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This study investigates the practice of "sounding for others," wherein one person vocalizes to enact someone else's putatively ongoing bodily sensation. We argue that it constitutes a collaborative way of performing sensorial experiences. Examples include producing cries with others' strain or pain and parents sounding an "mmm" of gustatory pleasure on their infant's behalf. Vocal sounds, their loudness, and duration are specifically deployed for instructing bodily experiences during novices' real-time performance of various activities, such as tasting food for the first time or straining during a Pilates exercise. Vocalizations that are indexically tied to the body provide immediate displays of understanding and empathy that may be explicated further through lexicon. The existence of this practice challenges the conceptualization of communication as a transfer of information from an individual agent -- even regarding assumedly individual body sensations -- instead providing evidence of the joint nature of action and supporting dialogic theories of communication, including when language-marginal vocalizations are used.

This paper contributes an analysis of practices for managing a preallocated turn-taking system in board games, expanding existing studies of preallocation beyond question-answer sequences. Although board games have existed for thousands of years across human cultures, and despite being a widely used method of data elicitation in many fields of research, there are few studies of how adults accomplish play. Using conversation analysis, this paper demonstrates how participants organize transition between board-game turns, finding that participants treat the game turns as analogous to the organization of pre- and post-possible completion. However, the preallocated nature of game turns results in alternate sense making concerning delays and overlap, especially where such occurrences threaten the achievement of the activity. Data are in English.