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This article aims to describe characteristics and communicational practices of community, alternative, and popular radio stations in San Luis Province, Argentina, between 2010 and 2020, considering the latest regulation in force: LSCA law 26.522, 2009. In San Luis, there are three radio stations that fall under the categories of community, alternative, and popular, according to the law: La Bulla, Masi Radio, and Radio Rebelde, all of them born after the law was sanctioned. The methodology is qualitative, and the analysis is based on empirical research that includes official registries, previous research, academic papers, interviews, and informal conversations with media members. The study analyzes the practices that these radio stations develop to build sustainability, and whether or not they achieve it. Their relationship to other socially relevant actors, such as the State in its three levels, other civil organizations, within a concentrated and centralized media system, is also considered, reflecting those characteristics from the province's political power configuration. Community radios in San Luis suffered the consequences of the national government changes and the paralysis in local communication policies, nevertheless, they are still operative. However, the lack of new community experiences requires further thoughts about how social and political conditions contribute to its marginal position in the communicational system of the province. [ABSTRACT FROM AUTHOR]

After the signing of the peace agreement between the Colombian government and the former FARC-EP guerrilla, some Territorial Training and Reincorporation Spaces (ETCR, by its Spanish acronym) were allocated around the country as part of the reincorporation process for ex- combatants, whose development and achievement has had great difficulties in accomplishing what has been agreed in the framework of the peace process (delays, negligence, clear routes of reincorporation, security, political tensions). Based on fieldwork in two ETCRs, one in La Fila and the other in El Oso, in Tolima (Andean region, in the center-west of the country), we spoke with some signatories of the Peace Agreement. During our visit, we recorded at the audiovisual level how these spaces, where members of the Comunes party, national institutions, foreign countries, and neighboring communities converge, are being appropriated and intervened. This paper proposes a perspective on the ETCRs as ghettos of integration and exclusion of ex-combatants. In addition, we highlight how coexistence in spaces has created ways of inhabiting the ETCRs expressed in the adaptations to spaces, orders, and symbols given by peace signatories in the process of reincorporation [ABSTRACT FROM AUTHOR]

This paper shows the results of the first phase of a school of audiovisual communication, wich is mediated by information technology. For it, we identified two types of narratives. Firstly, one about the beneficial impacts in the technology access and appropriation, and in values, derivated from collaborative processes carried out by students to strengthen as social collective. Secondly, others that form a first corpus of contents, with wich the school wants to narrate and represent itself as successful case of peace buiding in the region. Our thesis is that such narratives show that the processes of appropriation of information and digital communication technologies strengthen processes of comunity communication and creative citizenships, based on values emerged among collaborative relations and interactions. [ABSTRACT FROM AUTHOR]

This paper presents a critical review about resignification of two identitarian, literary, and cultural practices, alabaos and currulaos, faces of the sung word, in the framework of the armed conflict that has disproportionally impacted Afro-Colombian communities. Method: the research follows the perspective of what I call the hermeneutics of return, a critical interpretive perspective on the historical presence of Afro communities in the perspective of decolonization. First, it introduces a discussion regarding the literary character of these Afro-Colombian creations. Then, these cultural practices are contextualized as agencies of Afro ethno-racial and cultural identity. After that, I focus on the recognition of the armed conflict effects in the territories, considering careful reading and listening of some lyrics, particularly three currulao songs of the following groups: Rancho Aparte, Esteban Copete y su Kinteto, Canalón de Timbiquí, and Herencia de Timbiquí. Furthermore, some alabaos from the album Voces de resistencia will be analyzed in terms of the transformations this cultural practice suffered in the middle of the war experiences. This album was interpreted by Las Cantaoras de Pogue and sponsored by ICESI University and the Ford Foundation. In conclusion, I pretend, through this article, to visualize the reinvention capacity of communities to transform these cultural practices into memory, sensibilizing, denouncing, and mental healing tools. [ABSTRACT FROM AUTHOR]

This paper is a reflection produced after a series of interventions carried out at the sector known as "The Bronx", in the city of Bogotá, financed by the national and district governments. The main aim was, on one hand, to understand the role that some dynamics play in order to prevent crime, and, on the other hand, to design and implement a strategy in local schools that will help to reduce the individual vulnerability of young people in the sector. The work proposals develop social policy guidelines articulating elements of human geography, sociology, and psychology, around proposals such as the Zonas de Orientación Escolar (School Guiding Zones, Indications about the importance of considering the effect that territorial dynamics have on the effectiveness of the design and implementation of social policies, as well as the difficulty of defining indicators that allow comparability with similar experiences, can be found among the conclusions. [ABSTRACT FROM AUTHOR]