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Entrance court, from northeast, http://name.umdl.umich.edu/IC-UMMU-X-05-09918%5D05_09918, https://quod.lib.umich.edu/cgi/i/image/api/thumb/ummu/05-09918/05_09918/!250,250, The University of Michigan Library provides access to these materials for educational and research purposes. These materials may be protected by copyright. If you decide to use any of these materials, you are responsible for making your own legal assessment and securing any necessary permission. If you have questions about the collection, please contact the Library Information Technology.; Icarus, https://www.lib.umich.edu/about-us/policies/copyright-policy

Antonio Muñoz Molina (1956-), Spanish journalist, essayist and novelist, National Prize for Criticism (1988), National Award for Literature (1988, 1991), Planeta Award (1991).

A Washington Post Best Book of the Year: A “hypnotic” novel of the Spanish Civil War and one man’s quest to escape it (Colm Tóibín, The New York Review of Books). October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, Ignacio reflects on months of fratricidal conflict in his embattled country, his transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever altered his life. Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain’s most important contemporary novelists. “Labyrinthine and spellbinding . . . One of the most eloquent monuments to the Spanish Civil War ever to be raised in fiction.” —The Washington Post, “The Top 50 Fiction Books for 2014” “An astonishingly vivid narrative that unfolds with hypnotic intensity by means of the constant interweaving of time and memory . . . Tolstoyan in its scale, emotional intensity and intellectual honesty.” —The Economist “Epic . . . Intoxicating prose.” —Entertainment Weekly “A War and Peace for the Spanish Civil War.” —Publishers Weekly

In this “beautifully wrought” novel set in Franco-era Spain, a university student stumbles into a decades-old mystery (New York magazine). It’s the late sixties, the last dark years of Franco’s dictatorship. Minaya, a university student in Madrid, is caught up in the student protests and the police are after him. He moves to his uncle Manuel’s country estate in the small town of Mágina to write his thesis on an old friend of his uncle, an obscure republican poet named Jacinto Solana. The country house is full of traces of the poet—notes, photographs, journals—and Minaya soon discovers that, thirty years earlier, during the Spanish Civil War, both his uncle and Solana were in love with the same woman, the beautiful, unsettling Mariana. Engaged to Manuel, she was shot in the attic of the house on her wedding night. With the aid of Inés, a maid, Minaya begins to search for Solana’s lost masterpiece, a novel called Beatus Ille . Looking for a book, he unravels a crime. One of Spain’s most celebrated literary figures, the author of Sepharad and In the Night of Time weaves a “rapturously gothic” tale that is both a novel of ideas and an intricately plotted mystery (The New York Sun ). “A brilliant novel by an important writer unafraid of ideas, emotions and genuine beauty.” —Los Angeles Times “Already a contemporary classic, this work . . . is an enigmatic gem in the very best metafiction tradition.” —Library Journal

A Washington Post Best Book of the Year: A “hypnotic” novel of the Spanish Civil War and one man’s quest to escape it (Colm Tóibín, The New York Review of Books). October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, Ignacio reflects on months of fratricidal conflict in his embattled country, his transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever altered his life. Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain’s most important contemporary novelists. “Labyrinthine and spellbinding . . . One of the most eloquent monuments to the Spanish Civil War ever to be raised in fiction.” —The Washington Post, “The Top 50 Fiction Books for 2014” “An astonishingly vivid narrative that unfolds with hypnotic intensity by means of the constant interweaving of time and memory . . . Tolstoyan in its scale, emotional intensity and intellectual honesty.” —The Economist “Epic . . . Intoxicating prose.” —Entertainment Weekly “A War and Peace for the Spanish Civil War.” —Publishers Weekly

