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The article reviews the exhibition of Jamie Nares' retrospective, showcasing 40 No Wave and post-Minimalist films at the Museum of Modern Art (MoMA), and 100 works on paper at Kasmin until June 22, highlighting Nares' exploration of time and motion in 2024.

The article reviews the exhibition of Alan Saret's works from 1975 to the present at Karma in Manhattan, New York, until June 22, 2024, highlighting his intricate, kaleidoscopic paper works, spiritual influences, and devotional "dharanis" drawings.

The article discusses Joyce Kozloff's exhibition "Collateral Damage," featuring five-foot-square paintings of conflict zones. The paintings, richly colored maps with visible pencil grids, utilize elements from the Pattern and Decoration movement, incorporating stripe, dot and squiggle patterns to draw attention to overlooked details on the maps, emphasizing local textile patterns and conditions of war.

The article discusses the pop-up group show "I Was Only Dreaming" organized by Club Rhubarb at 1 Ludlow on Dimes Square. Curated by artist Tony Cox, the exhibition features nearly 100 works by over 60 artists, emphasizing a DIY character and showcasing various mediums across different themed floors, providing a grassroots and artist-centric alternative to conventional galleries.