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An introduction is presented in which the editor discusses various reports within the issue on topics including Trumpism during the rise of New China, book review on "Sketches in the Theory of Culture," and sociology's promise.

Theories of a new phase of earth history, the Anthropocene, position human world-making activity as a bio-geological force. Social interventions into earth systems have been extensive and malignant, altering the earth's surface, atmosphere, oceans, and systems of nutrient cycling. To adapt and respond to emerging planetary dangers requires the collaboration of scholars from many different disciplines. In this paper, I argue that a coalition of the arts and sciences might draw upon György Márkus's extensive studies of the topography of 'high' culture. I reconstruct Márkus's conceptual map of the arts and sciences as regions of 'high' cultural activity, each with their own criteria of value yet subject to an integral unity and shared ambition. Both regions of 'high' culture aim to create original works of significance for an engaged public. I then examine the implications of Márkus's claim that the classical vocation of robust, public-oriented culture has run aground. The field of problems that this paper traverses are not the ecological crises of the Anthropocene per se. I attend rather to Márkus's account of the neoliberal erosion of cultural infrastructure where democratic publics might engage with such problems. [ABSTRACT FROM AUTHOR]

This paper concerns a little-known debate between Jürgen Habermas and György Márkus. Habermas argued that the Marxian paradigm of production was obsolete in the light of his own proposal for a 'communicative turn' in contemporary critical theories that avoids reductivism by focusing on moral learning processes connected to language and communicative interaction. This paper sets out Habermas's critique of the paradigm of production and Márkus's rebuttal. [ABSTRACT FROM AUTHOR]

This paper offers a typology of university management roles in the age of permanent austerity. The repackaging of every function within the university administration as a cost centre – meaning of course a potential profit centre – has long been seen as an unsustainable market model. Yet perversely it persists, and we would do well to name the hyperbolic functionaries of this administered institutional reconstruction, in a place where a humourless credentialism prevails. The paper revives the work, and temperament, of the early 20th-century sociologist Thorstein Bunde Veblen as a heuristic aid. With Veblen, the protocols of commercial imperative in the state education sector masquerade as education as a social good while the 'university' itself is skewered with the tragic realism of forms. [ABSTRACT FROM AUTHOR]

This paper claims that Bauman's personal experiences deeply shaped his work. In the first part, I draw upon my own research, combining archive documents and interviews data, as well as – for the very first time – details taken from Zygmunt Bauman's own unpublished autobiography, accessed courtesy of the Zygmunt and Janina Bauman Archive project at the University of Leeds. The second part of the paper draws upon my wider ethnographical study into the lived experiences of asylum seekers, conducted between 2017 and 2019 in Southern Europe. I focus here upon their experience of escape and their present life conditions in order to highlight important parallels with Bauman's own experiences as a refugee. The conclusion draws both cases together in order to understand a less overt aspect of Bauman's sociology and to claim that the term 'migrant' is both discriminatory and, in academic terms, incorrect. I argue that this diagnosis is reinforced further by the voices of intellectuals who themselves experienced the status of refugees: namely, Zygmunt Bauman and Hannah Arendt. [ABSTRACT FROM AUTHOR]

The article has two aims: firstly, it provides a holistic account of Zygmunt Bauman's oeuvre, and secondly, it presents an extensive up-to-date and multilingual bibliography of his published writings. The authors discuss Bauman's prolificacy, as well as the stylistic, formal and substantive heterogeneity of his work. Taking this into account, they reflect on the curious reception of his oeuvre in the wider disciplinary field of sociology. The bibliography attached to the paper provides the most complete account of Bauman's writings. Building on previous bibliographies, and drawing on archival research in the Janina and Zygmunt Bauman Papers at the University of Leeds, the bibliography spans 63 years from his first publication to his most recent. Many of these papers – both in English and Polish – are presented for the first time in the list of his works. [ABSTRACT FROM AUTHOR]

Faced with a rise of populism seemingly in all corners of the globe, the need to facilitate meaningful communication between different world-views and to resist the closing down of dialogue is pressing. In this paper, I argue that Zygmunt Bauman's sociological method has always been concerned with this problem and that a better appreciation of his writings on hermeneutics provides us with a vital strategy for resisting fundamentalist thinking in today's dark times. To begin, I briefly explore the relationship between hermeneutics and fundamentalism before moving on to elaborate Bauman's method of sociological hermeneutics. In the final section of the paper, I assess the implications that Bauman's method has for the discipline of sociology at a time when the certainty of things is the most avid of dreams dreamed by people harassed and oppressed by the uncertainty of liquid modern life, apparently whatever the human consequences. [ABSTRACT FROM AUTHOR]

