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1. Narrazioni filmiche e immaginario giuridico. A cinquant'anni da «Il giudice sullo schermo» di Vincenzo Tomeo.

Author

SPINA, FERDINANDO

Subjects
*POPULAR culture, *JUSTICE administration, *CONCRETE, *MACHINERY, *NARRATIVES
Abstract

In order to identify the concrete processes by which the complex machinery of the legal system operates, a focus on the narratives of law in popular culture can be useful. However, studying narrative poses a number of theoretical and methodological pitfalls. The aim of this paper is a return to Vincenzo Tomeo's half-century-old work The Judge on the Screen. The book is an excellent example of a sociologically careful and methodologically insightful use of fictional narrative sources such as films. It can be considered a classic of 'law and culture' studies and a forerunner of the 'law and cinema' movement. [ABSTRACT FROM AUTHOR]

Published
2023

2. Una dimostrazione poco formale dell'irrazionalità di alcuni numeri.

Author

Cordelli, Alessandro

Subjects
*SECONDARY school students, *SQUARE root, *NUMBER theory, *MATHEMATICS, *CONCRETE
Abstract

The purpose of this paper is to suggest how to overcome the difficulties which arise when secondary school students have to deal with too formal and abstract proofs. In fact, such difficulties emerge very often in math classes. As a result, students do not achieve a real and deep comprehension of the proofs, but limit themselves to learn them by heart. On the other hand, the introduction of proofs based on concrete and visual elements greatly helps them to gain a clear understanding of the underlying mathematical concepts. An alternative way to prove the irrationality of the square root of two will exemplify how to make proofs less formal and more semantic. [ABSTRACT FROM AUTHOR]

Published
2023

3. Cultura sociologica e sociologia dei concetti.

Author

MARCI, TITO

Subjects
*SOCIAL history, *ACQUISITION of data, *SOCIAL processes, *SOCIOLOGY, *CONCRETE
Abstract

In this paper we will try to understand the "conceptual" perspective of sociology as one of the possible lines drawn within the cultural horizon of the social sciences. And this can be easily understood if we understand by "sociological culture" a knowledge that is not reducible to a scientific disciplinary sector or to an analytical technicality (an instrumental apparatus) aimed at data collection, but as a conceptual process capable of developing a cognitive orientation aimed at grasping the existential situation of man starting from his historical, concrete and social condition. The aim of this work is therefore, more than anything else, to grasp the process of conceptualisation of social experience starting from the cultural formations within which the relationship between thought and society, or rather, between mental structures and historical-social conditions, develops concretely and reflectively. [ABSTRACT FROM AUTHOR]

Published
2022