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This article analyzes the popular response to Soviet myths in the post-Soviet period through the lens of the complicated treatment of Zoia Kosmodem'ianskaia. As arguably the most famous Soviet World War II martyr, Kosmodem'ianskaia's image splintered after glasnost' and has been located at the nexus of debate in various media since 1991. This paper poses questions about the fracturing of national memory when a nation has undergone upheaval: about the stability of heroes, about citizens' responses to them, and about heroes' transformation in the new regime. Catriona Kelly has demonstrated that the treatment of a national hero can illuminate the circumstances that produced the hero and the cultural climate of subsequent decades. Building on her work, this article asks "Why and how has the image of Kosmodem'ianskaia remained relevant while other Soviet heroes have been neglected since 1991?" This article posits that Kosmodem'ianskaia's continued significance lies above all in the flexibility of her image and the transitional aspects of her body. Her depictions in various contexts represent prominent responses to the authoritarian regime which gave birth to both Kosmodem'ianskaia and her legacy. The variety of her images demonstrates the continued relevance of this figure two decades after the collapse of the USSR. [ABSTRACT FROM AUTHOR]

The article discusses ethnographic studies of Russia and Ukraine in the period from 1991 to 2011, after the fall of the Soviet Union, from an anthropological perspective. Topics include a discussion of the methodologies of the fields of ethnography and anthropology, and the role of the researcher in maintaining a conversation with the informant, or participant, while gathering research; the methodology and debates which came up as a result of the fall of the Soviet Union, and its particular methodologies of gaining ethnographic information; and the primary themes that have arisen in research since the fall of the Soviet Union in 1991.

Magical efficacy has been important in Ukrainian wedding ritual. The korovai, rushnyk, omens, gifts, the showering of the couple, and other "sacred" objects and acts of the Ukrainian folk wedding are believed to be imbued with prophetic qualities. Uprooted folklore tradition, however, faces inevitable transformations, and Ukrainian immigrants in Canada tend to know and believe in magical objects and actions significantly less. The examination of magical beliefs and practices in the context of weddings among Ukrainians in Ukraine and in Canada shows that the two groups possess different belief systems: magical and anti-magical respectively. Rural and urban dwellers, divorced people, and the clergy from both countries were interviewed retrospectively about their wedding days. Their answers confirm that magical beliefs and practices are the most fragile part of the folklore complex transmitted to a different cultural context. By contrast, material culture, which becomes a major means of ethnic identification, remains well preserved and cherished. [ABSTRACT FROM AUTHOR]