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The aim of this article is to analyze César Calvo's Las tres mitades de Ino M oxoj otros brujos de la Amazonia in order to rethink how the Amazonian universe (with its beliefs, myths, and knowledge) participates in the construction of Peruvian identity', assuming a notion of identity that is defined by heterogeneity. We propose a reading of Calvo's novel in the frame of Amazonian indigenism, which creates tensions with other literary formulations of the Andean utopia. The paper also looks into how the invention of an ethnographic narrator allows the intersection of diverse sociocultural universes in the novel. [ABSTRACT FROM AUTHOR]

This paper analyzes the central role played by Argentinian modernista writer Enrique Rodriguez Larreta in the vindication of the Castilian cultural heritage in early 20thcentury Argentina. As part of the wave of hispanophile sentiment produced by the Spanish-American War and the debates on identity linked to the celebration of Argentina's Independence Centenary, Larreta aims to create a new Argentinian identity of Castilian filiation based on the Spanish cultural heritage epitomized by Golden Age. This profoundly conservative aesthetic project finds expression in his successful historic novel La gloria de don Ramiro, conceived as an archaist textual simulacrum that reconstructs the historical reality of Phillip II's reign. [ABSTRACT FROM AUTHOR]

The novel Perfect Preterite by Hugo Foguet appears in the map of Argentinian literature as a piece of writing that, at the moment of its publication (1983) and from the periphery of the canon, breaks apart from any expected narrative produced inland, that is, a kind of realism that presented remote, still and atavistic provincial towns. This paper analyzes Foguet's text from the notion of folly realism, coined by Eduardo Rosenzvaig in the context of the Argentinian and Latin American literature. [ABSTRACT FROM AUTHOR]

This paper presents evidence on the controversial trip of José Juan Tablada to Japan in 1900. Most scholarship studying the book of chronicles En el país del sol (1919) refers to the lack of evidence of José Juan Tablada's trip to Yokohama. Until now there was no concrete evidence to prove his travel, beyond the book mentioned and some watercolors. As a result of a search at the National Archives in San Francisco among the documents that record the arrival of travelers, I found that passenger twenty-one was, indeed, Tablada, who traveled back from Yokohama on December 5, 1900 to arrive in San Francisco on December 22 aboard the ship “America Maru". This was a crucial trip for Tablada, which marked a watershed moment in his artistic creation and reaffirmed his intellectual passion for the land of the sun. [ABSTRACT FROM AUTHOR]