In this “beautifully wrought” novel set in Franco-era Spain, a university student stumbles into a decades-old mystery (New York magazine). It’s the late sixties, the last dark years of Franco’s dictatorship. Minaya, a university student in Madrid, is caught up in the student protests and the police are after him. He moves to his uncle Manuel’s country estate in the small town of Mágina to write his thesis on an old friend of his uncle, an obscure republican poet named Jacinto Solana. The country house is full of traces of the poet—notes, photographs, journals—and Minaya soon discovers that, thirty years earlier, during the Spanish Civil War, both his uncle and Solana were in love with the same woman, the beautiful, unsettling Mariana. Engaged to Manuel, she was shot in the attic of the house on her wedding night. With the aid of Inés, a maid, Minaya begins to search for Solana’s lost masterpiece, a novel called Beatus Ille . Looking for a book, he unravels a crime. One of Spain’s most celebrated literary figures, the author of Sepharad and In the Night of Time weaves a “rapturously gothic” tale that is both a novel of ideas and an intricately plotted mystery (The New York Sun ). “A brilliant novel by an important writer unafraid of ideas, emotions and genuine beauty.” —Los Angeles Times “Already a contemporary classic, this work . . . is an enigmatic gem in the very best metafiction tradition.” —Library Journal

A Washington Post Best Book of the Year: A “hypnotic” novel of the Spanish Civil War and one man’s quest to escape it (Colm Tóibín, The New York Review of Books). October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, Ignacio reflects on months of fratricidal conflict in his embattled country, his transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever altered his life. Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain’s most important contemporary novelists. “Labyrinthine and spellbinding . . . One of the most eloquent monuments to the Spanish Civil War ever to be raised in fiction.” —The Washington Post, “The Top 50 Fiction Books for 2014” “An astonishingly vivid narrative that unfolds with hypnotic intensity by means of the constant interweaving of time and memory . . . Tolstoyan in its scale, emotional intensity and intellectual honesty.” —The Economist “Epic . . . Intoxicating prose.” —Entertainment Weekly “A War and Peace for the Spanish Civil War.” —Publishers Weekly

In this “beautifully wrought” novel set in Franco-era Spain, a university student stumbles into a decades-old mystery (New York magazine). It’s the late sixties, the last dark years of Franco’s dictatorship. Minaya, a university student in Madrid, is caught up in the student protests and the police are after him. He moves to his uncle Manuel’s country estate in the small town of Mágina to write his thesis on an old friend of his uncle, an obscure republican poet named Jacinto Solana. The country house is full of traces of the poet—notes, photographs, journals—and Minaya soon discovers that, thirty years earlier, during the Spanish Civil War, both his uncle and Solana were in love with the same woman, the beautiful, unsettling Mariana. Engaged to Manuel, she was shot in the attic of the house on her wedding night. With the aid of Inés, a maid, Minaya begins to search for Solana’s lost masterpiece, a novel called Beatus Ille . Looking for a book, he unravels a crime. One of Spain’s most celebrated literary figures, the author of Sepharad and In the Night of Time weaves a “rapturously gothic” tale that is both a novel of ideas and an intricately plotted mystery (The New York Sun ). “A brilliant novel by an important writer unafraid of ideas, emotions and genuine beauty.” —Los Angeles Times “Already a contemporary classic, this work . . . is an enigmatic gem in the very best metafiction tradition.” —Library Journal

A Washington Post Best Book of the Year: A “hypnotic” novel of the Spanish Civil War and one man’s quest to escape it (Colm Tóibín, The New York Review of Books). October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, Ignacio reflects on months of fratricidal conflict in his embattled country, his transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever altered his life. Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain’s most important contemporary novelists. “Labyrinthine and spellbinding . . . One of the most eloquent monuments to the Spanish Civil War ever to be raised in fiction.” —The Washington Post, “The Top 50 Fiction Books for 2014” “An astonishingly vivid narrative that unfolds with hypnotic intensity by means of the constant interweaving of time and memory . . . Tolstoyan in its scale, emotional intensity and intellectual honesty.” —The Economist “Epic . . . Intoxicating prose.” —Entertainment Weekly “A War and Peace for the Spanish Civil War.” —Publishers Weekly

