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1. IPAnema Silent: A CDPR for Spatial Hearing Experiments

4. The Influence of Motor Task on Tactile Suppression During Action

6. Multi-digit Position and Force Coordination in Three- and Four-Digit Grasping

8. Multi-modal VR Systems

12. Two Hands Perceive Better Than One

13. Introduction

15. Conclusion

16. Spatial Patterns of Whole-Hand Cutaneous Vibration During Active Touch

17. Spatiotemporal Haptic Effects via Control of Cutaneous Wave Propagation

18. Conformable Distributed Haptic Feedback to Large Areas of the Skin

19. Compression of Dynamic Tactile Information in the Human Hand

20. A Wearable Tactile Sensor Array for Large Area Remote Vibration Sensing in the Hand

21. Background

22. Introduction

23. Linking Emotion Attributes to Engineering Parameters and Individual Differences

24. Supplemental Materials for Chapter 5

25. Conclusion and Future Directions

26. Tuning Vibrations with Emotion Controls

27. Crowdsourcing Haptic Data Collection

28. Deriving Semantics and Interlinkages of Facets

29. Choosing From a Large Library Using Facets

30. Characterizing Personalization Mechanisms

31. Introduction

32. Supplemental Materials for Chapter 7

33. Auditory-Tactile Experience of Music

34. The Role of Haptic Cues in Musical Instrument Quality Perception

35. Design of Vibrotactile Feedback and Stimulation for Music Performance

36. Force-Feedback Instruments for the Laptop Orchestra of Louisiana

37. The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments

38. Implementation and Characterization of Vibrotactile Interfaces

39. Haptics for the Development of Fundamental Rhythm Skills, Including Multi-limb Coordination

40. Touchscreens and Musical Interaction

41. A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions

42. Perception of Vibrotactile Cues in Musical Performance

43. A Brief Overview of the Human Somatosensory System

44. Once More, with Feeling: Revisiting the Role of Touch in Performer-Instrument Interaction

45. Musical Haptics: Introduction

46. Visuo-Haptic Biases in Haptic Guidance

47. General Discussion

48. Integrating Force and Position

49. Discrimination of Distance

50. Perception of Force Magnitude and Postural Arm Dynamics

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