Search

IntroductionInternet Gaming Disorder (IGD) according to DSM-5 is a behavioral addiction needing additional study. IGD in youth is correlated with anxiety, depression, attention problems, interpersonal problems, social phobia, behavior problems and low academic achievement. The aim of the present research is to contribute to the understanding of the disorder, by providing preliminary data on the factorial structure of the IGD Questionnaire in the Italian version.Participants612 Italian students (323 females), mean of age = 13.94 (SD = 2.44). Instruments: a survey comprising IGD Questionnaire, Internet Addiction Test (IAT), Children's Coping Strategies Checklist (CCSC-R1), Assessment of Interpersonal Relations (AIR), and Child Behavior Checklist (CBCL).Results15.2% of participants showed a sub-clinical IGD and 2.1% met the full diagnostic criteria. Participants with IGD showed lower scores in interpersonal relationships, worse coping strategies and higher scores in externalization. The factorial structure of the IGD Questionnaire highlights 4 factors ("addiction", "gaming as coping", "impaired control" and "negative outcomes") that explain 52.14% of the variance. A single-factor solution was also tested and results seem to be coherent with the four-factor solution, explaining less variance.ConclusionsIGD is a complex clinical condition that can be thought both as a single-factored and as a multi-faceted condition.

Datos de publicación tomados del colofón donde también está la marca tip., Sign.: a-k6, l-n4, Texto a dos col, L. got. a dos tamaños (texto y comentario), huecos para inic. en blanco con letras de aviso

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Inscription: AVE MARIA GRATIA PLENA; photographed following restoration (and removal of figure of Saint Catherine), Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

obverse of standard: Coronation of the Virgin; Crenna di Gallarate, Carminati Coll, Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

commissioned for the sacristy of S. Trinità, Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

the figure holding the falcon is a portrait of Palla Strozzi, Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Landscape to the right of Saint Joseph.; the figure holding the falcon is a portrait of Palla Strozzi, Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Full view; The now dismembered Quaratesi altarpiece, probably intended for San Niccolò Oltrano in Florence, originally included: the Madonna and Child (NG, London, on loan from Her Majesty the Queen), Saint Mary Magdalen, Saint Nicholas, Saint John the Baptist and Saint George (separate panels, all in the Uffizi). The predella panel, from right to left, included The Birth of Saint Nicholas, Saint Nicholas Provides the Dowry for Three Poor Maidens, Saint Nicholas Saves a Ship in Distress, Saint Nicholas Resuscitates Three Youths at an Inn (all Pinacoteca Vaticana) and the NGA's panel., Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Full view; pre-restoration; Shepherds; pre-restoration, Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.

Datos de publicación tomados del colofón donde también está la marca tip., Sign.: a-k6, l-n4, Texto a dos col, L. got. a dos tamaños (texto y comentario), huecos para inic. en blanco con letras de aviso

Datos de publicación tomados del colofón donde también está la marca tip., Sign.: a-k6, l-n4, Texto a dos col, L. got. a dos tamaños (texto y comentario), huecos para inic. en blanco con letras de aviso

https://patrimoniodigital.ucm.es/r/thumbnail/728465, https://books.google.es/books/content?id=OUlDfhhH5w4C&hl=es&pg=PP7&img=1&zoom=3&sig=ACfU3U0qjIyUgL44OBnylrW-KHxwqNf0RQ&w=1025, Sello de la Biblioteca del Colegio de San Carlos. Enc. holandesa, Nota a la edición: Marca tipográfica del impresor Johannes Secerius en anteportada (vid L.-C. Silvestre, nº 567), Nota a la edición: Pie de imprenta tomado de Martín Abad, nº 747, Nota a la edición: Segun Vindel el grab. xil. de la port. es la marca tipográfica de Lorenzo de Liomdedei, Nota a la descripción física: Sign. : a-dp8s, ep6s, Nota a la descripción física: Port. orlada con grab. xil

