1. Late Nineteenth Century Chinese Ceremonial Armor: Context, Conservation, and Mounting for Display
- Author
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Luduena, Sara [Author], Fashion Institute of Technology, State University of New York. Fashion and Textile Studies: History, Theory, Museum Practice [Degree granting institution], Hanson, Robin [Thesis advisor], Luduena, Sara [Author], Fashion Institute of Technology, State University of New York. Fashion and Textile Studies: History, Theory, Museum Practice [Degree granting institution], and Hanson, Robin [Thesis advisor]
- Abstract
Department: Fashion and Textile Studies: History, Theory, Museum Practice., Advisors: Hanson, Robin. Committee members: Lourdes Font; Denyse Montegut., This paper focuses on the research, conservation, mount-making and long-term storage for a set of late nineteenth or early twentieth century Chinese ceremonial armor held by the Cleveland Museum of Art (CMA). Different from what one typically thinks of as armor, Chinese Qing dynasty (1644-1911) ceremonial armor was designed to have a strong visual impact and was worn for official events like troop inspections and parades. This type of armor, comprised of multiple component parts, is constructed largely of textiles. And although not intended for use on the battlefield, it combines elements of battle armor with those of official court costume to create a new form of dress. The paper begins by placing Qing dynasty ceremonial armor in context. The historical context for this object type revolves around the establishment of the Qing dynasty when the Manchus breached the Great Wall and invaded China in 1644. This brought about major changes in many areas of life including the implementation of new dress regulations. In addition to the historical context, the paper discusses the functional context for ceremonial armor, from its relation to battle armor to its existence in public and private collections today. The next chapter focuses on the physical condition and treatment of the CMA's ceremonial armor set. The construction of each component and their primary condition issues are discussed, followed by a detailed description of the scientific analysis and treatment undertaken to ready the armor for display. The final chapter of the paper describes the design and creation of a custom display mount as well as the long-term preservation considerations for this complex and heavy object. While this armor was slated for display at the CMA in early 2021, that timeline has been pushed back due to the global COVID-19 pandemic.
- Published
- 2020