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The relationship between Borges and France has been revisited more than once from many perspectives. This paper does it from a novel point of view: that of the account of composition. On the one hand, this paper presents the account of composition (that is, a narrative about the writing process) as a conceptual instrument that can be used to think and perceive the literary experience in general. On the other, it seeks to show that these narratives are a productive tool to analize key aspects of the relationship between Borges and France: they let us articulate a way of viewing Borges' position in relation to the avant-gardes, which in turn enables us to trace a line covering from Borges' Ultraist origins to the much later resonance of Borges' literature and ideas in the works of the French literary group Oulipo. Incidentally, this paper also suggests a hitherto unnoticed relevant connection between “The Aleph" and Plato's Republic. [ABSTRACT FROM AUTHOR]

The objective of the present paper is to question the presence of twentieth-century vanguards in current critic and literary production. Starting with the re-emergence of references, principles and working guidelines belonging to that period in the works of widely influential authors, such as César Aira, the paper reviews the main values of the vanguards and some existing narratives about them. It then states that in order to understand the phenomenon a reflection on temporary notions and the possibility of a different relationship towards historic an aesthetic chronology must be included. [ABSTRACT FROM AUTHOR]

While Adolfo Bioy Casares is unanimously recognized as an important narrator, his novel Diario de la guerra del cerdo (1969) has not attracted the critical attention as other of their fictions has. This paper postulates the existence of an allegorical tradition in argentine modern literature and consider this novel one of the central fictions of that stream, because, although it's far from realism, could not be read as a fantastic narration. To prove this statement, this essay exposed a political reading of the novel to show how it explore a unique construction of barbarism located in Peronism. [ABSTRACT FROM AUTHOR]

From the perspectives of everyday aesthetics and hermeneutics, this paper analyzes Pequod (1995), a Vitor Ramil novel set in the Brazilian pampa and conceived around the unique features offered by the experience of cold weather. By analyzing the thoughts and actions of Pequod's characters, our main goal is to point out how a vital relationship with weather leads to an existential stance, or philosophy of life, aimed at understanding the world. [ABSTRACT FROM AUTHOR]

This paper aims to examine the process of novel's autonomy institutionalization in Colombia, during the first half of the 20th century. This research draws upon mostly primary sources including texts of Colombian literature history and criticism as well as the monographic studies about the Colombian novel published between 1925 and 1975. The period from 1943 to 1975, specifically, accounts for the way in which the main agents of the Colombian literary field approached differently the characteristics and the role of the novel in the Colombian society of the time. [ABSTRACT FROM AUTHOR]

The novel Perfect Preterite by Hugo Foguet appears in the map of Argentinian literature as a piece of writing that, at the moment of its publication (1983) and from the periphery of the canon, breaks apart from any expected narrative produced inland, that is, a kind of realism that presented remote, still and atavistic provincial towns. This paper analyzes Foguet's text from the notion of folly realism, coined by Eduardo Rosenzvaig in the context of the Argentinian and Latin American literature. [ABSTRACT FROM AUTHOR]

The memory of peoples is built upon the clash between different discourses and sectors which strive to occupy a privileged place in this collective symbolic space. Other discourses work deconstructing those hegemonic narratives, reporting what they have left aside and giving voice to those who have been systematically silenced. This work tries to account for the way in which La lengua del malón, by Guillermo Saccomanno, builds itself as a counter-discourse, which allows to discern the position of some social sectors in reference to discourses and devices that determine what is adequate, moral, vulgar, tasteful, normal. To the same extent, this paper attempts to exhibit those sectors's complicity in keeping hierarchies, categories and institutions, which are conservative, oppressive and repressive, together with their alliances with those who interrupted democratic and popular processes. The novel is based on the coup d'etat which overthrew Perón's government in 1955, and it hints the continuing relationship with other tragic moments of the Argentinian history: the extermination of native peoples and the dictatorship that started in 1976. La lengua del malón is built as a narrative of abjection suffered by those who fail to answer those hegemonic parameters supporting not only the official history, but also the society. [ABSTRACT FROM AUTHOR]

