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El caballo forma parte de la historia de la humanidad y la literatura ha reflejado su importancia de varias formas. En la tradición celta, las descripciones de caballos son abundantes. Esta comunicación pretende analizar la figura del caballo en algunos textos medievales galeses así como su importancia en la tradición galesa y su influencia en la literatura española actual

El caballo forma parte de la historia de la humanidad y la literatura ha reflejado su importancia de varias formas. En la tradición celta, las descripciones de caballos son abundantes. Esta comunicación pretende analizar la figura del caballo en algunos textos medievales galeses así como su importancia en la tradición galesa y su influencia en la literatura española actual

El caballo forma parte de la historia de la humanidad y la literatura ha reflejado su importancia de varias formas. En la tradición celta, las descripciones decaballos son abundantes. Esta comunicación pretende analizar la figura del caballo en algunos textos medievales galeses así como su importancia en la tradición galesa y su influencia en la literatura española actual

Even when Arthurian literature does not usually present characteristics of fables but, rather, mythological qualities, some texts make use of fable features in order to develop a moralistic viewpoint. This article deals with the study of a Welsh medieval text and a contemporary one in English to show how the technique of the fable is used and applied to the Arthurian legend., Aunque los textos que conforman la literatura artúrica no suelen presentar rasgos fabulescos, sino, más bien, mitol ógicos, algunas narraciones artúricas usan características propias de las fábulas para desarrollar sus ideas moralistas. Este artículo se centra en el estudio de un texto medieval galés y uno contemporáneo en inglés para demostrar cómo se hace uso y aplican las técnicas de la fábula a la leyenda artúrica.

Even when Arthurian literature does not usually present characteristics of fables but, rather, mythological qualities, some texts make use of fable features in order to develop a moralistic viewpoint. This article deals with the study of a Welsh medieval text and a contemporary one in English to show how the technique of the fable is used and applied to the Arthurian legend., Aunque los textos que conforman la literatura artúrica no suelen presentar rasgos fabulescos, sino, más bien, mitol ógicos, algunas narraciones artúricas usan características propias de las fábulas para desarrollar sus ideas moralistas. Este artículo se centra en el estudio de un texto medieval galés y uno contemporáneo en inglés para demostrar cómo se hace uso y aplican las técnicas de la fábula a la leyenda artúrica.

Mithraism is one of the most mysterious religions in the World. In fact, it was a mystery, a cult where initiates were supposed to remain silent about it to the profanes. These cults also offered the promise of eternal salvation them. Little is known about Mithras and its cult, and so it remains more than a mystery. We could say almost the same about Arthuriana and some of its most important characters: they are a mystery in History, Folklore and Literature. However, British author Bernard Cornwell has mixed up both mysteries into one in his thrilling and mind-boggling trilogy The Warlord Chronicles, published between 1996 and 1998. This kaleidoscopic trilogy retells Arthur's deeds and mi series from the moment his nephew Mordred is born until his final departure to Camlann, through the eyes of his best friend, Derfel Cadarn, a Mithraist. Derfel shows how Christianity triumphs over the rest of the pagan religions, most of the times with no fair play. The aim of this paper is to show how some of the actions in the trilogy symbolise the death of Paganism, the mystery of Mithras included, and the final triumph of Christianity.

Mithraism is one of the most mysterious religions in the World. In fact, it was a mystery, a cult where initiates were supposed to remain silent about it to the profanes. These cults also offered the promise of eternal salvation them. Little is known about Mithras and its cult, and so it remains more than a mystery. We could say almost the same about Arthuriana and some of its most important characters: they are a mystery in History, Folklore and Literature. However, British author Bernard Cornwell has mixed up both mysteries into one in his thrilling and mind-boggling trilogy The Warlord Chronicles, published between 1996 and 1998. This kaleidoscopic trilogy retells Arthur's deeds and mi series from the moment his nephew Mordred is born until his final departure to Camlann, through the eyes of his best friend, Derfel Cadarn, a Mithraist. Derfel shows how Christianity triumphs over the rest of the pagan religions, most of the times with no fair play. The aim of this paper is to show how some of the actions in the trilogy symbolise the death of Paganism, the mystery of Mithras included, and the final triumph of Christianity.

Mithraism is one of the most mysterious religions in the World. In fact, it was a mystery, a cult where initiates were supposed to remain silent about it to the profanes. These cults also offered the promise of eternal salvation them. Little is known about Mithras and its cult, and so it remains more than a mystery. We could say almost the same about Arthuriana and some of its most important characters: they are a mystery in History, Folklore and Literature. However, British author Bernard Cornwell has mixed up both mysteries into one in his thrilling and mind-boggling trilogy The Warlord Chronicles, published between 1996 and 1998. This kaleidoscopic trilogy retells Arthur's deeds and mi series from the moment his nephew Mordred is born until his final departure to Camlann, through the eyes of his best friend, Derfel Cadarn, a Mithraist. Derfel shows how Christianity triumphs over the rest of the pagan religions, most of the times with no fair play. The aim of this paper is to show how some of the actions in the trilogy symbolise the death of Paganism, the mystery of Mithras included, and the final triumph of Christianity.

Mithraism is one of the most mysterious religions in the World. In fact, it was a mystery, a cult where initiates were supposed to remain silent about it to the profanes. These cults also offered the promise of eternal salvation them. Little is known about Mithras and its cult, and so it remains more than a mystery. We could say almost the same about Arthuriana and some of its most important characters: they are a mystery in History, Folklore and Literature. However, British author Bernard Cornwell has mixed up both mysteries into one in his thrilling and mind-boggling trilogy The Warlord Chronicles, published between 1996 and 1998. This kaleidoscopic trilogy retells Arthur's deeds and mi series from the moment his nephew Mordred is born until his final departure to Camlann, through the eyes of his best friend, Derfel Cadarn, a Mithraist. Derfel shows how Christianity triumphs over the rest of the pagan religions, most of the times with no fair play. The aim of this paper is to show how some of the actions in the trilogy symbolise the death of Paganism, the mystery of Mithras included, and the final triumph of Christianity.

Mithraism is one of the most mysterious religions in the World. In fact, it was a mystery, a cult where initiates were supposed to remain silent about it to the profanes. These cults also offered the promise of eternal salvation them. Little is known about Mithras and its cult, and so it remains more than a mystery. We could say almost the same about Arthuriana and some of its most important characters: they are a mystery in History, Folklore and Literature. However, British author Bernard Cornwell has mixed up both mysteries into one in his thrilling and mind-boggling trilogy The Warlord Chronicles, published between 1996 and 1998. This kaleidoscopic trilogy retells Arthur's deeds and mi series from the moment his nephew Mordred is born until his final departure to Camlann, through the eyes of his best friend, Derfel Cadarn, a Mithraist. Derfel shows how Christianity triumphs over the rest of the pagan religions, most of the times with no fair play. The aim of this paper is to show how some of the actions in the trilogy symbolise the death of Paganism, the mystery of Mithras included, and the final triumph of Christianity.

Aunque los textos que conforman la literatura artúrica no suelen presentar rasgos fabulescos, sino, más bien, mitológicos, algunas narraciones artúricas usan características propias de las fábulas para desarrollar sus ideas moralistas. Este artículo se centra en el estudio de un texto medieval galés y uno contemporáneo en inglés para demostrar cómo se hace uso y aplican las técnicas de la fábula a la leyenda artúrica.