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The Kantujira is an initiative which, once a month, convokes a substantial number of people in order to sing traditional songs in Basque in the streets of the Old Quarter of Donostia (as well as in different neighbourhoods in the city). There are similar initiatives in towns and cities throughout the Basque Country. In this paper, I analyse the multiple dimensions of the Kantujira, which is much more than a cultural event and a way of maintaining tradition, since it plays a significant role in sociability and in shaping collective identity, while at the same time it is a form of resistance and of protest; a resistance with a particular feature, that it is made up and expressed on the basis of shared pleasure, the pleasure of singing in a group in the street, so we can consider it as a playful form of resistance. My aim is to show that we cannot understand the satisfaction of group singing without alluding to all these other dimensions. In order to achieve that, I base the study on information gathered during my ethnographic participation in the Kantujira since early 2017 to present. [ABSTRACT FROM AUTHOR]

In this paper I propose an anthropological framework for the analysis of sociocultural bounds between pleasure and whispering. To do so, I focus on the cultural practice of listening to online videos called ASMR (Autonomous Sensory Meridian Response) as an assisted sensibility that aimsto elicit pleasurable sensations through whispering and other light sounds. Although the pleasure in whispering refers to an individual experience, the attention to different sensory and sensual practices based on whispering reveals the implications of sonorities in contemporary culturalsensorium, their technological mediations and how they modulate identities, relationships and politics. The phenomenological, sensorial and vocal analysis of social practicesthrough this sonority gives us an account of pleasure as a sensorial disposition where intimacy and memory manifest themselves as sonorous affects and situated vibratory processes. [ABSTRACT FROM AUTHOR]