236 results on '"Sugrañes, Nuria"'
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2. The HERISTEM (STEM in Heritage Sciences) Project: Communicating Archaeology During the Pandemic
3. Discovering the Past of Switzerland Through Archaeological Sites, an Archaeotourism Project Using Digital Communication
4. Design for Science: A Cross-Disciplinary Approach to Disseminate Archaeology Online
5. The Digital Evolution of Interpretation and Destination Development at Archaeological World Heritage Sites: The Example of the Augtraveler Platform in India
6. 'They Move!' New Ways of Engaging Rock Art with Visitors at the Coa Museum, Portugal
7. From Ancient Corinth to Every Corner of the World: Teaching Archaeology Through Virtual Field Trips and Flipgrid Topics
8. A Historical Approach to Public Representation of Preventive Archaeology: The Case of the Regional French-Speaking Press of Switzerland
9. A Video Game-Based Learning Approach to Archaeological Knowledge: The Case of ‘Ancestors: Stories of Atapuerca’
10. Why Archaeology Matters? Digging Up Archaeology’s Role in Modern Societies: The ONLAAH: Online Learning on African Archaeology and Heritage Project. Engaging a New Generation of Researchers and the Public into African Archaeology
11. Ullastret 3D: Communicating an Archaeological Site to the Wider Public Through Storytelling, Immersion, and Virtual Reality
12. Introduction: From In-person to Virtual: Archaeology Moves Online
13. Which Tool for Which Fiber? Experimental Spinning Tests Using Bone, Glass and Amber Instruments
14. Residues of Activities: Towards an Analytical Protocol for Studying Residues on Textile Tools
15. Revealing the Unknown: How Multi-technical Approach Can Be Crucial in Identification of Dyes and Protein in Archeological Remains
16. The Effects of Carbonisation on the Morphology of Textile Fibres: Comparison Between Modern and Ancient Materials—The Example of Pompeii
17. Radiocarbon for the Dating of Fibres and Textiles: The Case Study of a Silk Knitted Fabric from Pompeii
18. Multi-analytical Approach for the Characterisation of Ancient Mineral Fibres: Tracing the Use of Asbestos in the Italic Peninsula
19. Using Scanning Electron Microscopy for the Study of Mineralised Textiles: The Case of Roman Venetia
20. Introduction: Towards Multidisciplinary Trajectories for the Study of Ancient Textiles and Fibres
21. A Button, a Hook and a Rug Paper Wrapping: Identifying Plant Fibre Finds from Hailuoto, Finland
22. Resolving the Mystery of the 2000-Year-Old Net Found in the 'Cave of Letters'
23. Slow Science But Fast Forward: The Political Economy of Rock Art Research in A Globalized World
24. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation
25. '… And Those Who Expect to Return to the Source Will Find Fog': Resonances of Prehistory in Modern Art
26. Understanding Rock Art: What Neuroscience Can Add
27. Regional Reponses to Global Climate Change: Exploring Anthropomorphic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe During the Late and Terminal Pleistocene
28. Replicated Temporality. Time, Originality, and Rock Art Replicas
29. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World
30. Local—National—Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony
31. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa
32. Translation and Transformation: The Materiality of Rock Art in a World of Bytes
33. ‘Out of Franco-Cantabria’: The Globalization of Pleistocene Rock Art
34. The UNESCO World Heritage List in a Globalized World: The Case of the Paleolithic Caves of Northern Spain (1985–2008)
35. The Framework for Ochre Experiences (Foes): Towards a Transdisciplinary Perspective on the Earth Material Heritage of Ochre
36. Rock Art Research and Knowledge-Production in the Context of Globalizations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada
37. Rock Art, Modes of Existence, and Cosmopolitics: A View from the Southern Andes
38. What Were Rock Art Sites Like in the Past? Reconstructing the Shapes of Sites as Cultural Settings
39. The Divide Between ‘European’ and ‘Indigenous’ Rock Arts: Exploring a Eurocentic Bias in the Age of Globalization
40. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45KA) at Wadi Defeit, Egypt
41. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia
42. Why Do Old Dates Fascinate Prehistorians?
43. Deep-Time Images and the Challenges of Globalization
44. Figaro’s Bliss: Changing Theories and Practices – Reflections on Their Effects on Everyday Work, Equality, and Careers in Academia and Other Archaeological Organizations
45. ‘It’s a Long Way!’ The Gender Perspective in Archaeology Museums
46. Always the Same Old Stories? The Representation of Prehistoric Women and Men in Scientific Communication, Popular Culture and the Media
47. Women and Archaeological Collecting in Portugal (1893–1930)
48. Gender Divergence and Convergence in Portuguese Archaeology
49. Food Consumption of Females and Males from the Archaeological Site of Larina-Le Mollard: An Exploratory Study (France, Sixth to Eighth Centuries)
50. From Theory to Praxis: Why Gender Matters to Archaeology (and the Other Way Around)
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