Sociology today faces a number of serious challenges to its integrity as a discipline. As a synthesis of Weberian and Durkheimian traditions, the work of Randall Collins represents an innovative vindication of sociology in the early 21st century. This article explores Collins's interaction ritual theory to demonstrate its contemporary utility. However, to highlight the importance of Collins's work, it seeks to advance and refine it theoretically. Specifically, it seeks to develop Collins's argument about the role of emotions and, specifically, effervescence, in rituals. This paper argues that, while important, effervescence alone cannot be sufficient to ensure the conformity which is a typical feature of interaction and essential to explaining social order. Drawing on Goffman, Asch and Scheff, the paper argues that effervescence is underpinned by more robust mechanisms of honour and shame, themselves immediately connected to access to collective goods. In this way, the paper affirms the importance of Randall Collins's work for sociology today. [ABSTRACT FROM AUTHOR]

This paper explores the ways nationalism has been theorised in classical and contemporary sociology. More specifically, the author analyses the relevance of Randall Collins's contribution to theories of nationalism. Since Collins's work is firmly rooted in the classical tradition, including the reinterpretation and synthesis of Weber, Durkheim and Goffman, the first part of this paper zooms in on the classics of sociology and their treatment of nations and nationalism. The second part of the paper outlines the key features of Collins's approach and identifies the strengths and weaknesses of this position. The final part builds on the footsteps of Collins and others to articulate an alternative approach focused on the coercive organisational, ideological and micro-interactional grounding of nationalisms. [ABSTRACT FROM AUTHOR]

Some texts appear more than once across the corpus of Zygmunt Bauman's work. This has led to accusations of self-plagiarism and a lack of scholarly rigour. This paper is an explanation of why texts reappear. It pays attention to a number of frequently overlooked texts from the 1970s which are of fundamental importance for any understanding of Bauman's work. It is contended that if: (a) there is an understanding of the stakes and purpose of sociology as it is framed in Bauman's work; and (b) attention is paid to the argument of Hermeneutics and Social Science; then (c) the repetition of texts across the work becomes explicable and unproblematic. The paper argues that dealings with Bauman's work need to be more aware of the less well-known texts. They also need to be alert to different – and incommensurable – ways of practising sociology. [ABSTRACT FROM AUTHOR]

This paper systematises the works of György Márkus into two or possibly three periods. These emphasise the underlying consistency of purpose and interpreting theoretical interests throughout the oeuvre. despite the changing and socio-political forms and language games, all three share common features. These stages move from this initial critique of Orthodox Marxism employing the intellectual rigor of analytical and a philosophical anthropology to an investigation of the internal contradictions in Marx's mature economic writings. to a final post-marxist phase after he left Hungary dominated by continual philosophical themes and a social democratic political perspective. [ABSTRACT FROM AUTHOR]

This paper gives a brief sketch of György Márkus's philosophical style as manifest in the context of his role within the revival of Hegelian philosophy in Sydney in the last decades of the 20th century. Written from the perspective of one of his students, this style is sharpened by the contrast with that of another philosopher who was influential in the Hegel revival around that time, Richard Rorty. It is suggested that the stark antithesis between Márkusian and Rortarian philosophical and interpretative styles reflects tensions within Hegel's own attitude to what it might mean to reanimate a philosophy from the past within a radically changed cultural context. [ABSTRACT FROM AUTHOR]

Major sociological work related to the culture industry thesis was undertaken by Adorno during his period as a 'refugee scholar' in the USA. It has been charged with a 'sociological deficit' by leading figures within critical theory, typically without reference to that US context. A dialogue with Márkus's work on Adorno and the Marxian production paradigm can redress failings in those critiques. However, such a task is complicated by the limitations of Márkus's own major essay on this topic. This paper thus conducts an immanent critique of Márkus: 'Márkus against Márkus'. Márkus's proposals for the application of the Marxian production paradigm to aesthetic culture and his prospective vision for critical theory are so found to be very compatible with Adorno's related work. [ABSTRACT FROM AUTHOR]

