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1. Watercolor landscapes: en plein air and in the studio: New York watercolorist Frederick Wong shows artists how he responds directly to nature in his weekly informal plein air demonstrations in Central Park and also teaches his more methodical studio approach at The Art Students League of New York

2. Capturing the essence of urban neighborhoods: New York City oil painter Michael McNamara has learned how to optimize his time on location to best express the look and feel of urban life

3. Applying Rembrandt's portrait technique: oil painter Matthew Mitchell adapts Rembrandt's working method for his portraits spotlighting Americans serving in civilian or military roles in Iraq and Afghanistan

4. The paintings of Suzanne LaPrade: getting down the bones: former woodcarver Suzanne LaPrade is very much interested in the underlying structures that make up her pastel and oil subjects

8. Ada Gilmore's watercolors & the birth of the Provincetown Print: in the summer of 1915, Ada Gilmore, who would become one of the founding members of the Provincetown Printers, produced a series of intimate watercolors on simple postcards

10. Exposed lines and sun-filled colors

11. Changing subjects and styles

12. Reproducing your paintings as screen prints

13. Using oil studies to make pastels

14. Finding artistic solutions

15. Working with values to create vibrant pastels

16. The Pursuit of Beauty

17. Expounding on Exposure

18. The Perspective From Both Sides: Artists Who Run Galleries

19. How an Art Dealer Works

20. Artists and Clients First

21. The Well-Traveled Road: THE RURAL LANDSCAPES OF LINDEN FREDERICK

22. LAURIE FADER.

23. The Rural Landscapes of Linden Frederick.

24. Mary Close's significant still lifes.

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