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1. From Paper, to Microform, to Digital? Serials at the ArQuives: Canada's LGBTQ2+ Archives.

2. Celebrating the Fiftieth Anniversary of the Papers of the Bibliographical Society of Canada.

3. Reading the Endpapers: Five French Texts with Paper Bookbindings Using Printed Waste as Endpapers, and the Influence of Censorship on the Eighteenth-century Book Trade.

4. Editorial: Documents and Tools.

5. Introduction: OEuvrer ensemble. Les rouages collectifs dans la chaîne du livre.

6. J'écris ensemble: quelques propositions.

7. Introduction.

8. Le livre, emblème de l'exposition littéraire ? Enjeux croisés de la muséalisationI du livre et de la littérature.

9. Tendances émergentes en histoire du livre et de l'aimprimé.

10. Emerging Trends in Book History and Print Culture.

11. Writing War: The Colin McDougall Archive.

12. Introduction: What Is the History of (Electronic) Books? Or, This Page Intentionally Left Blank.

13. Le temps des fascicules Entre pratiques périodiques et pratiques livresques.

14. In Covers Green and Gold: Fin-de-siècle Evelina.

15. Making a Difference: Canadian Women Writers and the Fiction of Social Justice.

16. The Reader, the Writer, and the Book in How to Make Love to a Negro Without Getting Tired by Dany Laferrière.

17. In Search of a "Newer and Truer" Literature: Thomas Phillips Thompson and The Labor Advocate.

18. Re-examining "the Book" through Ancient Egyptian Tomb Walls.

19. The Authorship of Two Girls on a Barge (1891), Reassessed.

20. Documents and Tools: "French-English Translation in Canada,"? by Maynard Gertler.

21. La logique du small is beautiful: la valorisation du travail de proximité et de la camaraderie chez les nouveaux éditeurs québécois.

22. Everyday Justice in Pre-Confederation Canada: The Ledger of Thomas Burrowes, JP for Kingston Mills.

23. Une amitié nécessaire: entraide et fraternité dans le champ des comic books québécois (1984-1995).

24. Le festivalier: lecteur, auteur et créateur de sens.

25. Review Essay: A Queer Century, 1869-1969.

26. A Journal for Manly Culture: An Exploration of the World's First Gay Periodical.

27. Sticky: The Vazaleen Posters.

28. L'âne de Carpizan ou L'évêque volant de Raymond Goulet : premier récit satirique transgenre québécois (1957).

29. Subscribing to gendertrash: The Radical Subcultural Transmissions of Toronto's Original "TransZine".

30. The Writers’ Union Meets the Royal Commission.

31. Table of Contents: Testimony to the Royal Commission on Book Publishing.

32. An Index of Nelson Ball’s Little Magazines: Volume 63 (1963–1967), Weed (1966–1967), and Hyphid (1968).

33. Revisiting the Library of Edward Gibbon.

34. Canadian Comic Books at Library and Archives Canada.

35. From Threshold, to Living Room, to Kitchen: On the Architectonics of Books.

36. La Revue moderne, creuset de la littérature en régime médiatique dans les années 1950 au Québec.

37. Un nationalisme tourné vers l’Amérique et les colonies : l’exportation du « Roman canadien » des Éditions Édouard Garand.

38. Tried, Tested, but not Proved: The Home Cook Book and the Development of a Canadian Culinary Identity.

39. The Geopolitics of Nineteenth-Century Canadian Copyright, as seen by some British Authors.

40. The Struggle behind “Struggle and Story”: A Canada 150 Exhibition at the Thomas Fisher Rare Book Library.

43. The Struggle for Literary Publishing: Three Toronto Publishers Negotiate Separate Contracts for Canadian Authors 1920-1940.

44. "A Grand Old House:" Canadian Educational Publisher Copp Clark, 1841-2004.

45. Al Purdy, Marius Barbeau, and the Poetry of Myth: A Bibliographical Note on a Forgotten Manuscript.

46. Buying and Borrowing Books: Book Consumption In Late Nineteenth-Century Sweden.

47. Canadian Authors and Their Literary Agents, 1890-1977.

48. Steam Writing in the Urli Daiz: William Orr, the Canadian Phonetic Pioneer, and the Cause of Phonographic Reform.

49. Generating Captain Cook and Paul Kane into Published Authors: Case Studies of a Book History Model for Exploration and Travel Writing.

50. Dissecting Illustrated Anatomical Books: The Visual, Material, Marketing, and Technical Shifts Affecting Anatomical Atlases in the First Half of the Nineteenth Century.