This paper argues against assigning Zygmunt Bauman to the category of a 'white', 'European' theorist and the tendency to speak of an undifferentiated 'Eurocentrism'. To argue this, I return to a set of articles by Bauman which reflected on the history of European Jewry. These encourage us to place Bauman in a historical and social context in which he is best identified as emerging from the racialized and classed politics of East European Jewry. Bauman traces how this group were made the outsiders of the assimilatory project of West European Jewry then, as Jewish socialists, were victims of the political anti-Semitism of communist regimes. Not only does this encourages us to be critical of the claims that he spoke from an elite 'white European' position, it also has further lessons for sociology which, in its own 'war against forgetfulness', has tended to impose simplistic racialized and political categories onto theorists. [ABSTRACT FROM AUTHOR]

This introduction to a special issue outlines the significance of Randall Collins's contribution to sociology. The first section briefly reviews Collins's main books and assesses their impact on social science. The second section offers a summary overview of the papers that comprise the special issue. [ABSTRACT FROM AUTHOR]

This paper takes the form of a ‘performative’ dialogue, a recounting of scenes, which alternate, in the mode of a cinematic montage, with academic analysis of the interfaces between boxing, art, and space. In his book Body and Soul: Notebooks on an Apprentice Boxer (2004), sociologist Loïc Wacquant mixes three genres: analytic sociology, depictive ethnography, and short story. He argues that he used this unorthodox methodology ‘to make the reader simultaneously feel and understand how boxers are “gripped” by their craft and viscerally tied to it’. Similarly, in this paper, the overlapping voices of its two authors engage in both performative, creative and intellectual ways with the critiques and social rituals surrounding boxing, ultimately finding that an understanding of boxing as an epistemological encounter gives rise to interesting ways to think through the relationships between art and urban space itself. The paper ranges widely over each author’s personal experience of boxing, analyses of specific artworks both ancient and modern, and an analysis of the psychogeography of urban space, and in particular, Johannesburg. The form of the paper, as it incorporates narrative experience (embodiment) and analytic mode, can be seen as a text that re-enacts the ‘performance’ of boxing and art-making in which the traditional opposition between the two is integrated, if not suspended. [ABSTRACT FROM AUTHOR]

This paper offers a memoir of living with Zygmunt Bauman. It begins with the early encounter of Bauman and Aleksandra Kania in Warsaw in 1954, where both were Masters students working with the humanist Marxist Adam Schaff. Kania and Bauman followed their separate life paths for decades, though they were both postwar communists and reconstructionists. Much later, the loss of their partners led to union, in Leeds and across the globe in travel. This is a story of friendship and mutual enthusiasms, then intimacy between two working sociologists. There are also some apparent differences, as between the Lark and the Owl, or between Phosphorous and Hesperus. Life together leads especially to Italy, and to Pope Francis. This is a reflection on what Bauman called the art of life. [ABSTRACT FROM AUTHOR]

Crisis jargon has become endemic in modernity. Whether in radical or in affirmative versions, the idea that ‘crisis’ offers ‘opportunity’, in accordance with the meaning of crisis as ‘decision’, is widespread. This paper questions the relationship between modernity and crisis, first by highlighting the ways in which modernity itself has been cast as ‘crisis’: first as crisis of tradition, then as crisis of modernity itself. The main part of this paper then consists of a reading of modernity-as-crisis inspired by Walter Benjamin, most notably by his Passagen-Werk. It consists of an attempt to consider ‘crisis’ as what Benjamin calls a ‘wish image’, an image that contains hidden utopian ideals. In invoking ‘crisis’, I argue, a conception of modernity as shock, raised to the level of the collective, becomes apparent. Crisis jargon thereby remains wedded to what Benjamin calls a mythical conception of history. The paper ends with a discussion of the political consequences that follow from this that are grounded in the relation between messianism and profane politics in Benjamin. [ABSTRACT FROM PUBLISHER]

This paper takes as its starting point the fact that Bourdieu’s views on sociology as a science have not been sufficiently and adequately understood and discussed. It traces the links between his conception and that of the French tradition of historical epistemology which is critical of positivism. How Bourdieu extends their views, and those of Bachelard especially, beyond the realm of the natural sciences, to the social sciences and sociology in particular, is discussed. In the process he introduces new concepts and methods, such as that of participant objectivation. His perspective reveals a convergence between the natural sciences and the social sciences as human endeavours striving for universal truths. This is reinforced and widened to include the humanities as well as demonstrated by his analysis of the literary field. The paper concludes with the observation that Bourdieu’s post-positivist science is a salutary alternative to the postmodern critique of science. [ABSTRACT FROM AUTHOR]

