Excavations at the site of Pottery Mound, 40 mi. south and west of Albuquerque, New Mexico, give evidence that the first structure at the site was a large, flat-topped pyramid built in two terraces. Four Pueblo IV architectural levels are superimposed on top of this structure. Sixteen painted kivas in association with the Pueblo IV room tiers retained on their walls a number of multilayered fresco paintings. These paintings show macaws, other varieties of parrots, jaguars, and possibly Mexican Indians. The flat-topped mound and the ceremonial implications of the frescoes seem Mexican-inspired. The mound may date in the late Pueblo III period. The superimposed architectural levels and the frescoes date in the early Pueblo IV period. M EXICAN influences in the form of flattopped structures and ball courts have been found at a number of sites in the American Southwest. Most of these occurrences have been noted in the Hohokam area (Schroeder 1953, 1965). Some authors have pointed out that Mexican influences have permeated the Anasazi area as well as the Hohokam. Copper bells and the use of parrots are fairly obvious items. Ceremonial practices are more difficult to trace, but the physical manifestations of Mexicaninspired ritual may be seen in such features as prayersticks, tablitas, paint palettes, clay figurines, eagles and hawks kept in captivity, the plumed-serpent motif, and the use of katsinas. Some writers have emphasized that the MogoIlon area was strongly permeated with Mexican ideas even before the Christian era. Mexican practices and traits may have spread from the Mogollon into the Hohokam and also north through the Anasazi (Wheat 1955; Martin, Rinaldo, and others 1952). The Anasazi has been rated by many observers as being relatively free of direct Mexican architectural influence, unless one classes coursed stone masonry itself or adobe construction as Mexican in origin (Kroeber 1939). However, Ferdon has made a case that such distinctive features as core masonry, square columns, and round towers in Anasazi sites are Mexican inspired (Ferdon 1955). Recent excavations at Pottery Mound, New Mexico, near the heart of the Anasazi area give evidence of more direct Mexican-Anasazi cultural interchange. Investigations at the site of Pottery Mound, 40 mi. south and west of Albuquerque, New Mexico, were begun in 1954 under the auspices of the University of New Mexico Field School. Excavations continued through 1962. Studies of specific problems at the site have been supported by a series of grants from the National Science Foundation and the University of New Mexico Research Committee. The first exploratory tests at the site of the mound revealed a foundation which appeared to be a river terrace with a level top and cutaway sides. Later excavations gave increasing evidence that this terrace was artificial and was a flat-topped structure which formed the base of all of the architectural features at Pottery Mound (Figs. 1, 2). Another major body of evidence at this site was in the form of 16 kivas which retained on their walls mural paintings in multiple layers. Fourteen of the kivas had multiple-layer frescoes in an adequate state of preservation so that several hundred of these were recoverable. This represents our best series to date of the artistic and ritualistic practices of this period (Hibben 1955, 1960). Although it is in the valley of the Puerco del Oeste, a tributary of the Rio Grande, Pottery Mound is a site of Pueblo IV date closely connected with the Middle Rio Grande pueblos of the same period. It will be remembered that by A.D. 1300 glaze-paint pottery made its appearance in the Rio Grande, marking an indigenous development which gave rise to a number of large and flourishing pueblo towns in the Middle Rio Grande and Galisteo Basin which reached their peak of population about the time of Spanish contact (Vivian 1964). However, even from surface indications, Pottery Mound promised to produce interesting variations on the general character of Pueblo IV in this region. The prolific cover of potsherds which gave the site its name is predominantly Glaze I in date. Most of the Middle Rio Grande and Galisteo sites exhibit sherd counts which are overwhelmingly Glaze III through Glaze V. Sherds of Zuni glazes, Little Colorado wares, and especially Hopi types are fairly common at Pottery Mound. The mound of debris covered about 7 acres and