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"Blitz" is a World War Two historical drama directed by Steve McQueen and starring Saoirse Ronan and Stephen Graham. The film tells the story of Rita, a worker in a munitions factory who sends her mixed-race son George to be evacuated during the German bombing of London in 1940. Along the way, George encounters various challenges and a criminal gang led by Albert. The film aims to honor the diverse population of London during the Blitz and shed light on under-discussed details of British history. McQueen emphasizes the lasting trauma of the war and the importance of breaking the cycle of violence. [Extracted from the article]

This article from Total Film explores the best and worst film adaptations of Stephen King's work. It presents a list of the top five adaptations, such as "The Shawshank Redemption" and "The Shining," which are praised for their storytelling and cultural impact. The article also highlights the five worst adaptations, including "Maximum Overdrive" and "The Dark Tower," which are criticized for their poor execution and deviation from the source material. Each film is briefly summarized and commented on, providing readers with an overview of their quality and appeal. [Extracted from the article]

This article from Total Film features various contributors sharing their personal choices of movies they will never watch again. The reasons for not rewatching these films range from disappointment in sequels, negative associations with past experiences, fear of tarnishing a perfect memory, and intense emotional reactions. The contributors express their diverse perspectives and preferences, highlighting the subjective nature of film appreciation. [Extracted from the article]

This article from Total Film discusses the upcoming film "Deadpool & Wolverine" and its inclusion in the Marvel Cinematic Universe (MCU). The director, Shawn Levy, explores the idea of Deadpool as a messiah figure and his ability to resurrect Hugh Jackman's Wolverine. The article also touches on the exploration of masculinity in the characters and the challenges faced by the actors and director. The film aims to showcase the emotional connection between the characters while delivering exceptional action sequences. It promises to be an exciting addition to the Marvel Cinematic Universe. [Extracted from the article]

"Hit Man" is a dark comedy film directed by Richard Linklater and starring Glen Powell and Adria Arjona. The film is based on a true story about an unassuming man named Gary Johnson who becomes Houston's most sought-after professional killer. However, in reality, Johnson works for the police and helps to arrest those who hire him. The film explores the idea of hitmen and the illusion surrounding their existence, while also delving into themes of identity and self-actualization. Powell and Arjona deliver captivating performances, and the film offers a mix of humor and depth. [Extracted from the article]

The article presents an interview with Ellen E. Jones, author of "Screen Deep: How Film and TV Can Solve Racism and Save the World." Topics include challenges in discussing racism in the industry, the importance of specific language in addressing systemic issues, and the intersectionality of race and class in film criticism. Jones highlights the need for nuanced conversations and self-reflection, emphasizing that diversity benefits everyone.

The article analyses the Daniel Kaluuya's co-written and co-directed dystopian thriller, "The Kitchen," set in a near-future London where social housing is outlawed. It expresses concerns about the changes in London's identity, and the film follows a character from The Kitchen estate, played by Kane 'Kano' Robinson, as he navigates life in a city stripped of nuance, facing oppressive authorities and seeking human connection.

The article explores Jeymes Samuel's film "The Book of Clarence," featuring LaKeith Stanfield as Clarence; Nicholas Pinnock in the role of Jesus; Alfre Woodard as the Virgin Mary; and Teyana Taylor as a Mary Magdalene. The film challenges traditional perceptions by portraying Jesus and the inhabitants of Jerusalem as Black, delving into themes of racial and religious persecution, systemic oppression, and Samuel's personal experiences transposed from London to ancient Jerusalem.

The article presents an interview with Halina Reijn, a film director. She discusses her transition to American filmmaking, the reception of her film Babygirl, and the themes of sexuality and existential crisis. Topics discussed include the influence of 1990s erotic thrillers, the role of sexual liberation in her work, and the personal struggles related to female desire.

An interview with Nikki Amuka-Bird, an actor, is presented, where she discussed the tonal challenges of the film Rumours, the influence of Cate Blanchett, her interest in the G7 summit as a theme and the importance of taking risks in her career choices.

The article present interview with American film director Julie Dash and discusses about author bell hooks, and Biyi Bandele, Nigerian novelist. It further discusses Dash, pioneering American director of "Daughters of the Dust"; "Reel to Real: Race, Class and Sex at the Movies" book by bell hooks; African-American women who served overseas during World War II; and the 2013 Best Picture Oscar-nominee "Beasts of the Southern Wild", directed by Benh Zeitlin.

