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Copyright of Revista de Filosofía (0034-8244) is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Bells of Sevastopol: On Nietzsche's First Musical Composition. This article offers an interpretation and new dating of Nietzsche's early musical compositions. These documents – harmony exercises and small compositions – are crucial for understanding the beginning of Nietzsche's study of music. Of these musical scores, the most interesting is the so-called "melody fragment." This short "melody" is not simply an adolescent's attempt to write music; it is instead an interesting document on the intellectual activity of the young Nietzsche during the years of the Crimean War. A comparison of some notebooks of the period reveals similarities that allow us a precise dating. Moreover, this "melody" suggestively recalls the death knell after "the fall of Sevastopol." [ABSTRACT FROM AUTHOR]

Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)