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The article discusses Sofia Coppola's new film "Priscilla" and the themes of youth, identity, and the dark side of fame. It explores how the film portrays the life of Priscilla Presley during her relationship with her husband Elvis Presley, and how it addresses issues of power dynamics, isolation, and personal transformation.

The article analyzes the film The Substance, directed by Coralie Fargeat, by examining its portrayal of an ageing actress, Elisabeth Sparkle, played by Demi Moore, who takes a drug that releases a younger version of herself, portrayed by Margaret Qualley. The film is critiqued for its body-horror approach to ageing and female insecurity, with the narrative framed as feminist, yet failing to authentically represent women in a post-#MeToo world.

The article focuses on the unconventional and surreal nature of the 1971 film "A Severed Head," based on Iris Murdoch's novel, highlighting its distinct weirdness amid changing sexual norms. Topics include the film's exploration of complex relationships and emotional detachment, Ian Holm's compelling performance, and the comparison of its themes to other works, such as Who's Afraid of Virginia Woolf?, emphasizing its underlying tensions and societal critique.

The article critiques the portrayal of wealth and privilege in modern cinema, particularly in the context of recent films and adaptations. Topics include the clichéd depiction of opulent homes and the wealthy in films like Saltburn and the contrast with the more nuanced representation in Alan Hollinghurst's The Line of Beauty, which offers a deeper exploration of class and personal downfall.

The article focuses on David Lynch's film "Twin Peaks: Fire Walk with Me" which is an unrelenting scream, and audiences were largely baffled. It mentions #MeToo movement on how its distinctive sense of dread was conjured and Mary Sweeney, a director, writer, producer and long-time collaborator of Lynch who worked as an editor on the film. It also mentions film was dealt with in a graphic way that was quite disturbing, and it was almost gothic in the depiction of her suffering.

The article reflects on the impact and adaptation of Mary Gaitskill's novel Veronica, which was recently listed among the ‘100 Best Books of the 21st Century' by the New York Times. Topics include the contrast between the novel's themes and its cinematic adaptations, the challenges of translating Gaitskill's internal drama to film, and the evolution of Gaitskill's work in the context of contemporary discussions on power and abuse.

The article focuses on the lasting impact of James Baldwin's 1976 film criticism book "The Devil Finds Work". Topics include Baldwin's dissection of cinematic representation of Black people, his unique perspective on the influence of film on personal and societal views, and his critical analysis of specific films like "Guess Who's Coming to Dinner" and "The Exorcist."

The article focuses on the enduring allure of scammers in contemporary culture, exploring the fascination with their audacity and the blurred lines between fact and fiction. Topics include the influence of Abbas Kiarostami's film "Close-Up" in blending reality and storytelling, the transformative power of art, and parallels with literary genres like autofiction and works such as Emmanuel Carrère's "The Adversary."

The article focuses on the parallels between Christopher Nolan's "Oppenheimer" and Oliver Stone's "JFK," both exploring the complexities of history through the lens of powerful men. It discusses how DeLillo's novel "Libra" delves into the mind of Lee Harvey Oswald, offering a sympathetic portrayal and questioning the nature of truth and myth surrounding the Kennedy assassination.

The article focuses on Percival Everett's novel "Erasure," which has been adapted into the film "American Fiction." It highlighting the novel's satirical critique of mainstream publishing, film industry, and societal issues, particularly through the protagonist Thelonious 'Monk' Ellison's radical decision to write a 'Black novel' in response to the success of a superficial work; and praising the novel's merciless mockery of various forms of bullshit.

The article analyzes the 1964 short story "The Swimmer" by John Cheever. Topics discussed include similarities between the short story and Emma Cline's novel "The Guest," how Cheever took the character Neddy Merrill's disorientation and sense of dislocation to the conclusion that time passes quickly, and the few adaptations of Cheever's works.

An interview Cailee Spaeny actress is presented. She discusses her career and landing the role of Priscilla Presley in Sofia Coppola's film "Priscilla." She talks about how she got the part without auditioning, her meetings with Priscilla Presley, the challenges of portraying the character, and her admiration for Sofia Coppola's work, particularly "The Virgin Suicides."

The article focuses on the experiences of novelists who worked as film critics, delving into how their roles as critics influenced or changed them. It explores the works and writings of novelists such as Graham Greene, Hilary Mantel, Renata Adler, and Andrew O'Hagan during their tenures as film critics, highlighting the tension between their passion for cinema and the demands of their roles. The article also underscores the enduring value of their writings, which, even when critical or bitter.

The article offers information on the increasing trend of describing novel characters in terms of recognizable celebrities, often with an eye toward potential film adaptations. It discusses how this practice has become prevalent in contemporary literature; how it may reflect the changing landscape of novel writing and adaptation pressures; and ultimately raising questions about the authenticity and depth of characters in fiction.

The article discusses the novels "After Claude" by Iris Owens and the film "Party Girl" directed by Daisy von Scherler Mayer, highlighting the audacious and adventurous spirit of the female protagonists, Harriet and Mary. Both works explore themes of self-discovery and the unconventional paths these women take in their lives. Despite their superficial appearances, these stories carry a subversive message about embracing individuality and defying societal expectations.

The article presents the discussion on film podcast You Must Remember This including producer, production designer, and screenwriter.