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This paper examines a particular aspect of Paolo Mantegazza's (1831-1910) work: the establishment of the Museo Psicologico as part of his anthropological project. The study begins by examining the general characteristics of Mantegazza's anthropological viewpoint, justifying the inclusion of comparative psychology as a subfield of anthropological psychology, with a focus on the key principles that served as the theoretical foundation for the establishment of the Museum. Subsequently, the proposal for the foundation of the Museum will be analyzed, including a description of the theoretical and methodological principles underlying the selection and arrangement of the objects to be collected. Finally, the paper will describe the Museo Psicologico at the time of its inauguration, providing an overview of its organization in the following years and an attempt to uncover the reasons behind its abrupt dissolution after the death of its founder. [ABSTRACT FROM AUTHOR]

This paper collects some reflections that revive and connect different theories on desire, affections, and ways of life in common. It examines some implications of a succession of statements concerning specific attributes that can be considered inherent to desire. Based on philosophical and psychoanalytical insights, recognizing the semiotic dimension of passions, their collective scope is examined by considering analyses from sociology and Marxist theory. Finally, such apprehensions allow us to admit the immanence of the affective conflict within the human condition and return to the inquiry into the most convenient possible ways of our coexistence. [ABSTRACT FROM AUTHOR]

This article presents the semiotic analysis of Giedrė Kazlauskaitė poem Venecijietiška kaukė... The research aims to delve into the structures of the poetic world of Giedrė Kazlauskaitė, which is achieved through executing a detailed semiotic analysis of one poem. Accordingly, this paper follows the semiotic framework of the analytical trajectory, which encompasses the analysis through the means of discursive, narrative, and logical semantic levels. In addition, the study includes Yuri Lotman's discourse of the concept of the mirror in cultural semiotics. Findings derived from the semiotic analysis suggest that the figures of the mask and the mirror become central representations at the discursive level of the poem, as they exist in a paratopic space - the make-up room. The mask and the mirror appear in Kazlauskaitė's poetry as an essential tool for shaping one's own identity. Moreover, the analysis of the poem is supplemented with the expression of the passions of anger and jealousy. Such approach highlights two different forms of anger: destruction arising from jealousy and a creative act. These forms suggest that the passion of anger drives the subject to the act of doing. Furthermore, in this poem, the figure of the poet is not presented as calm or accommodating, but rather as angry and unafraid to show contempt. [ABSTRACT FROM AUTHOR]

The universe of Brazilian popular music is full of passionate elements, but the genre that used the passion as style was the samba-canção (in English, literally "samba-song"). In this paper, based on semiotic notions, we analyse the passions in the discourse of this musical genre, trying to understand how the passionate sense effects in its composition are elaborated. In this regard, guided by A. J. Greimas renowed essay De la colère, we made an excerpt consisted by the songs As rosas não falam (1976), Volta (1978), Quern há de dizer (1972), Atiraste uma pedra (1958), Vingança (1972) e Castigo "(191%). When observing passional courses, they serve as strategy to perform a reading of that musical genre. In brief, we work with the passions, which determine the passional course of revenge, inserted in the cholera course, in order to reveal the treatment provided to them in samba-canção 's compositions. [ABSTRACT FROM AUTHOR]

The literature on Genesis 4:1-16 advances several reasons why Cain murdered Abel. The majority of commentators believe that Cain killed him because of anger, jealousy or envy. Some suggest that the murder is to be explained by Cain's depression. Those who believe that Cain was jealous of Abel often confuse jealousy with envy. Then there are those who oppose the idea that Cain killed Abel out of envy, and suggest that God was capricious to reject Cain's offering. The aim of this paper is to make sense of these divergent views. First, it establishes with whom Cain was angry and why he got depressed. The thesis is that Cain got angry at God and not Abel, and became depressed because he realised that he could not obtain what he desired (God's favour) on his own terms. It then clarifies the conceptual connection between envy, covetousness and jealousy, and argues that Cain murdered Abel because he envied, resented and hated him for his character and spiritual qualities, and because he lost honour and esteem. It concludes, in contrast to critics, that God was not capricious when he rejected Cain and his offering. [ABSTRACT FROM AUTHOR]

French semiotics emerged in the 1960s with Greimas' researches, and it aimed developing a study of signification by adopting a structuralist methodology which, initially, excluded from its analysis all the elements related to discourse subjectivity. This paper aims to reflect about the advances of semiotics, from its beginning, involving passion studies, to the manner which the reflections on tensivity and phenomenology, along with Greimas' modality and passion studies, little by little expanded the grip of the theory in question, gradually replacing a semiotics that had action as the center of its concerns by another one, the semiotics of passions. [ABSTRACT FROM AUTHOR]

In this paper, we intend to revisit the discussion on affectivity as object of semiotics, in order to retrace the path towards a socio-semiotics of emotions of Piercian roots. Thereunto, we address in the role this paradigm assigns to the corporal in cognition, establishing a significant distance from the structuralist tradition. After a brief analysis of the relationships established between emotional and logical interpretant, we intend to outline a hypothesis about emotions as effects of meaning: we argue that what we call emotions would be a particular type of signs characterized by the relevance acquired in them by emotional interpretants. Afterwards, we introduce the reader to the matter of the distinction between emotions and feelings, steering the discussion toward the manner in which the discursive construction of these feelings may affect the production of the rules governing the emotional production in a given community. [ABSTRACT FROM AUTHOR]

Among the commentators who problematize the issue of the moral self in David Hume's thought, Pauline Chazan (1998) has argued for the existence of some tensions between the passionate self that Hume thematizes in Book 2 of A Treatise of Human Nature and how this self subsequently gets in the moral domain, which Hume elaborated in Book 3. This paper offers an innovative reading of Hume's theory of subjectivity, which allows reconsidering and resolving this apparent conflict between the passionate self and the moral self. To do so, it develops a multidimensional conception of the subjectivity allowing to conceive the formation of the self as a complex and gradual process involving simultaneously different levels that, even though may be studied separately, are closely connected. [ABSTRACT FROM AUTHOR]

An influential view of sexual morality claims that participant consent is sufficient for the moral permissibility of a sexual act. I argue that the complex and frequently dark nature of sexual desire precludes this, because some sexual desire has a character such that it should not be gratified, even if this were consented to. I illustrate this with a discussion of a famous literary character, the Vicomte de Valmont, and draw on Kant's anthropology to illuminate the nature of such desire, before offering an account of its psychological roots. In the course of the paper I explain why the view of sexual desire endorsed by my main opponents is mistaken, and attack the limited conception of the normative which is a central plank in the argument of a prominent recent defender of the view, Igor Primoratz. [ABSTRACT FROM AUTHOR]

This essay analyzes liberal explanations of social order. Throughout exposition, Ovejero suggests the convenience of reviewing two central insights of liberalism, related with the way that the "problem" of social order is stated and its "solution" through the market. The "problem" is based on the unsustainable idea of presocial individuals inherent to liberalism. The article develops some arguments that shows why it has no sense to ask for the foundation of social order in that way. It supports that sociability can not be chosen, as the language can no be chosen either, in other words sociability can not be explained as a result of exchange or bargaining among individuals. The paper analyzes too the alternatives to explain the existence of social cement: passions, in terms of emotions and instincts, as the central basis that explains the way in which personal interests and the market would guarantee the social order. [ABSTRACT FROM AUTHOR]