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The article offers information on the vibrant resurgence of the Indian art world post-Covid, focusing on notable exhibitions and developments. Topics include the celebration at the India Art Fair, featuring 85 exhibitors, and noteworthy exhibitions at New Delhi's galleries, such as "Pop South Asia" at Kiran Nadar Museum of Art.

The article offers information on the transparency of the art auction market compared to art fairs, where transactional details are more visible. Topics include Sotheby's 50th-anniversary celebration in Asia, with Hong Kong auctions, representing a nine percent decline from early 2022. Notable sales include Yoshitomo Nara's painting surpassing Pablo Picasso's work.

The article offers information on the dynamics and competition in the art fair landscape, highlighting the clash between major Western franchises, Frieze and Art Basel, in the Asian market. Topics include the performance of Frieze Seoul in 2023, running concurrently with Korea International Art Fair (KIAF), with variable sales compared to its debut.

The article offers information on significant events, developments, and controversies in the art world from January to December of the year 2023. Topics include international art fairs, biennales, and gallery weekends, such as SEA Focus and Singapore Art Week, Mumbai Gallery Weekend, Sharjah Biennale 15, Frieze Los Angeles, Art Dubai, Aotearoa Art Fair, Gwangju Biennale, Taipei Dangdai Art and Ideas, Frieze New York, Venice Architecture Biennale, and Art Basel.

The article examines the art scene in India as of February 2014. Particular focus is given to state funding for the arts in India and to art programs in the country. Additional topics discussed include the India Art Fair, the National Gallery of Modern Art (NGMA) in New Delhi, India, and the Foundation for Indian Contemporary Art.

The article discusses art fairs. Between the years of 2006 and 2008 there has been a huge increase in the number of art world trade shows, a situation that some people believe will lead to the financial undoing of many art galleries. The author examines several major international art fairs that could be negatively impacted by a global economic recession in 2009. Art fairs evaluated include Art Basel in Switzerland, Art Basel Miami Beach, The Armory Show, and the Frieze Art Fair, which does not disclose purchase prices.

The article discusses art festivals around the world. The author claims that art festivals are a useful tool for local governments to lure tourists and boost the region's cultural reputation. Efforts by major Asian cities to hold art festivals are highlighted, focusing on the 2008 Biennale of Sydney, which was entitled "Revolutions - Forms That Turn" and curated by Carolyn Christov-Bakargiev, and the Gwagju Biennale, which is entitled "Annual Report: A Year in Exhibitions" and was curated by Ranjit Hoskote and Hyunjin Kim.

The article presents information about the popularity of contemporary art and art fairs. The role of Asian art in these fairs is examined, including the exhibition of Asian art in non-Asian countries. The art show titled Art Basel and its Miami Beach, Florida division are mentioned as highly attended fairs and the Armory Show in New York City is also described. The influence of global economy on art fairs is explored.

The article presents news briefs on museums and art galleries in Singapore as of 2015. The Singaporean Ministry of Culture, Community and Youth was created in 2012. The Visual Arts Cluster (VAC) consists of the Singapore Art Museum (SAM), the National Gallery Singapore (NGS), and the Singapore Tyler Print Institute. The Singapore Art Fair was held in November 2014.

The article offers information on the contemporary arts and sciences in Singapore. It mentions that despite of economic downturn, the National Arts Council (NAC) offers housing grants and educational programs to support local artists. It states the Arts Creation Fund worth 759,000 Singaporean dollars for "seed funding" proposals. It notes the Singapore Art Exhibition (SAE) festival that will focus on matters of cultural consumption. The first edition of Asia International Photography Fair (AIPF) will be part of the contemporary Asian art fair which is ARTSingapore. Furthermore, the inauguration of Art Stage Singapore will feature 120 international galleries in 2011.

The author reflects on the Asian art and culture in context to art festivals and art fairs in India. Topics discussed include critical discourse and the distrust surrounding the structure of art and culture; solidarity observed by galleries and art institutions in the country; and politicization of artistic discourse and biennale rhetoric after the formation of the government by the Bharatiya Janata Party (BJP) that was voted into power in 2014.

The author reflects on the Asian art and culture in context to art festivals and art fairs in Istanbul, Turkey. Topics discussed include critical discourse and the distrust surrounding the structure of art and culture; solidarity observed by galleries and art institutions in the country ; and politicization of artistic discourse and biennale rhetoric.

The author reflects on the various art festivals held in Asia such as biennales and art fairs, that occur primarily in the fall or harvest season. Topics discussed include critical discourse and particularly the distrust surrounding the biennale structure; importance of circulating in the field of visual culture; and politicization of artistic discourse and biennale rhetoric.