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This article focuses on memories of the past and moral values in the video gameMetro 2033: Redux (4A Games / Deep Silver, UA/AT 2014). The game, situated in a postapocalypticMoscow and based on a book by the Russian author Dmitry Glukhovsky,is focused on the adventures of Artyom, with whom the player identifies, in the metrosystem. On their journeys, players face different situations and decisions, to whichthey can choose how to react. Furthermore, in this dystopian world the player notonly travels through different tunnels, but also encounters memories of a lost pastand different belief systems. Unbeknownst to the gamer, almost every segment of thisjourney holds an invisible moral evaluation, which will grant the player “moral points”if passed. The balance of moral points then defines the possible endings of the game.Drawing on approaches in the study of historical narratives in video games, this articleanalyses the romanticisation and criticism of the past shown in the game as wellas the various categories and situations in which moral points are awarded, exploringhow they are related to moral values and how they affect the gaming experience. Inaddition, characters with different belief systems are present both in the book and, toa limited extent, in the game, and this article will reflect on the representations androle of beliefs throughout the Metro series.

Chiara ZuanniThis paper aims to examine the values of born-digital heritage. It focuses on the impact on museum and heritage practices of digital data as consti-tuting heritage objects. Digital technologies are now deeply entangled with human communication and social relations. If heritage is socially con-structed in the interactions between humans and objects and places, how do the algorithms that shape human experiences of it affect the production of heritage values? The characteristics of each online platform, from web-sites to social networking sites, influence the way heritage is construct-ed, discussed, and valued in online interactions. This paper will therefore first unpack the construction of heritage knowledge in the digital sphere, by analysing – with the support of posthumanist approaches – the entan-glement of human and technological processes that shape the production of contemporary heritage. Secondly, the paper will explore how big data and algorithms challenge boundaries in the heritage field, such as those between representation and simulation. The paper will question the role of these non-human actors in shaping contemporary heritage production and values. Finally, the paper will discuss how born-digital heritage is ar-chived, analysed, preserved, retrieved and represented in digital collecting projects. The paper will argue that these interactions have consequences both on the production of new social values in relation to heritage arte-facts and on the construction of new 21st century heritage. By exploring the application of posthumanism to digital heritage, this paper will consider emerging borders within cultural and digital heritage, and how heritage values and practices are affected by these developments.