celestial and earthly trajectories.This is a companion volume to Bettina L. Knapp's Women in Myth and it includes chapters dedicated to the study of two works that have never been broached before, the Tibetan myth Gesar of Ling and the Guatemalan sacred text, the Popul Vuh.The book begins by probing the'Divine Feminine'in Tibet's Gesar of Ling, one of the most fascinating myths of all time. Especially intriguing is the hero's seemingly continuous dependency on the feminine principle for guidance. The heroine in Kalidasa's Sanskrit drama, Sakuntala focuses on the obstacles set in Sakuntala's earthly trajectory, and how these were instrumental in her evolution from the stage of passive, unconscious, and withdrawn archetypal Maiden to that of the conscious, decisive, strong spiritual Mother. To explore the highly complex personalities of Kriemhild and Brunhild in the High German Nibe-lungenlied is to enter the realm of sun and shadow, the lightened regions of consciousness and the deep interiors of primal darkness. Quiche Mayas's Popul Vuh introduces a primordial couple as active participants in the creation of humankind while Racine's Phaedra projects the dramatist's own gnawing religious conflicts onto his mythical heroine: questions of guilt, remorse, anguish, and fatality/predestination. Yeats's Irish/Celtic feminist and heroine, Deirdre, underscores her inner strength, fortitude, and courage in the face of death while I. B. Singer's'Yentl the Yeshivah Boy'depicts the struggle confronting a young girl from an orthodox Polish Jewish family as she attempts to break out of an ultrapatriarchal society.Bettina L. Knapp is Professor, Department of Romance Languages, Hunter College and the Graduate Center, City University of New York. Her past work includes numerous books, among them Women in Myth, also published by SUNY Press.

Explores the role played by women in ancient societies through the analysis of specific myths from nine different lands.In Women in Myth, Bettina L. Knapp explores the role played by women in ancient societies through analysis of specific myths from nine different lands. The author probes issues as to how figures such as Isis, Tiamat, Dido, Camilla, Deborah, Iphigenia, Salome, Sita, Amaterasu, Nü-Kwa, and others—some of whom were goddesses—fared. She discusses their abilities and their outlooks, whether their views were gender oriented or androgynous, whether they were deprived of the most basic human rights or excluded from the highest functions of religious worship. Knapp explores whether or not these women had done battle, led armies, founded states, ruled lands, or experienced identity crises. She allows the reader to establish parallels as well as dichotomies between the lives of ancient and contemporary women. The reliving of specific episodes from thousands of years ago as reported in the great myths brings insights into certain relationships and sheds light on events and their ramifications in today's home and workplace.Bettina L. Knapp is Professor at Hunter College and the Graduate Center, City University of New York. Her past work includes numerous books, among them, That Was Yvette: A Biography of Yvette Guilbert (coauthored); Jean Racine, Mythos and Renewal in Modern Theatre; Gertrude Stein; Images of Chinese Women: A Westerner's View; Images of Japanese Women: A Westerner's View; The Brontës, Emily Dickinson; Liliane Atlan; and Women in Twentieth-Century Literature: A Jungian View.