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This paper examines the idea of sociological film that encourages sociological imagination, which refers to the capability to recognize the intersection of biography and history. The paper identifies six key dimensions of sociological film through a thematic analysis of different classic approaches to sociological imagination: sociological life, structure-actors relationship, critical perspective, academic awareness, fluidity of meaning, and promotion of sociological imagination. This paper provides concrete examples to demonstrate the distinctive features of sociological film and how it relates to, and differs from, other films that address social issues, including documentary films. The paper argues that sociological film is essential in fostering sociological imagination by offering a unique lens for analyzing and understanding social phenomena. Sociological film has the potential to inspire social change by increasing awareness about significant social issues and promoting critical thinking and reflection. The paper concludes by emphasizing the significance of collaboration between sociologists and filmmakers in advancing sociological imagination through the medium of sociological films. It highlights the importance of actively engaging with the public in visual research methods. [ABSTRACT FROM AUTHOR]

The main purpose of this paper is to provide a biographical sketch of the late Hans L. Zetterberg and a historical background to a translation of an essay based on a lecture given by Zetterberg in Stockholm in 1995. In it, he recounts his time at the Department of Sociology at Columbia University in the years 1953–1964. This essay is full of insights into an inspiring and formative period for Zetterberg in the United States, particularly in the stimulating milieu that was Columbia, at this time the center of American sociology led by Robert K. Merton and Paul Lazarsfeld. In the introduction to this translated essay, I give a brief overview of the establishment of sociology as a discipline in Sweden, and the transfer of knowledge between the United States and Sweden (and Europe, more broadly), embodied in Hans Zetterberg. In the post-WWII years, American sociology, which had a strong positivistic imprint, played an important role in shaping the beginnings of Swedish sociology. However, the transfer of knowledge went both ways, with Zetterberg, a semi-central and often neglected figure, being both a significant contributor to sociology at Columbia in its period of greatest prominence, and in his native Sweden. [ABSTRACT FROM AUTHOR]