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In October 2019, Santiago de Chile became the epicenter of a violent and massive protest against social inequality. Known as the Estallido Social (the Social Unrest), Chileans took to the streets seeking to dismantle the pervasive social and economic system inherited from Augusto Pinochet's regime established half a century ago. Drawing from participant observations and interviews conducted during the protest, this essay examines the multiple efforts developed by scholars to document the vast repertoire of material generated during Santiago's demonstrations (e.g. graffiti, signs, flags, testimonies, and merchandise). In doing so, I aim to situate the Estallido Social within the recent efforts deployed by museums, archives, and libraries to capture the changing nature and manifestations of global protests in the past few years. [ABSTRACT FROM AUTHOR]