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Hereditary chronic kidney disease (CKD) appears to be more frequent than the clinical perception. Exome sequencing (ES) studies in CKD cohorts could identify pathogenic variants in ~10% of individuals. Tubulointerstitial kidney diseases, showing no typical clinical/histologic finding but tubulointerstitial fibrosis, are particularly difficult to diagnose. We used a targeted panel (29 genes) and MUC1-SNaPshot to sequence 271 DNAs, selected in defined disease entities and age cutoffs from 5217 individuals in the German Chronic Kidney Disease cohort. We identified 33 pathogenic variants. Of these 27 (81.8%) were in COL4A3/4/5, the largest group being 15 COL4A5 variants with nine unrelated individuals carrying c.1871G>A, p.(Gly624Asp). We found three cysteine variants in UMOD, a novel missense and a novel splice variant in HNF1B and the homoplastic MTTF variant m.616T>C. Copy-number analysis identified a heterozygous COL4A5 deletion, and a HNF1B duplication/deletion, respectively. Overall, pathogenic variants were present in 12.5% (34/271) and variants of unknown significance in 9.6% (26/271) of selected individuals. Bioinformatic predictions paired with gold standard diagnostics for MUC1 (SNaPshot) could not identify the typical cytosine duplication (c.428dupC) in any individual, implying that ADTKD-MUC1 is rare. Our study shows that >10% of selected individuals carry disease-causing variants in genes partly associated with tubulointerstitial kidney diseases. COL4A3/4/5 genes constitute the largest fraction, implying they are regularly overlooked using clinical Alport syndrome criteria and displaying the existence of phenocopies. We identified variants easily missed by some ES pipelines. The clinical filtering criteria applied enriched for an underlying genetic disorder.

Autosomal Dominant Tubulointerstitial Kidney Disease (ADTKD) is caused by mutations in one of at least five genes and leads to kidney failure usually in mid adulthood. Throughout the literature, variable numbers of families have been reported, where no mutation can be found and therefore termed ADTKD-not otherwise specified. Here, we aim to clarify the genetic cause of their diseases in our ADTKD registry. Sequencing for all known ADTKD genes was performed, followed by SNaPshot minisequencing for the dupC (an additional cytosine within a stretch of seven cytosines) mutation of MUC1. A virtual panel containing 560 genes reported in the context of kidney disease (nephrome) and exome sequencing were then analyzed sequentially. Variants were validated and tested for segregation. In 29 of the 45 registry families, mutations in known ADTKD genes were found, mostly in MUC1. Sixteen families could then be termed ADTKD-not otherwise specified, of which nine showed diagnostic variants in the nephrome (four in COL4A5, two in INF2 and one each in COL4A4, PAX2, SALL1 and PKD2). In the other seven families, exome sequencing analysis yielded potential disease associated variants in novel candidate genes for ADTKD; evaluated by database analyses and genome-wide association studies. For the great majority of our ADTKD registry we were able to reach a molecular genetic diagnosis. However, a small number of families are indeed affected by diseases classically described as a glomerular entity. Thus, incomplete clinical phenotyping and atypical clinical presentation may have led to the classification of ADTKD. The identified novel candidate genes by exome sequencing will require further functional validation.

