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Building on the concept of transformative learning and exploring the role of reflection in graduate professional education, this article uses student and educator reflections from the graduate course on reading practices to narrate four stories of learning. These stories, structured based on the "4Ls" model of reflection, describe what was Learned and Liked in the course and what both the student and the educator Lacked and Longed for as a result of the course. An argument is made in support of not limiting Library and Information Science reading education to techniques and skills for providing reading suggestions (i.e., readers' advisory) but for enriching this education with reflective exercises, a theoretical foundation of reading behaviors, and challenging intellectual and affective engagements that will contribute to a well-rounded practitioner education that facilitates the reading experience.

This article makes a case for the inclusion of creative writing in Library & Information Science (LIS) courses. Using an example of the course on reading practices and audiences, it shows how creative writing can contribute to the development of creativity, critical thinking, ability for self-direction and independent learning--all the necessary skills for future leaders in the field of LIS. It presents a unique professor--student perspective on creative writing assignments and focuses on two case studies: the role of creative writing in validating students' personal experiences and previous educational background; and the importance of creative writing in fostering a skill of meaningful and engaging storytelling. It also analyzes several possible concerns related to the incorporation of creative writing in LIS courses, with a particular emphasis on the rigorous but flexible evaluation methods of students' creative work. The article will be of interest to LIS educators and LIS students, who, it is hoped, would become more involved in the direction of their graduate education.

The evolving field of Book History has had difficulty in integrating the experiences of immigrant culture. In explaining the origins of print culture in North America, Book History has a tendency to associate lowbrow with immigrants and their struggles to establish a foothold in a new land. Book History therefore symbolically defines immigrant culture as other, institutionalizing a hierarchy so that highbrow or learned culture is privileged. Drawing upon the work of Pierre Bourdieu and Homi Bhabha, this paper suggests that this cultural distinction is not only a contingent classificatory choice that sends a fraught ideological message, but one that should be replaced by the idea of hybridity. (Contains 7 notes.)

Although fiction plays a prominent role in the interdisciplinary field of medical humanities (MH), it is physically and intellectually isolated from non-fiction in academic health sciences libraries. Using the Literature, Arts, and Medicine Database (LAMD) as a tool for selection and subject analysis, we suggest a method of integrating fiction with non-fiction through the application of non-literary classification numbers and subject headings to improve physical and bibliographic access to medical humanities collections.

Discusses results of a Web-based survey that was conducted to determine the extent to which Canadian public libraries are collecting multilingual materials, methods used to select materials, and whether public librarians are prepared to provide multilingual clientele with adequate materials and services. Examines constraints preventing public libraries from developing better multilingual collections. Survey questions are appended. (Author/LRW)