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This article presents a history and stylistic analysis of the avant-garde furnished apartment-studio of the Italian Futurist Giacomo Balla (1871-1958), commonly known as Casa Balla. The decor and the painterly interior design of the flat portray the utopian premise of 1920s Futurism, which aimed at a modern synthesis of the arts and their complete integration into reality, in an intimate way. The author of the essay describes the current state of the "Balla House", which, after many years of oblivion, has been restored and opened to the public in a new arrangement in 2021. [ABSTRACT FROM AUTHOR]

Copyright of Zywnosc is the property of Polish Society of Food Technologists - Scientific Publishing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the academic year 2020/2021 the Jagiellonian University Faculty of Law and Administration initiated a series of scholarly meetings devoted to legal heritage. Nine meetings were held, during which eight papers were presented. They were prepared by the following researchers: Dr. Jakob Maziarz (Department of the History of Polish Law of the Faculty of Law and Administration of the Jagiellonian University) on "The freedom of scientific research, the freedom to use cultural goods and access to archival materials"; Dr. Bohdan Widła (Department of Intellectual Property Law of the Faculty of Law and Administration of the Jagiellonian University) on "Protection of scientific or critical editions and first editions"; Dr. Jan Halberda (Department of the General History of the State and Law of the Faculty of Law and Administration of the Jagiellonian University) on "Estoppel in Anglo-American private law. The Rise of High Trees (1947) as the 'Precedent'."; Dr. Mateusz Mataniak (Laboratory of Source Publishing of the Faculty of Law and Administration of the Jagiellonian University) on "Archival materials for history of the Government of Galicia (1854-1914) from the resource of Central State Historical Archives of Ukraine in Lviv. Contribution to research on Polish legal heritage." Jan Bazyli Klakla (PhD student at the Department of Sociology of Law of the Faculty of Law and Administration and the Institute of Sociology of the Faculty of Philosophy of the Jagiellonian University) on "Is customary law like an onion? A multi-layered approach to customary law and its status in the modern world"; Dr. Hab. Katarzyna Krzysztofek-Strzała (Department of History of Administration and Religious Law, Laboratory of Religious Law and Law on Religious Denominations of the Faculty of Law and Administration of the Jagiellonian University) on "Between the letter of the law and the law in action. Office for Religious Affairs practice towards churches and religious associations"; Dr. Anna Ceglarska (Department of the History of Political and Legal Doctrines of the Faculty of Law and Administration of the Jagiellonian University) on "The concept of the 'rule of law' in presocratic Greece"; Prof. Piotr Górecki (University of California, Riverside Department of History) on "The course of events in Polish and German law court trials in medieval Poland. A comparative sketch". [ABSTRACT FROM AUTHOR]

Copyright of Engineering Sciences & Technologies / Nauki Inżynierskie i Technologie is the property of Uniwersytet Ekonomiczny we Wroclawiu and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article deals with technology and conservation issues concerning Leon Wyczółkowski’s six portraits from the Jagiellonian University Museum at Collegium Maius. The characteristics of damage related to the type of ground is discussed. Non-typical canvas grounds sprinkled with woolen and cotton fibre, the so called velour canvas, are described, along with conservation methods. [ABSTRACT FROM AUTHOR]