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The article is devoted to the study of costumes with skeletons in the collections of world designers. The costume with skeletons is considered as a means of popularizing the architectural heritage and a promising way to increase the attractiveness of regions in tourism. Costume with frames is the closest architectonic structure to the objects of architecture and allows you to create creative imaginative images of complex form. Such a costume has wide opportunities for provoking attention to both the creativity of the designer in the fashion industry and his inspirational prototype. However, today prospects for a costume with frames in this context are few studies and are not sufficiently used in the practice of creating a tourist attraction and attracting attention to architectural objects in the aspect of presentation of the cultural heritage of the regions. The research is based on a systematic approach to costume with skeletons as a means of tourist attraction and popularization of cultural heritage, on analysis, systematization and static processing of the collected base of photo illustrative material of costumes with skeletons. The paper presents the results of an analysis of the collected and systematized base of photo-illustrative material with images of costumes with skeletons from collections of world designers, to which an associative-inspirational series of architectural objects is constructed. Countries identified on the fashion runway, which is in the collections of the designers there are costumes with skeletons. In the work the leaders among the designers are given by the amount of use of architectural inspiration in costumes with skeletons. And also, in accordance with the composition of the associative-inspirational series, localization of architectural objects is established, to which designers are most often drawn in search of inspiration. A kind of architectural structures is defined, which is the most popular creative source, associatively readable in costumes with skeletons.

The article raises the question of region suit design in close relationship with surrounding its object-spatial environment, particularly in the aspect of color unity, to increase the level of presentation of cultural region heritage as a tourist resource. Defined a nature environment colouristics of Kherson area in context of suit designing of region as a means attraction in tourism, for what: collected and systematized base of photo illustration material with landscapes images of Kherson region; according to the developed algorithm of zonal region distribution defined percentage correlation of specific colors for each zone of Kherson natural environment; defined the palettes of typical region colors for each of the selected zones of all seasons, that it is expedient to operate in the suit design for various purposes, which is planned exploit in given territory.