David W Polly Jr,1 Stacey J Ackerman,2 Karen Schneider,3 Jeff B Pawelek,4 Behrooz A Akbarnia4 1Department of Orthopaedic Surgery, University of Minnesota, Minneapolis, MN, 2Covance Market Access Services Inc., San Diego, CA, USA; 3Covance Market Access Services Inc., Sydney, Australia; 4San Diego Spine Foundation, San Diego, CA, USA Purpose: Traditional growing rod (TGR) for early-onset scoliosis (EOS) is effective but requires repeated invasive surgical lengthenings under general anesthesia. Magnetically controlled growing rod (MCGR) is lengthened noninvasively using a hand-held magnetic external remote controller in a physician office; however, the MCGR implant is expensive, and the cumulative cost savings have not been well studied. We compared direct medical costs of MCGR and TGR for EOS from the US integrated health care delivery system perspective. We hypothesized that over time, the MCGR implant cost will be offset by eliminating repeated TGR surgical lengthenings.Methods: For both TGR and MCGR, the economic model estimated the cumulative costs for initial implantation, lengthenings, revisions due to device failure, surgical-site infections, device exchanges (at 3.8 years), and final fusion, over a 6-year episode of care. Model parameters were estimated from published literature, a multicenter EOS database of US institutions, and interviews. Costs were discounted at 3.0% annually and represent 2015 US dollars.Results: Of 1,000 simulated patients over 6 years, MCGR was associated with an estimated 270 fewer deep surgical-site infections and 197 fewer revisions due to device failure compared with TGR. MCGR was projected to cost an additional $61 per patient over the 6-year episode of care compared with TGR. Sensitivity analyses indicated that the results were sensitive to changes in the percentage of MCGR dual rod use, months between TGR lengthenings, percentage of hospital inpatient (vs outpatient) TGR lengthenings, and MCGR implant cost.Conc

Stacey J Ackerman,1 David W Polly Jr,2 Tyler Knight,3 Karen Schneider,4 Tim Holt,5 John Cummings Jr6 1Covance Market Access Services Inc., San Diego, CA, USA; 2University of Minnesota, Orthopaedic Surgery, Minneapolis, MN, USA; 3Covance Market Access Services Inc., Gaithersburg, MD, USA; 4Covance Market Access Services Inc., Sydney, Australia; 5Montgomery Spine Center, Orthopedic Surgery, Montgomery, AL, USA; 6Community Health Network, Neurosurgery, Indianapolis, IN, USA Introduction: Low back pain is common and treatment costly with substantial lost productivity and lost wages in the working-age population. Chronic low back pain originating in the sacroiliac (SI) joint (15%–30% of cases) is commonly treated with nonoperative care, but new minimally invasive surgery (MIS) options are also effective in treating SI joint disruption. We assessed whether the higher initial MIS SI joint fusion procedure costs were offset by decreased nonoperative care costs from a US commercial payer perspective. Methods: An economic model compared the costs of treating SI joint disruption with either MIS SI joint fusion or continued nonoperative care. Nonoperative care costs (diagnostic testing, treatment, follow-up, and retail pharmacy pain medication) were from a retrospective study of Truven Health MarketScan® data. MIS fusion costs were based on the Premier's Perspective™ Comparative Database and professional fees on 2012 Medicare payment for Current Procedural Terminology code 27280. Results: The cumulative 3-year (base-case analysis) and 5-year (sensitivity analysis) differentials in commercial insurance payments (cost of nonoperative care minus cost of MIS) were $14,545 and $6,137 per patient, respectively (2012 US dollars). Cost neutrality was achieved at 6 years; MIS costs accrued largely in year 1 whereas nonoperative care costs accrued over time with 92% of up front MIS procedure costs offset by year 5. For patients with lumbar spinal fusio

The cost burden associated with providing effective treatment for people living with human immunodeficiency virus (HIV) and implementing appropriate prevention strategies to stop further spread of the virus has become a significant global challenge. In this thesis, four studies were conducted using mathematical modelling and economic evaluation methodology to better understand, prioritise, and optimise a number of HIV initiatives. First, a mathematical model was developed to evaluate the likely epidemiological impact of expanding prevention efforts in Thailand to include the provision of the partially efficacious HIV vaccine used in the RV144 trials. This study found that due to the short duration of protection the vaccine provides, limited epidemiological impact is expected from a single round of mass vaccination. However, significant