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This paper examines controversy concerning the televising of the documentary This Is the BBC (1959) and situates the dispute in a wider cultural context of media criticism of Oxford University in particular, and academic educators more generally, in the period 1956–1960. Technological change, increased television ownership and a growing interest in the irreverent portrayal of educators in popular culture all need to be considered when examining what the philosopher and historian of ideas Isaiah Berlin and the filmmaker Richard Cawston considered to be at stake when they squabbled over the right to use a few seconds of film footage of Berlin. Berlin objected to his voice and moving image being edited to present him not as a don but as a clown. The article also addresses the ongoing silences that become apparent when the montage is broken down frame by frame and the visual rhetoric is translated into written argument. [ABSTRACT FROM AUTHOR]

In this paper data are used from the University of Winchester Alumni oral history project to suggest how the historic culture of the institution, as one of the original church training colleges, founded in the mid-nineteenth century, might have been transmitted to those who attended it as trainee teachers from the 1930s, the earliest data that are available, to the late 1970s when its courses diversified. Two questions will be posed. The first will ask what might have been distinctive about teacher training at a church college. The second will consider the possible effects of such training on the professional lives of the alumni as teachers, and beyond, in the community more generally. In their analysis of the data the authors utilise Pierre Bourdieu's key concepts of 'field', 'capital' and 'habitus'. [ABSTRACT FROM AUTHOR]