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The Misteri or Festa d'Elx is the main festival of a town (Elche). Although it has survived from the Middle Ages, it was patrimonialised twice in seventy years to be preserved in a historical context of profound changes. Nowadays, the Misteri still is represented, nevertheless, the attitude of the local population towards this Festival shows a polarization that ranges from the indifference of the majority to the enthusiasm of a minority, committed to its maintenance and continuity. In other words, new ways of relating to the Festa have been generated, different from the traditional ones, which implies new cultural meanings. In this paper, we intend to point out these new meanings about this patrimonialised festival. To do this, we analyse discourses and practices of local social agents, especially those involved in their maintenance and safeguarding. We relate them to the historical context that gives them meaning and that is characterized by permanent sociocultural change, and by the influence of globalizing factors at the local level, such as tourism and UNESCO distinctions. [ABSTRACT FROM AUTHOR]

In this paper, our goal is to analyze trap music and its development in Spain in recent years. We try to understand its impact among young people, identifying their ethics and aesthetics and finding out how they are perceived among their consumers. Understanding youth cultures as metaphors for social and political changes, we study Spanish trap to find out what it tells us about our society and its recent transformations. Methodologically, we use the analysis of songs and videoclips, we develop interviews and focus groups with young consumers, trappers and producers, and we study representative trapper biographies. Appeared during the crisis that began in 2008 in impoverished areas as a song of the excluded and depoliticized youth, trap will become popular reflecting the concerns of a precarious youth. Trap, we conclude, is a contradictory genre that reproduces the logic of capitalism while opening up spaces for its response. [ABSTRACT FROM AUTHOR]

One of the observable consequences of the social and cultural change among the Huaorani (an Amerindian people from the Ecuadorian Amazon contacted in the late 1950s), has been the suicide, which since the beginning of the 21st century has been increasing alarmingly. This article focuses the attention on the case of Epaa, a 28-year-old woman, who unexpectedly and for no apparent reason took her own life away, leaving behind many unknowns. The ethnographic fieldwork on which this research is based lasted two months. Based on the data produced, this paper offers a brief approach to Huaorani suicide in the Toñampari area, to, after that, describe its two central objectives: 1) portray in detail the suicide of Epaa with the versions of the triggering motives; and 2) reflect, from a cultural point of view, on the deep factors that help to understand the protagonist's behavior. The conclusions highlight the practical sense of shamanism as an explanation and the possible influence of words, as an element of contagion. [ABSTRACT FROM AUTHOR]