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"The Dead Sea Scrolls and the Nag Hammadi Codices: Selected Papers from the Conference 'The Dead Sea Scrolls and the Nag Hammadi Codices' in Berlin, 20–22 July 2018" is an edited volume that explores the similarities and differences between the Dead Sea Scrolls (DSS) and the Nag Hammadi Codices (NHC). The book is divided into five parts, with each part focusing on a different aspect of the two corpora. The chapters cover topics such as the reception of the DSS and the NHC in modern culture, the material context of the texts, the portrayal of patriarchs, and the use of pseudepigraphy. The volume aims to encourage further comparative scholarship and offers new insights into these ancient texts. [Extracted from the article]

The book "Media and the mind: art, science, and notebooks as paper machines, 1700–1830" by Matthew Daniel Eddy explores the cognitive challenges faced by Scottish children and students during the eighteenth century. The book examines how these individuals used notebooks as paper machines to learn various skills, such as writing, drawing, and understanding anatomy. Eddy's research highlights the different notekeeping practices and cognitive habits that emerged in different educational environments. The book also delves into the material aspects of notebooks and their impact on cognitive processes. Overall, the book offers valuable insights into the historical development of cognitive faculties and the interactions between individuals, their environments, and technology. [Extracted from the article]

This review provides an overview of Margaret Rustin's book "Finding a way to the child: Selected papers 1983-2021," which delves into the development of child psychotherapy theory and practice in the United Kingdom. The review acknowledges the need for child psychotherapy to adapt to societal changes, such as immigration and the dissolution of the British Empire. It also draws comparisons between the evolution of psychoanalytic therapy in the UK and the United States. The review emphasizes the importance of considering social context and cultural diversity in psychotherapy, particularly in addressing the needs of immigrant families and individuals who have experienced displacement. The text explores the use of play in child psychoanalysis and the role of the analyst in interpreting and engaging with the child's play. It also discusses the technical and theoretical adaptations made by psychoanalysts when working with specific diagnostic groups, such as children on the autistic spectrum and narcissistic patients. The author highlights the significance of interventions that challenge and disrupt the symptoms and patterns of these patients to promote self-regulation and growth. Additionally, the text explores the extension of psychoanalytic techniques to work with patients from diverse cultural and socio-economic backgrounds, emphasizing the importance of inclusivity and understanding. The author suggests that psychoanalytic clinicians should reflect on their own biases and prejudices to create a more diverse and inclusive practice. [Extracted from the article]

"Cogs and Monsters: What Economics Is, and What It Should Be" by Diane Coyle is a book that argues for a return to the discipline of political economy in order to yield realistic and useful analyses and recommendations. Coyle criticizes the prevailing standard economic theory, which assumes rational actors with autonomy and fixed needs, as a narrative or ideological story. She highlights the need for economists to acknowledge the realities of an economy that is increasingly complex and difficult to simplify theoretically or quantitatively, particularly in the face of the new digital economy and the rapid development of artificial intelligence. Coyle also addresses the changing dynamics of the economy, such as the growing importance of the service sector and the casualization of the labor market, and the political implications of economists' inability to grasp these changes. The book concludes by emphasizing the need for a modern approach to the public provision and regulation of information goods and the importance of putting the social, rather than the individual, at the heart of the study of economics. [Extracted from the article]

The book review discusses "Labour Revolt in Britain 1910-1914" by Ralph Darlington, which examines the labor movement during that time period. It emphasizes the success of the labor revolt and its impact on the Labour Party, as well as the role of the Independent Labour Party (ILP) and its support for strikes and syndicalist ideas. The review suggests that the ILP played a significant role in grassroots activism and electoral strategies. It also explores the influence of syndicalism in the labor movement, particularly in South Wales. The text provides a comprehensive analysis of the labor revolt and its political implications, calling for further research on the subject. [Extracted from the article]

In "Broadway Bodies: A Critical History of Conformity," Ryan Donovan explores the discriminatory casting practices in Broadway musicals. The book examines how the casting process perpetuates the ideal body in terms of size, sexuality, and ability. Donovan uses disability studies, Deaf studies, fat studies, and LGBTQ+ studies to analyze the intersectional issues embedded in Broadway body politics. The book highlights the scarcity of performance opportunities for non-normative bodies and the limitations of casting directors who prioritize economic and artistic pressures. It also discusses the historical overview and case studies related to size, sexuality, and disability in Broadway musicals. The author argues for more inclusive casting that goes beyond race and gender, advocating for a broader acceptance of diverse body types, sexualities, and abilities in the industry. [Extracted from the article]

"Moving Through Conflict: Dance and Politics in Israel" is a book that explores the intersection of dance and politics in Israel and Palestine. The anthology includes translations of articles from Hebrew to English and highlights the ongoing violence between the two regions. It examines the political significance of dance, even if the artists themselves deny it, and includes Palestinian dances and the work of Arab Israeli and Palestinian artists. The book is divided into two parts, focusing on community relations and representational relations, and acknowledges the lack of recognition and research on Palestinian and Arab dance. The editors and authors provide a valuable analysis of the politics embedded in dance in the region and call for more diverse voices to be included in the discussion. [Extracted from the article]

"Friction, Fusion, and Fire: Heat and Alterity in Contemporary Dance: South-South Choreographies" by Ananya Chatterjea is a book that explores the intersection of contemporary dance and cultural diversity. Chatterjea, a renowned dance artist and scholar, examines the experiences and artistic desires of Global South artists, challenging the dominant Western ideologies that define contemporary dance. The book delves into topics such as experimentation, innovation, and the rift between conceptual dance and more traditional forms. Chatterjea analyzes the work of specific artists, highlighting their unique voices and contributions to the dance world. Overall, the book calls for a reevaluation of colonial structures and a recognition of the diverse perspectives and practices within the global dance community. [Extracted from the article]

"Dancing Indigenous Worlds: Choreographies of Relation" by Jacqueline Shea Murphy is a comprehensive exploration of contemporary Indigenous dance. The book emphasizes the importance of relationality in Indigenous dance works and challenges Westernized approaches to scholarship. Shea Murphy, a settler scholar, aims to conduct ethical, community-based research that is generative rather than exploitative. The book includes personal narratives, conversations with Indigenous choreographers, and place-based experiential learning practices. It offers valuable insights into Indigenous dance practices and invites readers to consider their own relationships to the performances they witness. [Extracted from the article]

"Times of Change: Artistic Perspectives and Cultural Crossings in Nineteenth-Century Dance" is a book that explores the intersection of art, culture, and migration in nineteenth-century ballet. The book, which resulted from an international conference held in Salzburg, Austria, brings together renowned scholars who provide new insights and perspectives through deep primary-source investigations. Divided into four sections, the book covers topics such as the histories of dance families, evolving conceptions of ballet, the role of technology in ballet's transnational scope, and the construction of national dances. The volume offers a wealth of information and is a valuable resource for scholars interested in nineteenth-century European ballet. [Extracted from the article]