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The study includes an introduction, two parts, and a conclusion. In the introduction, I refferred - critically - to the method of tackling the issue of "Poetic License" in past and present. In addition, it could be summarized in a set of different phenomena from the linguistic deviations. Hence, it requires a punch of introductions to analysis. In fact, a new introduction has been proposed in this study, i.e. the influence of chanting performance. In the first part, the features of chanting old poetry have been considered. It could be simply noticed in two distinct features, i.e, verbalization and vocalization, demonstrating their impact on chanting performance. In the second part, the longest, the most prominent images of chanting interference that generating the licenses have been focusedon. Moreover, it deals with all poetic issues, lines associated and differential tone performanic. All summed up with the conclusion that. comes to stress the most important findings of the study and then sources and references are referred to. [ABSTRACT FROM AUTHOR]