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2. MAKING CHINA VISIBLE by Marcia Reed, Paola Demattè, Larissa M. Heinrich and Xiaobing Tang.
3. Picasso in words.
4. 'LOST AND FOUND' AT THE MUSEUM OF MANKIND.
5. MODERNIST STUDIES. THE CLASS OF '84.
6. Making Things Strange.
7. Paper Stars.
8. Both/And: Howardena Pindell and Lorraine O'Grady in Focus.
9. FROM PLATO TO WARBURG.
10. Striking sparks against our ruin: Re‐enchanting Art History.
11. The Architextual Icon.
12. WORMALD'S BENCHMARK.
13. The Face of War.
14. Reflecting (on) Objects.
15. PATRIARCHAL POWER AND THE PRE-RAPHAELITES.
16. Polar Art and Aesthetics: Past and Present.
17. Reckoning with Empire in French Modern Visual Culture.
18. Breaking the Dam: Sámi Art Histories.
19. The God that Failed Brâncuşi.
20. Baroque Transfixions.
21. When Artistry, Materiality and Culture Meet.
22. Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World.
23. 'Aesthetics of Revolution' and Generative Spaces.
24. All that Glitters Is Not Gold.
25. Turning Inwards and Outwards in the Global Eighteenth Century.
26. A Timeless, Eternal World Realized in Humble Materials.
27. 'She engages us with a steady, cool look': Creating the Field of Southeast Asian Art.
28. Chalk and Cheese.
29. Surviving the Afterlife.
30. Happening as Insurrection.
31. Demateriality and Photography in Conceptual Art.
32. ART AND SPLENDOUR by Robert S. Nelson, Ann Terry and Henry Maguire.
33. MATERIAL MATTERS.
34. LOCATING RELIGIOUS EXPERIENCE: THE INTERACTION OF IMAGES AND ARCHITECTURE, SPACE AND ACTION.
35. Art History as Black Study.
36. Learning to Speak the New Language of the Artworld.
37. Rethinking Strawberry Hill.
38. Prophecy, art, and Shaker ‘gift’ drawings.
39. Artisans, Artists and Intellectuals.
40. Duchamp Effects.
41. Queer Failures.
42. Stateside Perspectives on Black British Artists.
43. Two Histories of Art History.
44. A Question of Dependence.
45. Surrealism‐Speak.
46. QUOTATIONAL ART: PLUS CA CHANGE: PLUS C'EST LE MEME CHOSE.
47. DERRIDA ON KANT AND HEIDEGGER.
48. CELEBRATING MORRIS.
49. STUDYING RENAISSANCE DRAWINGS.
50. LIGHT RELIEF AND SOME COLOUR.
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