7 results on '"Interdiscourse"'
Search Results
2. An interdiscursive construction: legitimacy and authority in Conte’s first press conferences on Covid-19
- Author
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Caterina Scaccia
- Subjects
authority ,Covid-19 ,interdiscourse ,legitimacy ,Style. Composition. Rhetoric ,P301-301.5 - Abstract
The article examines in their context the discursive strategies used by the Italian Prime Minister (PM) Giuseppe Conte in his first speeches on Covid-19 to discursively build his legitimacy and his authority, while shedding light on the interdependence of the two concepts. A study of media interdiscourse reveals the constitutive character of the dialogical relationship between the speeches of the PM and the reactions in the press. The analysis shows that Conte’s strategies for constructing legitimacy and authority evolve together in response to the counter-discourse of the media.
- Published
- 2022
- Full Text
- View/download PDF
3. Une construction interdiscursive : la légitimité et l’autorité dans les premières conférences de presse de Conte sur la Covid-19
- Author
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Caterina Scaccia
- Subjects
authority ,Covid-19 ,interdiscourse ,legitimacy ,Style. Composition. Rhetoric ,P301-301.5 - Abstract
The article examines in their context the discursive strategies used by the Italian Prime Minister (PM) Giuseppe Conte in his first speeches on Covid-19 to discursively build his legitimacy and his authority, while shedding light on the interdependence of the two concepts. A study of media interdiscourse reveals the constitutive character of the dialogical relationship between the speeches of the PM and the reactions in the press. The analysis shows that Conte's strategies for constructing legitimacy and authority evolve together in response to the counter-discourse of the media.
- Published
- 2022
- Full Text
- View/download PDF
4. Polémique et populisme en temps de pandémie : légitimation et construction d’autorité chez Bolsonaro
- Author
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Claire Sukiennik Abécassis
- Subjects
authority ,interdiscourse ,ethos ,legitimacy ,populism ,polemics ,Style. Composition. Rhetoric ,P301-301.5 - Abstract
This article examines the way the Brazilian President J. Bolsonaro reinforces his legitimacy and builds his authority in a populist discourse of a polemical type, gratifying for himself while attacking his adversaries. To do so, he tries to justify his refusal of health measures and at the same time to reinforce his ethos as a strong leader and a Savior, in two major national speeches as well as in his reactions to the attacks. The argumentative analysis shows how his efforts collided with and responded to a counter-discourse that developed into a public controversy. The reception of his speech shows the attacks against his person and his discourse, which he must confront to restore his legitimacy and rebuild his authority.
- Published
- 2022
- Full Text
- View/download PDF
5. Paroles d’enseignants sur l’écriture : recherche et institution en concurrence
- Author
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Didier Colin
- Subjects
academic literacy ,didactics ,discourse analysis ,institutionial prescriptions ,interdiscourse ,Style. Composition. Rhetoric ,P301-301.5 - Abstract
This paper deals with the way teachers of primary and secondary school take into account and reformulate the institutional concepts, principles and prescriptions of the didactic researches they had been in contact with during the time of their professional training. The research is based on two questionnaires and on semi-structured interviews of 19 teachers in three different school sectors (rural, urban and peri-urban) of the Loire Valley Region (France). The analysis of their declarations (Rastier 1987; Authier-Revuz 1995; Rabatel 2009) reveals that they massively appropriated the programs’ discourse through an agreement of points of view (accord de point de vue) presupposing a fusion of the enunciative instances. This leads to question the circulation of didactic discourses - the objectives of which, in opposition to the programs’ objectives – are neither unified, nor unifying.
- Published
- 2017
- Full Text
- View/download PDF
6. De la micro-analyse à l’analyse globale des correspondances : lettres de combattants pendant la Grande Guerre
- Author
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Sylvie Housiel
- Subjects
epistolary exchange ,war correspondence ,macro-analysis ,Interdiscourse ,polyphony ,dialogism ,Style. Composition. Rhetoric ,P301-301.5 - Abstract
The important number of letters written by French soldiers during World War I calls for an adequate methodological frame allowing for the organization of the data. The study uses the tools of Discourse Analysis and Argumentation in order to enlighten the nature of epistolary exchange in the combatants’ letters. In this perspective, the written documents are explored in their interactional, communicational and representational dimensions, while taking into consideration the evolution of the correspondences and their spatio-temporal frame. We will see how the shift from micro- to macro-analysis can be achieved by studying the way the soldiers deal with the event in their communication with the other at the very beginning of the war. The epistolary discourse is examined through a perspective of polyphony and of dialogism inscribing it in a common discourse, or detaching it from this interdiscourse. The epistolary attitude displayed by such an analysis of the letters at this precise period allows us to hear a single voice common to a group distinguished by its specific perception of the conflict.
