61 results on '"Richard Rankin"'
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2. War and Peace
Catalog
Books, media, physical & digital resources
3. Seamus Heaney’s Hopkins
4. Seamus Heaney’s Hopkins
5. The Poet as Christian?: Seamus Heaney and Irish Catholicism
6. Rescue and Resurrection Narratives: Reexamining Bernard MacLaverty's Career through Blank Pages and Other Stories
7. Introduction: Irish Writing
8. ‘Nip Some Young Doom in the Bud’: An Allusion to Beckett’s All that Fall in Cormac Mccarthy’s Suttree
9. James Joyce and Samaritan Hospitality
10. Modernity, Community, and Place in Brian Friel's Drama
11. “Deep Down Things”
12. Seamus Heaney
13. Seamus Heaney’s “Clearances: ‘III’”
14. Cymbeline and Artistic Temptation in the ‘Aeolus’ and ‘Scylla and Charybdis’ Episodes of Ulysses
15. Belfast Poets: Michael Longley, Derek Mahon, and Medbh McGuckian
16. On Seamus Heaney by R. F. Foster
17. Ishiguro's The Buried Giant: The (Re)turn to Fantasy from The Remains of the Day
18. Poems without Frontiers: Poetic Reception and Political Possibility in the Work of Seamus Heaney
19. Monsters of Anti-Semitism in Ishiguro’s Rural English Landscape: Re-readingThe Remains of the Dayas Ethical Fantasy Novel
20. “On”: Reading Cormac McCarthy’sThe Roadthrough Beckett’sWaiting for GodotandIll Seen Ill Said
21. Determinism or Transcendence?: Faulkner's Reckoning with the Civil War
22. Natasha Trethewey's Reading of Embodied Knowledge in Robert Penn Warren's Brother to Dragons
23. 'Who Is My Neighbour?': Leopold Bloom and the Parable of the Good Samaritan
24. Heaney’s Yeats
25. Reading Conor McPherson’sThe Weirthrough Raymond Carver’s “A Small Good Thing”
26. Embodying place: An ecotheological reading of Cormac McCarthy’s The Road
27. "The Life of Things in the Place of Howards End"
28. Deprovincializing Brian Friel's Drama in America, 2009 and 2014: Dancing at Lughnasa in Fort Myers, Florida, and Faith Healer in Houston, Texas
29. Dante's Belacqua in Conrad's Heart of Darkness: Marlow's Journey Toward Rejecting Racism
30. W. H. Auden's Allusions to W. B. Yeats's LEDA AND THE SWAN in FOR THE TIME BEING
31. Seamus Heaney’s Regions
32. The Black and Green Atlantic: Violence, History, and Memory in Natasha Trethewey’s “South” and Seamus Heaney’s “North”
33. Stewart Parker: a life
34. Home, Exile, and Unease in Brian Friel’s Globalized Drama since 1990: Molly Sweeney, The Home Place, and Hedda Gabler (after Ibsen)
35. ‘Can we turn now to the important things …?’ Derek Mahon's poetry and prose
36. Brian Friel's Short Fiction: Place, Community, and Modernity
37. Brian Friel: Theatre and Politics (review)
38. Brian Friel’s Transformation from Short Fiction Writer to Dramatist
39. The Keats and Hopkins Dialectic in Seamus Heaney's Early Poetry: “The Forge”
40. A Hundred Doors (review)
41. “We pick at the scabs”: Writerly Persistence and Family Woundedness in Harry Crews’s Blood Issue
42. Irish Novels, 1890-1940: New Bearings in Culture and Fiction (review)
43. The Cambridge Companion to Seamus Heaney (review)
44. Reading poets from the past: Seamus Heaney's poetic evolution
45. The Theatre of War: The First World War in British and Irish Drama
46. The Ulster Literary Theatre and the Northern Revival (review)
47. Seamus Heaney’s Regionalism
48. Echoes of Eliot's THE LOVE SONG OF J. ALFRED PRUFROCK in Larkin's AUBADE
49. The Yeatsian Refrain in Paul Muldoon'sMoy Sand and Gravel
50. Exorcising the Ghosts of Conflict in Northern Ireland: Stewart Parker's The Iceberg and Pentecost
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