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Presents information on the Paper Sculpture Show which opened in fall 2003 in New York City. Aim of the show; Curators of the show.

Reviews the exhibition "Light, Line and Color: American Works on Paper (1765-2005)" at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania through September 2005.

Reviews the art exhibition 'Visions and Revisions: Art on Paper Since 1960,' on view through September 21, 2003 at the Museum of Fine Arts in Boston, Massachusetts.

The article features Richard Estell, an artist and art teacher in Philadelphia, Pennsylvania. Estell encourages his students to paint the same subject several times so they learn to anticipate what it takes to properly handle the medium. The proof of Estell's lessons is the collection of watercolors he exhibited at the Cerulean Arts Gallery in Philadelphia, on view until July 18, 2008. No matter what the size of his watercolors, Estell always works on 140-pound Fabriano Artistico watercolor paper.

Announces the exhibition of Part Three of the Scott Memorial Study Collection at Pennsylvania's Bryn Mawr College from October 26 through November 11, 1994. Selections included; Artists featured; Contact information.

The article features American artist Beñat Iglesias Lopez who is depicting isolated figures against a black background. The primary considerations of Iglesias in his design and drawing are abstract shapes and negative spaces. Iglesias works on his paper while adjusting values and imparting a sense of rhythm in his lines to describe the form and shape that connect the heads of some figures. The oil compositions of Iglesias reportedly exhibit both solitude and strength.

The article features the artists awarded by the Philadelphia Water Color Society at the 105th Anniversary International Exhibition of Works on Paper at the Philip and Muriel Berman Museum of Art at Ursinus College in Collegeville, Pennsylvania. It includes Ray Hendershot, Antonio Masi and Angela Barbalace.

Presents resources and practical information for artists. Features of `Ed Ruscha's Light,' an exhibition of paintings and works on paper by Edward Ruscha at the J. Paul Getty Museum in Los Angeles, California; Information on `Back to Reality, More and Less: An Exhibition of Contemporary Ohio Landscape,' organized by the Ohio Arts Council; Opening of an exhibition space named Swann Gallery at the Library of Congress in Washington, DC.

The article presents a calendar of art and design events including the exhibition "Philip Guston: Works on Paper," the exhibition "Polaroids: Mapplethorpe," and the International Poster and Graphic Arts Festival of Chaumont.

Reports on the start of a national tour of the paintings and works on paper by artist Frederic Edwin Church at the Fenimore Art Museum in Cooperstown, New York in June 2005. Number of paintings to be exhibited in the tour; Background on the paintings; Schedule of the tour.

Provides information on several art exhibitions in the U.S. "The Kindness of Friends" on view at the Los Angeles County Museum of Art in California through April 7, 2002; "Master Drawings From the Collection of Alfred Moir" on view at the San Diego Museum of Art in California through April 7, 2002; "A Century of Drawing: Works on Paper From Degas to LeWitt" on view at the National Gallery of Art in Washington, D.C. through April 7, 2002.

Provides information on the art exhibition `The Poetry of Place: Works on Paper by Thomas Moran From the Gilcrease Museum,' to be presented in Pittsburgh, Pennsylvania and Omaha, Nebraska. Paintings and drawings of artist Thomas Moran; Organizers of the exhibition.

Notes that the National Oil and Acrylic Painters' Society, a newly formed organization, is sponsoring its second national juried show of paintings created either in oils or acrylics on any support other than paper. Deadline; Contact points.

The article presents questions and answers related to art, including transferring a drawing to canvas, hanging paintings for a temporary exhibition and preventing oil paint from hardening.

The article presents information on the art exhibition "Landscape Confection," on view at the Orange County Museum of Art in Newport Beach, California through May 7, 2006. The exhibition showcases explorations of landscape using materials such as stitched fabric, and silk flowers.

Presents letters to the editor referencing articles and topics discussed in previous issues. Difference between prints and reproductions; Information on the 2004 Art Methods and Materials Show in Pasadena, California; Background on how bureaucratic many art schools have become.