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The author shares the circumstances that led to his encounter with the personal archives of Victor Haim Perera (1934-2003), an award-winning Sephardic-American writer, journalist, environmental and political activist, and academic born in Guatemala City. Perera published six books on topics as varied as Sephardic history, the Maya Indians, and the Loch Ness monster, and contributed dozens of articles, short stories, and essays to newspapers, trade journals, magazines, and literary anthologies. This paper also provides an overview of Perera's life and work and shares information about the Victor Perera Papers collection at the University of Michigan Library. It presents a case study illustrating that library catalogers can improve discoverability of and access to library special collections by expanding beyond their core duties and investigating the contexts behind the materials that cross their desks. The article ends with a preliminary bibliography of Perera's works. [ABSTRACT FROM AUTHOR]

In the last few years, artists' archives have gained a central role in the debate on the nature, treatment and valorization of 20th century and contemporary archives. They are fascinating and precious aggregations, characterized by a plurality of documentary typologies and by specific requirements for their description. Starting from the definition of personal archives, the paper proposes a definition of artists' archives and then attempts to indicate their main characteristics, contents and elements of complexity. Finally, the paper attempts to establish a dialogue between archivists and artists, collectors, gallery owners, critics and curators in order to find common elements and differences in their actions. [ABSTRACT FROM AUTHOR]

The Papers of Martin Luther King, Jr. Volume 1: Called to Serve, January 1929-June 1951,' edited by Clayborne Carson et al.

The paper proposes a synthesis and a reflection on the topics addressed during the conference "The other side of publishing: the women of books and reading in the 20th century", organized by the Apice Center, with the collaboration of the Department of Historical studies of the University of Milan and the Arnoldo and Alberto Mondadori Foundation. On this occasion it was intended to shed light on the women's role in the publishing during the 20th century, especially on those figures who, often without leaving any apparent trace, as editors, illustrators, translators and librarians, played a far from secondary role in discovering authors, in promoting works, in curating collections and disseminating good practices, such as reading. The conference days, organized in five sessions, were divided by themes: "Editorial work"; "In the workshop of translators"; "Promoting reading"; "Drawing the book", and "Female militancy". The event was characterized by the heterogeneity and the multidisciplinary approach of the young researchers involved, who were able to let communicate different skills, related to gender studies, literary, artistic and historical, preferring, from the point of view of the method, the exploitation of archive sources, the identification of new types of documents and the experimentation of new working tools, like digital databases. This strategy led to the articulation of an intense program, full of insights and discussion, branched out from the main topics identified, such as the importance of memory, the autobiographical writings, the ongoing transformation of editorial work and the ability of women to create strong institutions. [ABSTRACT FROM AUTHOR]

The purpose of this paper is to present the results of the archival organization and description process of the 1964-2002 INCORA Antioquia Land Acquisition Program. The Research Center at Escuela Interamericana de Bibliotecología (the Inter-American School of Library Science) provided resources to fund the process in 2013. At first, the program had proposed and approved the writing of an "institutional and organizational archival history of the 1961-2003 INCORA Antioquia land acquisition program documentation has produced ", but because of administrative reasons of the project and they transferred the documentation to the city of Bogota. Therefore, it was impossible to write the history of the Institution. INCODER received all of the documentation of the archive corresponding to this program satisfactorily, and INCODER conducted this after an archival organization and description process pursuant to the guidelines the Nation's General Archives established for internal control investigations and periodical documental transference. [ABSTRACT FROM AUTHOR]