This paper studies Victor Juan Guillot's detective stories, hitherto, completely ignored by the literary criticism and the historiography of the detective genre in Argentina. We assert that in these stories it is possible to see the transition from a certain detective narrative -which was clearly predominant from late 1870s to 1930s, having melodramatic features and close links with the political and social reality-into a new kind of tale much closer to the English detective story of the Golden Age, and further from empirical national life. In Argentina, this new type of detective tale will be developed vigorously during the 1930s and the 1940s. Thus, we attempt to show that the detective stories included in Historias sin importancia (1920) and El alma en el pozo (1925) are in the same line with the early tradition of the genre in Argentina, while the stories included in Terror: cuentos de crimen y misterio (circa 1935) have mostly the same features as those of the 1930s. We also seek to put on view how Guillot's conception of the detective story in 1925 anticipated Jorge Luis Borges's conception of the genre in the 30s. [ABSTRACT FROM AUTHOR]

This essay examines the positions of Xavier Abril, Emilio Adolfo Westphalen, and José María Arguedas in the context of the discussions of the avant-garde, indigenismo and socialism that sought the renewal of the Peruvian imaginary between 1925 and 1940. The framework of the analysis intends to capture the complexity of the influences of José Carlos Marátegui's discourse in the debate, abandoning the contrast of the "Andean" and "West" categories and proposing a reading that emphasizes three other premises: authenticity, territoriality and modernity. In this sense, this work examines the relationship between Abril and Westphalen (1930-34), showing their image of Lima as a primitive space and a cultural wasteland in contrast to Europe and studying, among other texts, an unpublished manifesto. This paper then addresses the intellectual relationship between Westphalen and Arguedas at the end of the 1930s, showing how their representation of Lima as a hostile place was complemented by the proposal of an indigenous subject capable of the artistic modernity. This mapping of Lima's cultural scene of the time will explain how, according to these intellectuals, being primitive or modern depended on the authenticity of the artistic/intellectual pursuit. [ABSTRACT FROM AUTHOR]

This work expounds upon the connection and distinction between the works of W.H. Hudson and Jose María Arguedas, using the rhizomatic theory of Deleuze and Guattari to evaluate the power of a landscape to evoke and create memories, while at the same time instilling a sense of "being." This article explores the cognitive affect experience of shamanic culture, a theme somewhat more present in the work of Arguedas. Hudson, rather, focuses on a projection of self into nature on an individual level, as opposed to the cultural and individual dual focus of Arguedas. This paper is grounded in the idea that different states of consciousness are essential to understanding realities and immersing ourselves in a state of "being," which is poignantly shaped by the settings described by Arguedas and Hudson. [ABSTRACT FROM AUTHOR]

The article presents a review of the papers presented in the issue that revolve around the writing of 20th century Peruvian author José María Arguedas, and discusses the need to reread the works of Arguedas as the 21st century begins. The author asserts that the 21st century's trends of globalization and transculturation make Arguedas' work, which offers and preserves glimpses into often-marginalized Quechuan and Andean cultures, increasingly relevant to the study of contemporary Latin American literature.

The romantic outlook is the conceptual axis this paper is about. Its main aim is to specify the precepts of this notion starting from the foundations proposed by literary socio-criticism (George Lukács 1920, Lucien Goldman (1955, René Girard 1963), sociological studies (Norbert Elias 1982) and communication studies (Jesús Martín-Barbero 1998). In order to reach this objective we have considered the possibility of developing a unique definition without drawing sharp differences among the disciplines and their authors so that we may accurately realize which are the common contributions to the romantic attitude. [ABSTRACT FROM AUTHOR]

German literature written abroad is still an unsolved problem in Germanistic studies. This is justified, on the one hand, by the complexity it represents as an object of study and, on the other hand, by Germany's peculiar historical situation due to its role during World War II. Even if by the late 70's this phenomenon was studied in German academic spheres, it is still difficult for Germanistic studies to view the object in its specificity and to get rid of undervaluing judgments, which consider German literature written abroad with the same parameters as those for literature written in German-speaking territories. This paper aims at showing from which perspectives it is possible to research literature in German written abroad, considering the specific case of German immigrants in Argentina, and taking into account some contributions of Epistemology that complement and enrich Germanistic studies. [ABSTRACT FROM AUTHOR]