- Published
- 2008
- Full Text
- View/download PDF
7. L’image de soi dans les « autographies » de Rousseau Rousseau’s image of self in his 'Autographies'
- Author
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Pascale Delormas
- Subjects
lcsh:Style. Composition. Rhetoric ,interdiscours ,Rousseau (Jean-Jacques) ,rhetoric ,rhétorique ,ethos ,autography ,analyse du discours ,communauté discursive ,lcsh:P301-301.5 ,discours analysis ,genre ,autobiographie ,discursive community ,autographie ,interdiscourse ,autobiography - Abstract
Dans ses autographies, Rousseau réitère sa plainte en vue de défendre son image : il met en œuvre les différentes catégories aristotéliciennes de l’éloquence – épidictique, judiciaire et délibératif. Le mode d’adresse au lecteur et les modèles textuels qu’il emprunte à la tradition donnent lieu à un ethos montré de rhéteur : l’exemplum dans les Confessions, l’elenchos dans les Dialogues et la disputatio dans les Rêveries sont au service d’une figure de philosophe conforme aux attentes du public. Cet ethos montré se superpose à l’ethos représenté. L’analogie entre types oratoires and littéraires est fondamentale à l’âge classique; ainsi, à côté de la Rhétorique, Rousseau puise dans la Poétique d’Aristote et dans les Principes de Littérature de Batteux pour façonner un ethos favorable sous une forme épique, dramatique et lyrique. Les autographies de Rousseau peuvent être envisagées selon une approche dialogique comme autant de réponses à des jugements contemporains. Ainsi, l’auteur est-il confronté à la nécessité de prendre en considération l’ethos préalable pour éviter tout discrédit : l’image de soi qu’il donne dans ses autographies s’oppose à la réalité d’un homme que la culture et les fréquentations mondaines désignent comme un membre parfaitement intégré socialement. En effet, dans une perspective éditoriale, il doit apparaître comme un philosophe détaché de toute contingence. Pour montrer comment la force persuasive de l’ethos discursif s’exerce sur le lecteur des autographies de Rousseau, nous montrons que l’ethos effectif naît d’ethè variés qui s’articulent : l’ethos du rhéteur, l’ethos du philosophe tel que le rhéteur le met en scène, l’ethos de l’auteur issu de ces ethè contradictoires (que les Dialogues explicitent), l’ethos du philosophe tel qu’il est perçu dans la manière même de l’écriture du texte (dont seules les Rêveries sont représentatives). En distinguant l’ethos montré de l’ethos représenté, nous faisons apparaître que les autographies de Rousseau sont un moyen de positionnement et que l’ethos montré du philosophe des Rêveries, en complétant un ethos représenté dans les deux premières autographies, reflète une progression dans l’entreprise de promotion de soi. La troisième autographie de Rousseau est celle qui, tout en prétendant faire œuvre, y parvient le mieux.In his “autographies”, Rousseau repeats his claim in the defense of his self image, using all three of Aristotle's speech genres—the epidictic, the judicial, and the deliberative types. His way to address the reader and the discursive and textual patterns, borrowed from the rhetorical tradition, endow him with an apparent ethos of orator: the exemplum in the Confessions, the elenchos in the Dialogues and the disputatio in the Rêveries all contribute to the appearance of the philosopher in accordance with public expectations. This apparent ethos is superimposed by the represented ethos. An analogy between oratory types and literary types became fundamental in the classical age; so, apart from Aristotle's Rhetoric, Rousseau draws upon his Poetics as well as Batteux’ Principles of literature in order to create a positive ethos under an epic, dramatic and serene form. In a dialogic approach, autographies can be viewed as answers to contemporary judgments. So, the author Rousseau is faced with the necessity to take into account an a priori ethos in order to avoid being discredited. Thus, the self image he unfolds in his autographies as a secluded philosopher is in opposition to the perfectly cultivated man he is, who frequently moves in higher circles, because, in an editorial perspective, he must appear as a “philosopher”, independent of history and circumstances. To clarify the persuasive effects the discursive ethos exerts upon the reader of Rousseau’s autographies, I show that the actual ethos comes from varied ethè which are linked in different discursive forms: the orator’s ethos, the philosopher’s ethos as staged by the speaker, the ethos of the author stemming from these obviously contradictory ethè (which the Dialogues explain), the ethos of the philosopher as it is perceived in the way he writes the text (of which alone the Rêveries are representative). By differentiating the apparent ethos from the represented ethos, I show that Rousseau’s autographies constitute a means of positioning in Bourdieu’s sense (of taking a stand in the field) and that the apparent ethos of the philosopher of the Rêveries, by completing the represented ethos of the first two autographies, reflects a progress in a project of self-promotion. The third autography of Rousseau, while claiming to act as a work of art, is the most accomplished.
- Published
- 2008
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