Rupert Sanders, the director of the latest adaptation of James O'Barr's The Crow, aims to focus on the tragic love story at the core of the source material. The film, which has faced numerous challenges during its development, is described as a scrappy, independent, R-rated production. Sanders emphasizes the importance of safety on set and expresses his belief that tragic incidents, such as the death of Brandon Lee during the filming of the 1994 adaptation, can be prevented with proper checks and controls. The director hopes to create lasting impressions with the audience through powerful and memorable images. The Crow is set to release in cinemas on August 23rd. [Extracted from the article]

The article explores the trend of robots being portrayed as the heroes in recent cinema. The author discusses how robots have become popular protagonists in movies, citing examples such as Wall-E and the Transformers. The author suggests that this trend may be a reflection of society's anxieties about artificial intelligence (AI) and the potential risks it poses. The article raises the question of why movies are siding with robots despite the prevalent fear of AI, and suggests that it may be because humans are increasingly reliant on technology and can envision a future where AI renders humanity obsolete. The author concludes by proposing that cinema should present more robots as antagonists to foster caution around AI. [Extracted from the article]

Zoë Kravitz makes her directorial debut with the thrilling film "Blink Twice." While it may not reach the same level as Jordan Peele's "Get Out," it tackles important social issues such as gender, class, and race. The story follows Frida, a waitress played by Naomi Ackie, who accepts an invitation from tech billionaire Slater King, portrayed by Channing Tatum, to stay on his private island. As the plot unfolds, a twist recontextualizes previous scenes and adds new meaning to dialogue. The film features a talented ensemble cast, including Adria Arjona, Alia Shawkat, Simon Rex, and Christian Slater. Kravitz's direction is praised, and the film is described as a gripping thriller. [Extracted from the article]

SCREENOUT 13 SEPTEMBERCINEMASWriter/director Naqqash Khalid’s distinctive debut centres on Aden (Nabhaan Rizwan), a young actor whose identity becomes increasingly fractured as he attempts to navigate the British industry, enduring one failed audition after another. It’s a bold and fascinating piece exploring the frustrations of being a creative, flexible artist when all that others can see is ‘a Middle Eastern one’. Khalid’s handling of the more fantastical scenes may at times leave the viewer feeling a little befuddled, but there’s no doubt the filmmaker is a vivid new voice in British cinema.PHOTO (COLOR) [Extracted from the article]

SCREENCalling a film ‘important’ makes it sound like a chore to watch, but this Sundance-awarded doc is as engrossing as it is essential. It explores a shameful period in North American history when the Catholic Church sought to ‘solve the Indian problem’ with brutal boarding schools that resulted in the abuse and death of scores of Native American children. The cruelty that co-directors Emily Kassie and Julian Brave NoiseCat (the latter’s family are among the interviewees) unveil is shocking, but the film stands as an inspiring tribute to those who persevered against the odds. LEILA LATIFPHOTO (COLOR) [Extracted from the article]

This article discusses the debate surrounding the attention spans of modern audiences and their ability to handle lengthy films. While some argue that the rise of social media and bite-sized media consumption has affected attention spans and mental health, others believe that audiences can still appreciate and enjoy longer films. The article mentions successful three-hour films in recent years and highlights the work of new filmmakers who are experimenting with storytelling techniques to engage diverse audiences. Ultimately, the author suggests that the debate is ongoing and that personal preferences and experiences play a role in how individuals consume media. [Extracted from the article]

The article discusses the negative impact of social media on the film industry and film enthusiasts. While social media has allowed film lovers to connect with like-minded individuals, it has also led to spoilers and diminished the excitement of film events. The author expresses frustration with the lack of etiquette regarding spoilers and the flood of influencers seeking viral moments. Additionally, the article highlights the toxic nature of online discourse and the tendency for users to treat those with differing opinions as idiotic or morally bankrupt. Overall, the author laments that social media has taken the fun out of movies. [Extracted from the article]

The article discusses the potential impact of the recent general elections on the British film industry. The author highlights the current challenges faced by the industry, such as a decrease in productions and a lack of opportunities for working-class film creatives. They argue that the outcome of the elections will determine the future of the industry. The article also emphasizes the economic contribution of the film industry to the UK and mentions the support it receives through tax breaks and funding. The author encourages readers to consider the impact of their vote on the film industry and expresses the importance of having people who care about the industry in positions of power. [Extracted from the article]

The article discusses the portrayal of motherhood in films, highlighting the trend of mothers being punished for their shortcomings. However, the author notes that there are recent films that challenge this trope and present more nuanced and empowering depictions of mothers. Examples include the film "Abigail," where an imperfect mother is shown compassion instead of contempt, and "Immaculate," where a nun refuses to be reduced to a mere vessel for reproduction. Other films mentioned include "Challengers," "The Idea of You," "Furiosa," and "Dune: Part Two," which all feature complex and empowered mother characters. The author concludes by expressing the desire for more complicated and messy representations of motherhood on screen. [Extracted from the article]