public health benefit could be achieved from a high level of coverage, sustained implementation, and re-vaccination. The second study evaluated the cost-effectiveness of expanding HIV prevention efforts in Australia to include pre-exposure prophylaxis (PrEP) to men who have sex with men (MSM). Pre-exposure prophylaxis was not found to be cost-effective when targeting the general MSM population, however, this study illustrated that targeting MSM at higher risk of infection improved the cost-effectiveness of PrEP. The third study investigated the cost-effectiveness of expanding treatment management to include viral load (VL) monitoring and second-line antiretroviral therapy (ART) for HIV-infected children in Thailand. This study illustrated that VL monitoring and access to second-line ART has substantial clinical benefit. However, the costs associated with second-line therapies remain a barrier to its economic feasibility. The final study considers the attrition of standard of care second-line ART in low- and middle-income settings and the economic feasibility of introducing a new alternative second-line therapy, raltegravir (RAL). The

Stacey J Ackerman1, David W Polly Jr2, Tyler Knight3, Karen Schneider4, Tim Holt5, John Cummings61Covance Market Access Services Inc, San Diego, CA, USA; 2University of Minnesota, Orthopaedic Surgery, Minneapolis, MN, USA; 3Covance Market Access Services Inc, Gaithersburg, MD, USA; 4Covance Market Access Services Inc, Sydney, NSW, Australia; 5Montgomery Spine Center, Orthopaedic Surgery, Montgomery, AL, USA; 6Community Health Network, Neurosurgery, Indianapolis, IN, USAIntroduction: The economic burden associated with the treatment of low back pain (LBP) in the United States is significant. LBP caused by sacroiliac (SI) joint disruption/degenerative sacroiliitis is most commonly treated with nonoperative care and/or open SI joint surgery. New and effective minimally invasive surgery (MIS) options may offer potential cost savings to Medicare.Methods: An economic model was developed to compare the costs of MIS treatment to nonoperative care for the treatment of SI joint disruption in the hospital inpatient setting in the US Medicare population. Lifetime cost savings (2012 US dollars) were estimated from the published literature and claims data. Costs included treatment, follow-up, diagnostic testing, and retail pharmacy pain medication. Costs of SI joint disruption patients managed with nonoperative care were estimated from the 2005–2010 Medicare 5% Standard Analytic Files using primary International Classification of Diseases, Ninth Revision, Clinical Modification (ICD-9-CM) diagnosis codes 720.2, 724.6, 739.4, 846.9, or 847.3. MIS fusion hospitalization cost was based on Diagnosis Related Group (DRG) payments of $46,700 (with major complications - DRG 459) and $27,800 (without major complications - DRG 460), weighted assuming 3.8% of patients have complications. MIS fusion professional fee was determined from the 2012 Medicare payment for Current Procedural Terminology code 27280, with an 82% fusion success rate and 1.8% revision rate. Outcomes were discou

Includes lengthy program notes about each piece, with biographical information about the composers.; Includes lengthy biographical notes about organist & choral director Karen Schneider-Kirner., Series LXIII, Number 145., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lengthy program notes about each piece, with biographical information about the composers.; Includes lengthy biographical notes about organist & choral director Karen Schneider-Kirner., Series LXIII, Number 145., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Karen Schneider Kirner, organ, Kirby Koriath, organ, Carrie Vecchione, oboe, and the Anderson [University] Chamber Orchestra.; Includes program notes about the Opus 1 portative organ.; Includes biographical notes about master organ-builder Michael Rathke and organist & educator Karen Schneider Kirner.; Includes a list of the personnel of the Anderson Chamber Orchestra., Series LVII, Number 224., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Karen Schneider Kirner, organ, Kirby Koriath, organ, Carrie Vecchione, oboe, and the Anderson [University] Chamber Orchestra.; Includes program notes about the Opus 1 portative organ.; Includes biographical notes about master organ-builder Michael Rathke and organist & educator Karen Schneider Kirner.; Includes a list of the personnel of the Anderson Chamber Orchestra., Series LVII, Number 224., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes program notes about each piece, with biographical information about the composers.; Includes lengthy biographical notes about organist & choir director Karen Schneider-Kirner.; This recital is a cooperative presentation by the Ball State University School of Music, the Muncie chapter of the American Guild of Organists, and Hazelwood Christian Church., Series LIV, Number 28., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes program notes about each piece, with biographical information about the composers.; Includes lengthy biographical notes about organist & choir director Karen Schneider-Kirner.; This recital is a cooperative presentation by the Ball State University School of Music, the Muncie chapter of the American Guild of Organists, and Hazelwood Christian Church., Series LIV, Number 28., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

