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Purpose: This qualitative study explores how discursive power shapes South Carolina lesbian, gay, bisexual, transgender, queer, intersex and asexual (LGBTQIA+) communities' health information practices and how participants resist this power. Design/methodology/approach: In total, 28 LGBTQIA+ community leaders from South Carolina engaged in semi-structured interviews and information world mapping–a participatory arts-based elicitation technique–to capture the context underlying how they and their communities create, seek, use and share health information. We focus on the information world maps for this paper, employing situational analysis–a discourse analytic method for visual data–to analyze them. Findings: Six themes emerged describing how discursive power operates both within and outside of LGBTQIA+ communities: (1) producing absence, (2) providing unwanted information, (3) commoditizing LGBTQIA+ communities, (4) condensing LGBTQIA+ people into monoliths; (5) establishing the community's normative role in information practices; (6) applying assimilationist and metronormative discourses to information sources. This power negates people's information practices with less dominant LGBTQIA+ identities and marginalized intersectional identities across locations such as race and class. Participants resisted discursive power within their maps via the following tactics: (1) (re)appropriating discourses and (2) imagining new information worlds. Originality/value: This study captures the perspectives of an understudied population–LGBTQIA+ persons from the American South–about a critical topic–their health–and frames these perspectives and topics within an informational context. Our use of information world mapping and situational analysis offers a unique and still underutilized set of qualitative methods within information science research. [ABSTRACT FROM AUTHOR]

One of the ubiquitous trends in social behavior is the formation of comprehensive systems of interaction known as communities. Everywhere in the world and throughout man's existence on earth, the formation of communities has been evident, from the primitive tribe to the contemporary nation-state. Among the exciting developments within the more complex communities of mankind, such as cities and nations, is the emergence of subcommunity forms which both complement and contest the arrangements of the larger society. Status communities and ethnic communities of many sorts belong among the contemporary sub-communities. It is instructive to apply this concept of sub-community formation to areas of behavior such as the worlds of art and jazz, when that behavior can be shown to approach closure and completeness with respect to a distinctive way of life. This paper deals with two major tasks: (1) the development of a special theory of the jazz community as an unique form of status community, and (2) a judgment as to the validity of referring to the social world of the jazz musician as a community. It should be mentioned that while this formulation is conceived in terms of the jazz subculture, it also has widespread application elsewhere in the area of social deviance. Since the concept of status group has its roots in the general theory of community, we shall briefly outline that concept. [ABSTRACT FROM AUTHOR]