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Copyright of Dissonance / Dissonanz is the property of ASM/STV and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dissonance / Dissonanz is the property of ASM/STV and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article presents a reflection on the impact of socio-cultural contexts on music and their being taken into account by ethnomusicologists. Topics include the interest of ethnomusicology for the analysis of urban popular musics placed in an economic globalization logic, the multicultural aspect of jazz music, and the danger of a globalized imagination on music.