This paper considers and evaluates Jeffrey Alexander's strong program in cultural sociology, which represents an exercise in paradigm formation and an ambitious attempt to refound American sociology along interpretive lines. Cultural sociology is assessed according to four axes, namely its social constructivist epistemology, culturalizing methodology, analytical realism, and internal and external positioning. In addition to discussing the accomplishments and limitations of cultural sociology in all these areas, the paper indicates ways to strengthen it by setting it in conversation with other and more explicitly critical currents of thought. [ABSTRACT FROM AUTHOR]

My paper argues that Luc Boltanski’s pragmatic sociology makes an important contribution to two central concerns of critical theory: the empirical analysis of the contradictions and conflicts of capitalist societies and the reflexive clarification of the epistemological and normative grounds of critique. I show how Boltanski’s assessment of the limitations of Bourdieu’s critical sociology significantly influenced his pragmatic sociology of critique and explication of the political philosophies present in actors’ practices of dispute and justification. Although pragmatism has revealed how social life involves considerable uncertainty, Boltanski contends that critique needs to take into account how institutions generate semantic security, as well as symbolic violence. Boltanski’s endeavour to reformulate critique is compared with influential alternative conceptions, notably those of Habermas, Castoriadis, and Honneth. Despite its potential deficiencies and weaknesses, Boltanski’s reformulation of critique is found to be of considerable theoretical significance. In particular, Boltanski’s analysis of the role critique has played in the reorganization of capitalism can be extended, and his work is suggestive of how some of the intentions of critical theory can be pursued in new ways. [ABSTRACT FROM AUTHOR]

Daniel Bell’s multidimensional view of modern social life as a disjunction of differing realms provides an effective example of a sociological analysis that defies typical notions of Left/Right and radical/conservative. Within this framework, Bell moves between traditional alliances, and his unwillingness to take sides makes it difficult to place him within traditional categories. Using Bell as an example, this paper will question the relevance of Right and Left in sociological discourse, and suggest that the distinction between conservative and radical is more substantive. [ABSTRACT FROM PUBLISHER]

The aim of this article is to reassess the conceptual link between politics and our capacity to create images. Although a lot has been written on what we can call the ‘politics of imagination’, much less has been done to critically assess the conceptual link between the two in a systematic way. This paper introduces the concept of imaginal, understood simply as what is made of images, to go beyond the current impasse of the opposition between theories of imagination as an individual faculty, on the one hand, and theories of the imaginary as a social context, on the other. As such, I also argue that the concept of imaginal is the theoretical tool most adapted to capture the nature of the conceptual link between politics and our capacity to produce images. This analysis is finally applied to contemporary politics and it is shown to be able to bring light to many of its paradoxes, including that of a political world full of images, but deprived of imagination. [ABSTRACT FROM PUBLISHER]

This paper traces developments in Jeffrey Alexander's cultural sociology. The aim is to introduce the reader to the key components of this theory as it developed from a functionalist focus on societal values through semiotics and linguistic structuralism to a theory of cultural trauma and collective performance. [ABSTRACT FROM AUTHOR]

The practice of social theory is too often given to celebrity hunting, the polemical vulgarizing of one's putative enemies, or the precocious production of totalizing and redemptive theories purporting to rescue social theory from its perennial crises of meaning, naming and explanation. The constructive task of social theory, however, can be both more modest and productive when attention is given to its substantive concern to provide codes, narratives and explanations of modernity, in all its pluralist and democratic dimensions. This is in effect the self-description of Jeffrey Alexander's own work. This paper provides an empathetic account of Alexander's approach to the practice of social theory via a synopsis of his collected essays in Fin de Siècle Social Theory (1995). In particular, it claims that Alexander's critique of the reductionist propensities of Pierre Bourdieu's macro-sociological theory is exemplary in its constructive cast as a systematic analysis of the universalizing contents of the conceptual and methodological claims themselves. Herein lies the use of reason itself. [ABSTRACT FROM AUTHOR]

This paper retraces the conceptual development of Jeffrey Alexander's cultural sociology. It centres on three major conceptual achievements: first, the distinction between inside and outside and its more peculiar variants (like system and environment or friend and foe); second, the elaboration of the temporal axis as a distinct dimension of cultural analysis; and finally, the close focus on performativity that took centre-stage in cultural analysis during the last years. [ABSTRACT FROM AUTHOR]

Presents an introduction to academic papers clustered around sociologist Jeffrey Alexander's work and the project of American cultural sociology and published in the scholarly "Thesis Eleven" periodical. Consistent energy towards renewal; European current in American sociology; Youthful engagement with Marxism at Harvard University; Horizon of culture as the unifying theme; Premise of the intelligence of everyday action.