https://patrimoniodigital.ucm.es/r/thumbnail/675541, https://books.google.es/books/content?id=qoaJ18yKRroC&hl=es&pg=PA1&img=1&zoom=3&sig=ACfU3U3G2qcFQ3tNnPAFJdDmokwNVVv50w&w=1025, Anotaciones mss. en algunas partes del texto. En la portada, ex-libris ms. tachado del Noviciado de la Compañía de Jesús de Madrid, y ex-libris ms. fechado en 1705, del Colegio de la Compañía de Jesús de Alcalá. En la guarda del principio, firma ms., ex-libris impreso de la Biblioteca Complutense con signatura topográfica, y ex-libris de la Biblioteca de Medicina con signatura topográfica. Sello del Colegio de San Carlos. Enc. en piel, con roturas. Cortes en rojo con el nombre del autor y el título abreviados, Incluye la fen primera del libro IV del Canon de Avicena, según la versión latina de Gerardo de Cremona, Nota a la edición: Marca tipográfica de Ottaviano Scoto al fin, Nota a la edición: Pie de imprenta tomado del colofón, Nota a la descripción física: Letra gótica, dos tamaños, el mayor para el texto y el menor para el comentario, a dos columnas, Nota a la descripción física: Signaturas tipográficas con nombre de autor y título abreviados

https://patrimoniodigital.ucm.es/r/thumbnail/640156, https://books.google.es/books/content?id=jkKLc_AAM9wC&hl=es&pg=PA1&img=1&zoom=3&sig=ACfU3U0LlYgGT5vAukljWVmTl5v4428M6w&w=1025, Anot. mss. en portada: "Complut. Societ. dono d. Lud. Carrillo", y abajo: "De la librería. Año de 1705". En la contratapa, ex-libris de la Biblioteca Complutense, y en la portada, sello de la Facultad de Medicina de la Universidad Central. -- Enc. de ante sobre tabla., Contiene además las adiciones de Francesco di Piedimonte al Grabadin de Mesue (f. 142-271), y el comentario de Matthaeus Platearius al Antidotarium de Nicolás Salernitano (f. 271-303), acompañado del texto original, Nota a la descripción física: Sign.: a-z8, [ ]8, [ ]8, [ ]8, A-X8, Y-Z6, Nota a la descripción física: Portada a dos tintas. Letra gótica. Texto a dos col. Marca del imp. en portada y al fin. Iniciales adornadas, a-z8, [ ]8, [ ]8, [ ]8, A-X8, Y-Z6.

https://patrimoniodigital.ucm.es/r/thumbnail/602561, https://books.google.es/books/content?id=sfPJUVCuhkkC&hl=es&pg=PA1-IA1&img=1&zoom=3&sig=ACfU3U3EOvScSqDVeCyQG7T7a7YIsCpN8A&w=1025, Ex-libris ms. del Colegio Teólogo de Alcalá. Ex-libris del Colegio de la Concepción de Alcalá. Anotaciones mss. Encuadernación de pergamino, Marca del impresor en la portada, También disponible la reproducción digital

https://patrimoniodigital.ucm.es/r/thumbnail/579518, https://books.google.com/books/content?id=26L_EKOfNqAC&hl=es&pg=PA1&img=1&zoom=3&sig=ACfU3U3ZG8Ps4XQNdaH3P8Ql0wgksPyzeA&w=1025, Las iniciales de las 9 primeras hojas están coloreadas a mano. Encuadernación gótica de piel sobre tabla, Marca tipográfica en la última hoja, También disponible la reproducción digital del ejemplar BH MED 222

https://patrimoniodigital.ucm.es/r/thumbnail/579311, https://books.google.es/books/content?id=hkfOMAlSFscC&hl=es&pg=PP2&img=1&zoom=3&sig=ACfU3U2B6hU-5MvMoh2NmAF_Zfa0UhGNgw&w=1025, Anotaciones mss. Ex-libris ms.del Colegio Theólogo de Alcalá. Ex-libris del Colegio de la Concepción de Alcalá. Firma de Juan Sánchez de Villegas. Sello del Colegio de San Carlos. Encuadernación mudéjar de piel, Incluye la versión latina del Ars medica de Galeno, También disponible la reproducción digital

https://patrimoniodigital.ucm.es/r/thumbnail/578355, https://books.google.com/books/content?id=qf8Voc-6K6IC&hl=es&pg=PA1&img=1&zoom=3&sig=ACfU3U2VkB_0la2PSyRf9fa0Nl6DYPlD4A&w=1025, Anotaciones mss. Ex-libris ms. del Colegio Theólogo de Alcalá. Ex-libris del Colegio de la Concepción de Alcalá. Sello del Colegio de San Carlos. Encuadernación mudéjar de piel, Marca tipográfica en la última hoja, Pie de imprenta tomado del colofón, También disponible la reproducción digital

Datos de publicación tomados del colofón donde también está la marca tip., Sign.: a-k6, l-n4, Texto a dos col, L. got. a dos tamaños (texto y comentario), huecos para inic. en blanco con letras de aviso