This recital is presented in cooperation with the Muncie chapter of the American Guild of Organists.; Includes lengthy biographical notes about organist & educator Karen Schneider., Series L, Number 119., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

This recital is presented in cooperation with the Muncie chapter of the American Guild of Organists.; Includes lengthy biographical notes about organist & educator Karen Schneider., Series L, Number 119., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Jinn-Feng Lin, John Cargile, Karen Schneider, Kristi Koriath, Kirby Koriath, and Karen Schneider., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Jinn-Feng Lin, John Cargile, Karen Schneider, Kristi Koriath, Kirby Koriath, and Karen Schneider., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Leonard Atherton, director.; With Susan Atherton, mezzo-soprano, Noel Outland, baritone, and Karen Schneider, organ.; Includes biographical notes about the student soloists.; Includes lists of the personnel and the staff of the Ball State Symphony Orchestra.; Includes a list of the officers of the American String Teachers Association., Series XLI, Number 180., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With the Jazz Lab Band, Jane Heald, cello, Cynthia Shelhart, harpsichord, Irit Mendelsohn, soprano, Amanda Villaret, violin, Susan Robinson, piano, and Karen Schneider, organ.; Includes lyrics for ""He who will suffer God to guide him"", in English., Series XXXIX, Number 130., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by Eri Nakagawa, piano and harpsichord, Karen Schneider, organ, Wallace Dubach, cello, Johann Buis, english horn, and Daniel Swanson, guitar.; This recital is presented in partial fulfillment of the requirements for the degree Doctor of Arts with a major in music (primary emphasis: Musical Performance - Voice, secondary emphasis: Music History and Musicology)., Series XXXX, Number 119., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lengthy program notes about each piece, with biographical information about the composers, written by Karen Schneider., Series XXXX, Number 68., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by John Wesolowski, violin, Stanley Weldy, viola, Jennifer Watkins, viola, David Dougherty, cello, Randall Spaulding, tenor, and Karen Schneider, piano.; This recital is presented in partial fulfillment of the requirements for the degree Bachelor of Music., Series XXXX, Number 185., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With the Ball State Saxophone Quartet, Karen Schneider, harpsichord, Peter Golata, guitar, Cheryl Wood, flute, Virgie Taylor, piano, Mike Howell, guitar, and Kenneth Hanson, bassoon., Series XLI, Number 103., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Karen Schneider, Lisa Mannering, Eric Farnsworth, Jennifer Ping, and John Cargile., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Jeff Robbins, Lisa Mannering, Karen Schneider, Barbara Timmerman, and Jennifer Ping., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Kelly Hyland, soprano, Latonya Brown, soprano, Andrea P. Thomas, soprano, Tracy Hohn, voice, and Jennifer Stout, soprano.; Assisted by Sue Ann Degush, piano, Eri Nakagawa, piano, Laura Coy, piano, and Karen Schneider, piano., Series XXXX, Number 20D., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by Cathy Anderson, flute and John Wesolowski, violin., Series XLI, Number 136., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Tim Robison, Eric Farnsworth, Randy Spaulding, Cynthia Shelhart, Monty Kuskye, and Karen Schneider., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Keiko Nagamatsu, mezzo-soprano, Eri Nakagawa, piano, Debra French, mezzo-soprano, Laura Coy, piano, Karen Schneider, organ, Christopher Guerra, baritone, Mike Carson, piano, William Timmerman, alto saxophone, and Timothy Howsare, piano., Series XXXX, Number 26., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Carolyn Byers, bassoon, Teresa Taylor, piano, Karen Schneider, piano, and Eri Nakagawa, piano., Series XXXX, Number 9A., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With