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In this paper, our goal is to analyze trap music and its development in Spain in recent years. We try to understand its impact among young people, identifying their ethics and aesthetics and finding out how they are perceived among their consumers. Understanding youth cultures as metaphors for social and political changes, we study Spanish trap to find out what it tells us about our society and its recent transformations. Methodologically, we use the analysis of songs and videoclips, we develop interviews and focus groups with young consumers, trappers and producers, and we study representative trapper biographies. Appeared during the crisis that began in 2008 in impoverished areas as a song of the excluded and depoliticized youth, trap will become popular reflecting the concerns of a precarious youth. Trap, we conclude, is a contradictory genre that reproduces the logic of capitalism while opening up spaces for its response. [ABSTRACT FROM AUTHOR]