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2. Locating narrative in scientific papers

4. Linking Epic Speeches

6. 'Research Papers Have Always Seemed Very Daunting': Information Literacy Narratives and the Student Research Experience

7. Pen & Paper Role-Playing Games : The intercreativity of Literary Fiction

8. Inter-War Story Papers and the Rise of Children’s Cinema

9. The Great Secession: Ethno-National Rebirth and the Politics of Turkish–German Belonging

10. The Nexus in Heart of Darkness: A Working Paper

11. Jagged Love: Narratives of Romance on Dating Apps during COVID-19

13. Komagatini 'papirnati predjeli': uprizorenost i materijalnost slikovnice Blue to Blue

14. An Ontological Approach to Digital Storytelling

15. A faculty development workshop in narrative-based reflective writing

16. Semiotics Integration in Understanding Story on Al Qur’an (Applying Narrative Theory of A.J Greimas towards the Story of the People of the Garden on QS. Al Qalam 17-32)

17. Toward a Speculative-Pragmatic Sublime: A Narratological Analysis of the Toxic Sublime and the Unnarrated in Contemporary U.S. Literature

18. Conductive Preaching: Narratology, Homiletics, and the Poststructural Turn

19. Simulations, Narrativity and (Post)Modern Historiography: Patterns of Ambivalence in Daniel Silva’s The Unlikely Spy

20. Viewpoint Variations in Variant Texts of NIIMI Nankichi’s Gon-Gitsune (Gon, the Fox): Focusing on the Perspective Changes from the Original Manuscript to the First Published Text

21. ‘What happened to the truth is not recorded’: Anticipating the Shift from Postmodern Consumer Culture to Post-Truth in Julian Barnes’s Flaubert’s Parrot

22. Duped by an ass: Revisiting the chronology of Apuleius’ Metamorphoses

23. BODY LANGUAGE IN UKRAINIAN WOMEN’S SHORT STORIES OF THE 2010s: NARRATIVE ASPECT

24. Voicing the Perpetrator’s Perspective: Translation and Mediation in Jean Hatzfeld’s Une saison de machettes

25. Narrator profile in translation: Work-in-progress for a semiautomatic analysis of narratorial dialogistic and attitudinal positioning in translated fiction

26. A Tale of Two Ghosts: Autofiction, Film & Spectrality in Mark Cousins’ I Am Belfast

27. A Tale of Two Ghosts: Autofiction, Film & Spectrality in Mark Cousins’ I Am Belfast

28. A Tale of Two Ghosts: Autofiction, Film & Spectrality in Mark Cousins’ I Am Belfast

29. Computer-based character analysis in a selection of Croatian literature

30. A PSYCHOANALYTICAL AND NARRATOLOGICAL ANALYSIS OF MARY FITCHETT JOHNSON’S SONNET 'THE WIDOW’S REMARRIAGE'

31. Achieving selves

32. Shifting characterizations of the ‘Common People’ in modern English retranslations of Thucydides’ History of the Peloponnesian War: a corpus-based analysis

33. A Narratological Approach to D. H. Lawrence’s 'Daughters of the Vicar'

34. Point of View in Translation: Edgar Allan Poe’s 'The Cask of Amontillado' Translated into Polish

35. Positioning the Autobiographer in the Arabic Translation of Eat, pray, love: A Study of the (re)Framing Techniques

36. Quel design pour (re)mettre la pensée en mouvement ? Conjuguer les effets de sensibilisation et de conscientisation dans RecovR

37. Narrative Cognition in Mixed Reality Systems: Towards an Empirical Framework

38. Futures literacy through narrative

39. Focalization as Transmedial Category

40. Hitomaro’s Poems on the Decayed Capital : A narratological approach to Man’yōshū poems 1: 29 to 31

41. Емпатијско-етички модел читања y настави књижевности

42. Corporate dreams – Appropriate aspirations and the building of trust in annual reports

43. ROADMAP TOWARDS ORGANIZATIONAL GOAL OF BULACAN AGRICULTURAL STATE COLLEGE, PHILIPPINES: NARRATOLOGY ON ADMINISTRATIVE THOUGHT OF AN INSTITUTION LEADER

44. 'Imitating Reality': An Analysis of 'American Psycho'

45. Notions of atmosphere: toward the limits of narrative understanding

46. 'If you're a normal kid, reading this because you think it's fiction, great. Read on.' : A comparative narratological analysis of narrator and narratee in Rick Riordan's The Lightning Thief and The Lost Hero

47. Entrepreneurial ecosystem narratives and the micro-foundations of regional entrepreneurship

48. The collective in the Hungarian narrative tradition and narrative studies

49. Re-imagining first-person narrative as a collective voice in John Edgar Wideman’sSent for you yesterday

50. Rethinking the subject in feminist research: narrative personae and stories of ‘the real’