the Trumpet Ensemble, Mike Johnson, euphonium, Susan Wilson, piano, Linda Samworth, tuba, and Karen Schneider, piano., Series XXXVIII, Number 113 B., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Lamonte Kuskye, Patricia Riha, Daphne Dobson, Tim Robison, Joyce Neiderhiser, Cindy Shelhart, Lisa Mannering, Heather Hinshaw, Karen Schneider, and Betty Stohler., Series XXXVIII, Number 113 G., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Series XXXIX, Number 202., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Randy Spaulding, Kathy Zahnow, Janelle Mowrer, Cynthia Shelhart, John Cargile, and Karen Schneider., Series XXXIX, Number 29E., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Joe Mills, double bass, Karen Schneider, piano, Brad Kuhns, [double bass?], Eric Connor, [double bass?], Donna Mack, [double bass?], David Botas, [double bass?], and the Double Bass Trio (John Charlillo, Joe Mills, Chris Adair)., Series XXXIX, Number 56D., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by the Choral Union, the Women's Chorus, the Vocal Ensemble, Karen Schneider, piano, and Jana Housemeyer, piano.; This recital is presented in partial fulfillment of the requirements for the degree Master of Music with a major in conducting., Series XXXIX, Number 36., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Tom Shah, trumpet, Holly Hughes, piano, Joseph Neff, trombone, Norman Hanson, trombone, Douglas Fletcher, trombone, Wesley Hanson, trombone, Kim Planet, tuba, and Karen Schneider, piano., Series XXXIX, Number 178C., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Ed Yarnelle, Jennifer Ping, Lisa Mannering, and Karen Schneider., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Nancy Downing, Jeff Robbins, Barbara Timmerman, Rebecca Kirsch, Eric Farnsworth, Doretta Stein, Rebecca Kirgan, Karen Scheneider, and Jennifer Ping., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Beth Byrd, alto saxophone, Dawn Hudgings, clarinet, Christopher Layer, bassoon, Barbara Smeltzer, oboe, and the Saxophone Quartet.; Assisted by Karen Schneider, piano, Teresa Taylor, piano, and Susan Robinson, piano., Series XXXVIII, Number 179 F., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Chris Deford, alto saxophone, Kevin Royal, bassoon, and John Papandria, saxophone .; Assisted by Karen Schneider, piano, Ellen Freeman, piano, and Debbie Baldwin, piano., Series XXXVIII, Number 128 F., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Series XLI, Number 115., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Catherine Anderson, flute, John Wesolowski, violin, Karen Schneider, harpsichord, and the Graduate String Quartet.; Graduate String Quartet: Joyce Keith, violin, John Wesolowski, violin, Christine Treter, viola, Wallace Dubach, cello., Series XLI, Number 104., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Chayoung Yon, piano, Joe Mills, double bass, Karen Schneider, piano, Val Vanderpool, alto, Lori Mechem, piano, Jim Bankhart, guitar, Mitch Straeffer, bass, Greg Wolff, drums, and the University Singers, Instrumental Section., Series XXXVIII, Number 75., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Conductors: Douglas Amman, Becky Kramer, Stuart Scott.; Karen Schneider, accompanist., Series XXXIX, Number 245., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Nancy Downing, Jeff Robbins, Barbara Timmerman, Rebecca Kirsch, Eric Farnsworth, Doretta Stein, Rebecca Kirgan, Karen Scheneider, and Jennifer Ping., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by Cathy Anderson, flute and John Wesolowski, violin., Series XLI, Number 136., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Series XLI, Number 115., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by the Choral Union, the Women's Chorus, the Vocal Ensemble, Karen Schneider, piano, and Jana Housemeyer, piano.; This recital is presented in partial fulfillment of the requirements for the degree Master of Music with a major in conducting., Series XXXIX, Number 36., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Leonard Atherton, director.; With Susan Atherton, mezzo-soprano, Noel Outland, baritone, and Karen Schneider, organ.; Includes biographical notes about the student soloists.; Includes lists of the personnel and the staff of the Ball State Symphony Orchestra.; Includes a list of the officers of the American String Teachers Association., Series XLI, Number 180., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Kelly Hyland, soprano, Latonya Brown, soprano, Andrea P. Thomas, soprano, Tracy Hohn, voice, and Jennifer Stout, soprano.; Assisted by Sue Ann Degush, piano, Eri Nakagawa, piano, Laura Coy, piano, and Karen Schneider, piano., Series XXXX, Number 20D., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about