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Classic Maya (a.d. 250–900) art is filled with expressive figures in a variety of highly stylized poses and postures. These poses are so specific that they appear to be intentionally communicative, yet their meanings remain elusive. A few studies have scratched the surface of this issue, suggesting that a correlation exists between body language and social roles in Maya art. The present study examines whether one type of body language (hand gestures) in Classic Maya art represents and reflects elements of social structure. This analysis uses a coding approach derived from studies of hand gesture in conversation to apply an interactional approach to a static medium, thereby broadening the methods used to analyze gesture in ancient art. Statistics are used to evaluate patterns of gesture use in palace scenes across 289 figures on 94 different vases, with results indicating that the form and angling of gestures are related to social hierarchy. Furthermore, this study considers not just the individual status of each figure, but the interaction between figures. The results not only shed light on how gesture was depicted in Maya art, but also demonstrate how figural representation reflects social structure. [ABSTRACT FROM AUTHOR]

Based on settlement patterns in the Río Bec micro-region, a study zone (100 km2) focused on the eponymous site, there is no evidence that any of the monumental groups underwent true processes of significant, sustainable nucleation on a broad sociopolitical level. This paper analyzes Río Bec settlement patterns in order to better understand why processes of agglomeration did not occur at the site. Our approach to this question consists of analyzing the spatial distribution of settlements in relation to their internal hierarchy, while taking in account evolution through time. The study was carried out at two different scales of analysis, and results are presented for both the “micro-region” and “nuclear zone” (159 ha) scales. The overarching objective of this contribution is to gain greater insight into the social dimensions of the processes that took place at Río Bec during the Classic period. [ABSTRACT FROM PUBLISHER]

Recent research at Río Bec has revealed that interments in residential structures were limited to a very small portion of the population. Although these burials are relatively modest compared to those found in many other Classic period Maya sites, the funerary procedure suggests that they were important individuals in the household. Grave wealth and the size/elaboration of the burial structure do not correlate with the striking socioeconomic differences expressed in residential architecture. In fact, it seems that Río Bec funerary ritual was a private affair focused within the domestic unit, rather than a public display. A study of the variation found among these residential burials reveals two important patterns of mortuary ritual that seem more reflective of ancestor veneration than of social hierarchy: (1) “transition burials” (stressing centrality, verticality, the link to earth, and the transformations of the dwelling) and (2) “occupation burials” (stressing laterality, horizontality, a link to fire and the domestic hearth, and the permanence of the domestic space). [ABSTRACT FROM PUBLISHER]