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In this paper I present the position of two philosophers associated with the hermeneutic tradition, Gianni Vattimo and Charles Taylor, about the status of scientific knowledge in our contemporary world. Through a brief exposition of the fundamental features of their respective ontologies and epistemologies, I seek to offer a critical comparison. In the conclusion, I defend the superiority of Taylor's formulation, inasmuch it allows to put in question the primacy of the natural science model without abandoning a realist conception of the world and of the category of truth. [ABSTRACT FROM AUTHOR]

This paper examines an approach to Karl R. Popper's philosophical and epistemological proposition (philosophy of science), as a theoretical framework to analyze the links between literary and visual creativity. Popper's methodological proposal is briefly reviewed, as well as the way his epistemological categories are linked to the creative process, enriching it as a cognitive instrument. Then the scope of this instrument as a tool for proving and predicting validity, is explored by applying it to a particular case: the creative process that led to the creation of 18 original visual works that attempt to reflect the original sounds of vowels and consonants. [ABSTRACT FROM AUTHOR]