In this “beautifully wrought” novel set in Franco-era Spain, a university student stumbles into a decades-old mystery (New York magazine). It’s the late sixties, the last dark years of Franco’s dictatorship. Minaya, a university student in Madrid, is caught up in the student protests and the police are after him. He moves to his uncle Manuel’s country estate in the small town of Mágina to write his thesis on an old friend of his uncle, an obscure republican poet named Jacinto Solana. The country house is full of traces of the poet—notes, photographs, journals—and Minaya soon discovers that, thirty years earlier, during the Spanish Civil War, both his uncle and Solana were in love with the same woman, the beautiful, unsettling Mariana. Engaged to Manuel, she was shot in the attic of the house on her wedding night. With the aid of Inés, a maid, Minaya begins to search for Solana’s lost masterpiece, a novel called Beatus Ille . Looking for a book, he unravels a crime. One of Spain’s most celebrated literary figures, the author of Sepharad and In the Night of Time weaves a “rapturously gothic” tale that is both a novel of ideas and an intricately plotted mystery (The New York Sun ). “A brilliant novel by an important writer unafraid of ideas, emotions and genuine beauty.” —Los Angeles Times “Already a contemporary classic, this work . . . is an enigmatic gem in the very best metafiction tradition.” —Library Journal

El periodista Pablo Ordaz ha seguido diariamente el juicio de El Procés en el Tribunal Supremo. El juicio sin final son cincuenta y dos crónicas escritas a modo de relatos, con la intervención de cada uno de los protagonistas-acusados, jueces, fiscales y testigos- en las que el autor desaparece para relatar de manera objetiva y con distancia los hechos que han tenido una enorme repercusión tanto a nivel nacional como internacional. El autor elige un estilo casi de novela, sin faltar a la verdad, pero con todos los recursos literarios en line con el mejor ejemplo del nuevo periodismo, siendo el resultado la lectura de un relato único.

El periodista Pablo Ordaz ha seguido diariamente el juicio de El Procés en el Tribunal Supremo. El juicio sin final son cincuenta y dos crónicas escritas a modo de relatos, con la intervención de cada uno de los protagonistas-acusados, jueces, fiscales y testigos- en las que el autor desaparece para relatar de manera objetiva y con distancia los hechos que han tenido una enorme repercusión tanto a nivel nacional como internacional. El autor elige un estilo casi de novela, sin faltar a la verdad, pero con todos los recursos literarios en line con el mejor ejemplo del nuevo periodismo, siendo el resultado la lectura de un relato único.

El periodista Pablo Ordaz ha seguido diariamente el juicio de El Procés en el Tribunal Supremo. El juicio sin final son cincuenta y dos crónicas escritas a modo de relatos, con la intervención de cada uno de los protagonistas-acusados, jueces, fiscales y testigos- en las que el autor desaparece para relatar de manera objetiva y con distancia los hechos que han tenido una enorme repercusión tanto a nivel nacional como internacional. El autor elige un estilo casi de novela, sin faltar a la verdad, pero con todos los recursos literarios en line con el mejor ejemplo del nuevo periodismo, siendo el resultado la lectura de un relato único.

El periodista Pablo Ordaz ha seguido diariamente el juicio de El Procés en el Tribunal Supremo. El juicio sin final son cincuenta y dos crónicas escritas a modo de relatos, con la intervención de cada uno de los protagonistas-acusados, jueces, fiscales y testigos- en las que el autor desaparece para relatar de manera objetiva y con distancia los hechos que han tenido una enorme repercusión tanto a nivel nacional como internacional. El autor elige un estilo casi de novela, sin faltar a la verdad, pero con todos los recursos literarios en line con el mejor ejemplo del nuevo periodismo, siendo el resultado la lectura de un relato único.